I've never liked the Transformers. The franchise didn't get its hooks into me as a kid, and while I've tried to give it a shot as an adult, it never really clicked. But now, with a recommendation from almost everyone I know and a well-timed Humble Bundle sale that left me with three years worth (and counting) of IDW's More Than Meets The Eye and Robots In Disguise comics, I'm going on a quest to see if these comics can turn me from someone who has never cared at all about Optimus Prime into someone who uses words like "Cybertron" and "alt-mode" with alarming regularity. And Primus help me, it's working.
This week, them Wave boys are in a heap of trouble as we head towards Dark Cybertron!
Whenever San Diego rolls around, we get a lot of strange superhero-related news across our desks here at ComicsAlliance, usually from companies that want to use infographics to get some of those sweet, sweet comics-reading clicks. Sometimes, though, it's one that's too perfect to pass up, and this week, we found out something that you need to know: Aquaman is 2015's most toxic superhero.
The question most often asked of the ComicsAlliance staff is a variation of, "Which comic books should I be reading?" or, "I'm new to comics, what's a good place to start?" The Wednesday deluge of new comic books, graphic novels and collected editions can be daunting even for the longtime reader, much less for those totally unfamiliar with creators, characters and publishers, and the dark mysteries of comic book shopping like variants, pre-ordering, and formats.
Given Agent Carter’s January airdate, this time last year had news of Peggy’s first season somewhat hard to come by. Compounding that mystery box for Season 2 is Agent Carter’s relocation to the West Coast, but fear not, shippers of all sides, James D’Arcy’s Jarvis and Enver Gjokaj’s Daniel Sousa will indeed join Peggy once again next year.
We’ve got two new Ant-Man bits to share today. First is the above clip, which features Paul Rudd’s Scott Lang using his super-shrinking power for the first time — in a bathtub, of all places. The second piece of news pertains to the possibility of a sequel, which director Peyton Reed says he’s open to directing.
On June 30th, 1940, a new feature named Brenda Starr: Reporter debuted in the Chicago Tribune's Sunday Comic Book Magazine. The deck was stacked against the strip and creator Dale Messick from the beginning, yet the strip would go on to run for more than seventy years.
From 1966 to 1989, as far as the world of popular culture outside of comics was concerned there was only one Batman, and his name was Adam West. Though the show only originally ran for three seasons before it’s cancellation, reruns of the series’ 120 episodes have been in continuous television rotation throughout the world to this day almost fifty years later.
In the spirit of nostalgic fun we’ve compiled a cavalcade of some of our favorite art from the Batman '66 comics and the creative works of many other Bat-fans from around the internet.
Tomb of Dracula came out of Marvel between 1972 and 1979: start date, one year after the CCA let up on vampires. This was a year after Hammer’s increasingly psychological Karnstein Trilogy wrapped up with Twins of Evil, and the same year (obviously) that the studio released Dracula AD 1972. While Christopher Lee grew ever more dissatisfied with what he saw as his Dracula’s creep towards absurdity, Gene Colan and Marv Wolfman (along with Gerry Conway, Archie Goodwin and Gardner Fox) created a Gothic masterpiece in the comics; a soap opera that doubled as a perfect and precise character study. Dracula’s got problems, and he’s at the root of every one.
Continuing Sideshow Collectibles' premium format figure line based on Mark Millar's, Dave Johnson's and Killian Plunkett's Superman: Red Son, this week the company unveiled its Red Son Wonder Woman in full. Previously teased when the line was initially announced, the Wonder Woman statue does indeed take much of its design inspiration from the previously released, "standard" DCU Wonder Woman premium format figure. Still there are enough changes to make it an exciting new piece.
When Marvel announced the Black Panther film slated for a 2018 release, with Chadwick Boseman playing the titular character, a lot of fans lost their cool. Black Panther, an Avengers alum since 1967, represents more than the Marvel Studios movie machine’s first foray into a leading super hero of color.
Hailing from the fictional African nation of Wakanda, Black Panther and his scientifically superior homeland are an example of a sub-genre of fiction in which Africans (and African Americans) display a prowess and understanding of technological and scientific advancement. Some called this Black Sci-Fi, but this fiction is perhaps more commonly called Afrofuturism.