If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, a few viewers write in to ask about the history of Firestorm, a relatively obscure DC Comics character who was most prominent in the 1980s. As you may already know, obscure DC characters from the '80s are Chris's entire jam, which sends him on a long explanation of who Firestorm is and how he came to be, from the DC Implosion to Brave and the Bold.
Teased for years and finally launched this week, The Multiversity is a universe-jumping series of DC Comics one-shots tracking the cosmic monitor Nix Uotan and an assemblage of star-crossed heroes as they attempt to save 52 universes and beyond from a trippy cosmic existential threat that, like much of Morrison’s best work, represents something far more mundane and relatable. Tying back into the very first Multiverse story in DC’s history, the heroes of these universes become aware of this threat by reading about it in comic books… comic books that, it turns out, take place in neighboring universes. Indeed, writer Grant Morrison continues his streak of highly metatextual DC cosmic epics with this eight-issue mega-series (plus one Tolkienesque guidebook).
Described by Morrison as "the ultimate statement of what DC is", The Multiversity naturally offers the reader much beyond the surface level adventure, and that means annotations. Rather than merely filling out checklists of references, my hope with this feature is to slowly unearth and extrapolate a narrative model for Morrison and his collaborators' work on The Multiversity; an interconnecting web of themes and cause and effect that works both on literal and symbolic levels.
Three pages into the preview for The Multiversity #1, I knew I was going to have a lot to work with.
With no further ado, go get your erasers and your textbooks, close your laptops, sharpen your pencils, and get ready for some course notes. Let's go to school.
With the rise of digital comics, one of the biggest sticking points for consumers has been the idea of ownership, but this summer, we're seeing a big move towards a DRM-free model. The latest publisher to step up to the plate: Dynamite Entertainment, which launched a new digital storefront today, offering comics for download in PDF format.
In celebration of their launch -- and of their tenth anniversary -- Dynamite has thrown a couple of extras into the launch. First, they've put a selection of first issues on sale for ten cents each, including Vampirella, The Boys and The Trial of Sherlock Holmes. Second, they're donating 10% of Dynamite digital's profits for the first month to the Comic Book Legal Defense Fund.
The solicitations for November's books reveal that Superior Foes Of Spider-Man, by Nick Spencer, and Steve Lieber, and the New Warriors revival, by Christopher Yost and Marcus To, will offer up their swan songs that month.
Neither series sold particularly well -- both were near the bottom of the charts -- but each drew critical acclaim, particularly Superior Foes.
For anyone who still had a little doubt in his or her mind about whether Frank Miller -- the man who wrote and drew Sin City, which is basically all about tough guys fightin' over dames (and also lady ninjas hanging out with prostitutes) -- is nostalgic for a perceived golden age of dudeliness, look no further than his new 20Q interview in Playboy.
One of the interview's wrap-up questions is about whether Miller prefers an old-fashioned ideal of masculinity, and Miller answers that he'd like to see "the 1940s-style gentleman" make a comeback.
Ever since they were relaunched by Valiant Entertainment, Archer and Armstrong and Quantum and Woody have been two of my favorite books on the market, and it's no stretch to say that it's because they take a very similar approach to a classic superhero trope. They're both the stories of mismatched pairs, buddy comedies that throw in strange conspiracies, bizarre mysteries and wanton destruction into a blender and end up with a smoothie made of highly enjoyable comics. So naturally, it was only a matter of time before they joined forces to form a mismatched pair of mismatched pairs, which is exactly what happens in this week's first issue of The Delinquents.
And as you might expect, it gets pretty weird. Like, "mysterious treasure map made from the skin of a hobo's ass" weird.
The Arkham Sessions is dedicated to the psychology of Batman, so it seems almost like an ethical duty to cover a movie about Arkham Asylum, Gotham City's mental health facility for the "criminally insane." In the newly released direct-to-video animated film Batman: Assault on Arkham, a highly-skilled group of assassins and outlaws are called together by Amanda Waller to take part in a risky -- possibly life-threatening -- mission to infiltrate Arkham Asylum.
Does it help or hurt that members have a history of incarceration, criminal activity, and psychiatric treatment related to lack of moral sense? Perhaps Waller is brilliant to devise a plan that can only succeed via the knowledge and insight of persons who have been through the system.
In this episode of The Arkham Sessions, we gently put aside the VHS and screen a contemporary work from DC Universe Animated. Use the player above to listen to our spoiler-free analysis of Harley Quinn, Deadshot, Captain Boomerang, King Shark, Black Spider, Killer Frost, KB Beast, and, of course the Joker.
Pigs and airships? No, it's not a new Miyazaki movie -- it's Pigs Might Fly, a new graphic novel, written by Eisner Award-Winning Laika cartoonist Nick Abadzis, and drawn by cartoonist Jerel Dye, coming from First Second in 2016.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
The Small Press Expo (SPX) announced the full list of nominees for the 2014 Ignatz Awards this week; with an aim to celebrate outstanding achievements in independent and alternative comics and cartooning, the awards are named after George Herriman’s brick-wielding mouse from his Krazy Kat comic strip, recognising exceptional work within the medium. Nominees are determined by a panel of cartoonists, this year comprised of Whit Taylor, Melissa Mendes, Thien Pham, Darryl Ayo, and Austin English, with votes cast only by attendees during SPX to decide the eventual winners.