The first trailer for Avengers: Age of Ultron was supposed to air on ABC on Tuesday during Agents of SHIELD, no doubt to give that show's flagging ratings a boost in its altogether better second year. But even the best laid plans of the rigorous pleasure-engineers at Disney/Marvel can't compete with all the weaknesses of humanity, with its strange impetuous need to leak trivialities into the ether like they were Watergate tapes. Which is why Mickey Mouse is going to replace us all with obedient machines programmed only to smile.
I'm going to go ahead and assume that if you're reading this, you're probably already familiar with Grant Morrison. That said, even if you've gone back and read through everything from Animal Man on up trying to put together a comprehensive, unifying theory of his work, then there's still a piece of the puzzle that you might be missing: Zenith, the story about a teenage superhero that he and Steve Yeowell created in the pages of 2000 AD. Aside from a limited edition hardcover that sold out quick last year, it hasn't been reprinted until this week, when 2000 AD released it as the first title that they've ever simultaneously printed on both sides of the Atlantic.
Of all the sentences I've read in comics news this week, none have been as much of an emotional rollercoaster as this one: Ryan North is leaving the Adventure Time comic, and will be replaced as writer by Christopher Hastings.
The announcement comes after almost three years of North's tenure as writer alongside artists Shelli Paroline and Braden Lamb, which included multiple awards for the series including an Eisner for Best Publication For Kids, and was revealed when the solicitations for January's issue were released, announcing the new team of Hastings, the creator of The Adventures of Dr. McNinja, and artist Zachary Sterling, who previously worked on Boom!'s line of Adventure Time original graphic novels.
The fifth episode of Agents of SHIELD's second season is in a sense the episode some fans have been waiting for since the show began; it's the first episode to ever introduce a fully fledged comic book superhero into the cinematic universe. If you've somehow avoided spoilers until now, I'll avoid saying more until we're safely inside the recap.
That big event aside, 'A Hen In The Wolf House' by director Holly Dale and writer Brent Fletcher, is an oddly uneven episode. It's so preoccupied with the show's big mysteries that it lacks the focus that has made this season so much stronger than last. But it still has some great moments, as we'll uncover in our SHLEID recap.
The story of five-year-old Torontonian Jeffrey Baldwin is about as sad as it gets, but out of that heartbreaking story has come something uplifting.
Jeffrey died of starvation and septic shock in 2002 after years of physical and emotional abuse by his guardian grandparents, who kept him and his sister locked up in a filthy room. The grandparents were convicted of second-degree murder in 2006 and sentenced to 20 years for the grandfather and 22 years for the grandmother without parole.
Speaking at an inquest into the circumstances surrounding Jeffrey's death, Jeffrey's father, Richard Baldwin, talked about how much his son loved Superman, and how he had always wanted to fly. Todd Boyce, a dad in Ottowa, was so touched that he launched a campaign to honor Jeffrey's memory.
Being a subscriber to Youth in Decline's excellent Frontier series of monographs by artists such as Hellen Jo, Sam Alden, Emily Carroll, and more, doesn't make me any less excited whenever the publisher shares sneak peeks and information about upcoming books. The sixth (and final for 2014) installment of Frontier is a new, original comic work by the amazing Emily Carroll titled 'Ann by the Bed,' and once again promises to be another perfectly executed slice of eerie horror from the cartoonist.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Spike Trotman is probably best known for her webcomic Templar, Arizona which she creates entirely herself, and the sex-positive Smut Peddler anthologies she's published through crowdfunding on Kickstarter.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn't and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Flash.
This week, we’re looking at the third episode episode of the first season, which finds The Flash squaring off against a man who can turn into a cloud. You will believe a man can cloud in this week’s episode, “Things You Can’t Outrun”!
When DC Comics announced the new lineup of Batman Family titles a few months back, Arkham Manor was the only one that actually gave me a "wait what" moment. Dick Grayson as a super-spy traveling across the world dealing with stuff like a dude who had his eyes replaced with guns? Sure, makes perfect sense. Hipster Batgirl fighting crime with the power of Snapchat? All for it. Teens running around a creepy boarding school in the one place in the DC Universe where no one in their right mind would send unsupervised children? It's the book I've been waiting for all my life.
But Arkham Manor stuck out. Right from the concept, it's this weird variation on familiar themes, trying to twist them into something new. That makes it an inherently interesting idea, even if it's one that I'm approaching with caution as a reader. I want to know what's going on here, and with the first issue out, it lives up to that. More than anything else, Arkham Manor #1 is intriguing.
The powerhouse creative team of Ed Brubaker and Sean Phillips have been publishing all their recent work -- Fatale and The Fade Out, namely -- with Image Comics, so it seemed pretty clear that it'd only be a matter of time before what's arguably the duo's most recognizable creator-owned noir title, the hugely acclaimed and award-winning Criminal, currently published by Marvel's Icon imprint.
In January, the series will make the big move with a new one-shot, a magazine-sized bonus edition of that one-shot, and a trade paperback of the first Criminal mini-series, "Coward." Colorist Elizabeth Breitweiser will stay with the book at its new home.