Those of you who keep track of the ComicsAlliance staff for shipping purposes may have been wondering what former editor Caleb Goellner has been up to since he left the site earlier this year. As it happens, he's been over at Wacom, and while working on tablets used for digital art is still pretty close to comics -- indeed, many comics artists use the technology to create their comics -- the company is nudging even closer with the announcement of the first-ever Wacom comics anthology.
Built around the theme of "Pressure/Sensitivity" (geddit?), the anthology will feature the talents of cover artist and ComicsAlliance favorite Ulises Farinas with stories by the equally esteemed Meredith Gran, Ming Doyle, Giannis Milanogiannis and more. Even better, the 32-page anthology will be free to download when it's released in January.
If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of five or ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile lists of everything you could ever want to know about comics.
This week, we're heading away from the Big Two for a look at some of the scariest bad guys from the world of indie comics. The catch? We're also staying away from horror comics, just to make things a little more interesting!
Pretty soon we'll be surprised to find out that TV shows that aren't based on comics are being developed.
The newest comics-based show coming to the airwaves is Riverdale, an Archie Comics series that has been picked up by Fox. Arrow and The Flash producer Greg Berlanti's production studio will produce the show, and the pilot will be written by Roberto Aguirre-Sacasa, Archie Comics' chief creative officer and writer of Afterlife with Archie. According to an Archie Comics press release, the show will be more like Twin Peaks than Leave it to Beaver.
Comic readers are often annoyed by the outdated assertion, “but comic books are for kids!” As those of us within this culture know, comics today are usually made for and marketed to adults, especially single issues and superhero comics. However, comics, as a medium, should and can serve a vast variety of demographics. Publishers simply need to be ready to create the books that readers will read.
Most comic readers can point to some great comics for kids, including Smile, Bone, My Little Pony: Friendship is Magic, and Adventure Time -- but for many parents and young readers, there is a huge void in the comics that exist today. There are very few high-quality, positive, superhero comics for kids.
Of all the spooky characters that I throw the spotlight on at Halloween, there's one that I've never really written too much about: Vampirella. That seems like a pretty big oversight, too. I mean, I once wrote about the Tomb of Dracula anime for Halloween, you'd think I could muster up a few words for one of the most recognizable horror characters of the '70s, right?
Well, the fact is, Vampirella's not actually that scary. I mean, despite her name, she's not actually a vampire. She's an alien from planet Drakulon, a planet where water has the same composition as blood. Or at least, I think that's how it worked, until 1997, when it was revealed that Drakulon was the product of memory implants and she was actually the daughter of Lilith, mother of all vampires, who sent her to destroy a 2,000 year-old conspiracy organized like a vampire Catholic Church (complete with a Vampire Pope) with the help of a time-traveling nun. Hoo boy. This is going to get complicated.
Whether there's ever going to be an official sequel to 2012's Dredd is up in the air, but in the meantime, producer Adi Shankar is doing his best to keep the franchise going with a series of "bootleg" short films. The latest of the bunch is an animated miniseries called Superfiend, and it looks bananas.
Next month, the world's most famous fictional Private Dick / Sex Machine / Bad MotherSHUTYOURMOUTH will make his first-ever appearance on comic shop shelves, when Dynamite Entertainment releases the premiere issue of Shaft, by the creative team of David Walker and Bilquis Evely. And while John Shaft is a well known figure to moviegoers and soul music listeners worldwide, this title promises to focus on the rough-and-tumble version of the character that originated in Ernest Tidyman's series of novels. We spoke to series writer Walker about the character's long history in multiple media, and his plans for the comic incarnation.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: Team Arrow goes on a trip, Laurel deals with her seething rage and two different women get beaten up by men on screen. Oh, also, Ollie shoots a bunch of guys. Let's get started.
The first trailer for Avengers: Age of Ultron was supposed to air on ABC on Tuesday during Agents of SHIELD, no doubt to give that show's flagging ratings a boost in its altogether better second year. But even the best laid plans of the rigorous pleasure-engineers at Disney/Marvel can't compete with all the weaknesses of humanity, with its strange impetuous need to leak trivialities into the ether like they were Watergate tapes. Which is why Mickey Mouse is going to replace us all with obedient machines programmed only to smile.
I'm going to go ahead and assume that if you're reading this, you're probably already familiar with Grant Morrison. That said, even if you've gone back and read through everything from Animal Man on up trying to put together a comprehensive, unifying theory of his work, then there's still a piece of the puzzle that you might be missing: Zenith, the story about a teenage superhero that he and Steve Yeowell created in the pages of 2000 AD. Aside from a limited edition hardcover that sold out quick last year, it hasn't been reprinted until this week, when 2000 AD released it as the first title that they've ever simultaneously printed on both sides of the Atlantic.