A few weeks ago we reported that ‘Breaking Bad’ director and producer Michelle MacLaren was in talks to take the helm on WB’s ‘Wonder Woman’ film, which was incredibly exciting news on its own. Today brings word that MacLaren has officially signed on to not only direct, but also formally develop the film, working with the writers to bring the iconic superhero to the big screen in her own solo movie.
I'm not excited for Sam Wilson as Captain America, and I'm not excited for a female Thor.
Now, I don't think these are totally wrongheaded things to do. I admire the impulse behind these changes, and I believe they come from a good place. In the abstract sense, I love the idea of Marvel featuring, in big, bold style, the adventures of a black man and a woman against the hordes of iniquity. I believe at least part of the motivation behind these changes is genuine in its altruism, and that it is not entirely invalidated by profit-seeking impulses. I want to believe in this initiative. I want to be excited. I do not want to be the curmudgeon in the corner, needlessly nitpicking everyone else's good time to pieces.
But it feels like a gimmick, and functions like a gimmick, and that’s because it is a gimmick. I give it perhaps two years — two years that only the most hard-core aficionados will end up able to recall, alongside their recollections of the foil covers era and that one time Doc Ock was Spider-Man.
On Sunday afternoon, we spoke to Emily Blunt who is promoting her role in Disney’s ‘Into the Woods.’ During this conversation, Blunt referenced her character in this summer’s ‘Edge of Tomorrow,’ comparing that role to what a possible Marvel movie might be. It just so happens, Blunt’s name has been mentioned in Internet buzz as a possible lead in Marvel’s ‘Captain Marvel’ (due in 2018), which would be Marvel’s first movie with a female lead. Has Blunt heard this buzz? As it turns out, she has. And she seems to find that buzz quite flattering, but admits she has had no discussions with Marvel at this time.
The 1966 Batman television show was one of the most successful and influential adaptations of comic books to mass media of all time. Over the course of three seasons and 120 episodes, the series became a cultural force with its unique combination of tongue-in-cheek humor, thrilling superhero adventure and celebrity guest stars, and shaped the way the public would view the Caped Crusader for the next five decades. Now, in the midst of a well-deserved renaissance of the show, ComicsAlliance is proud to present The Batman '66 Episode Guide, an in-depth examination of every single adventure, arch-criminal and deathtrap cliffhanger of the series.
This week, the guide begins with the pilot episode, "Hi Diddle Riddle," in which the Prince of Puzzles has given up his life of crime... or has he?
Ever since Marvel created a wildly successful shared movie universe, studios have understandably taken note. But just because the model works for them, doesn’t necessarily mean it can work for every franchise. Universal wants to try the approach with rebooting their classic monsters, and even a new series of Robin Hood films will try its hand at the shared universe idea, with multiple planned films in store if all goes well. ‘Guardians of the Galaxy’ director James Gunn finds this approach to be a little overzealous, and took to his Facebook page to express concern with what he calls a “flawed” business model.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions. In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
On November 26th, DC releases the first issue of Gotham By Midnight, a new series by Ray Fawkes and Ben Templesmith that blends black magic and police procedurals, and exposes the supernatural shenanigans that go on below the surface of Batman's hometown. Along with recent successes Gotham Academy, Arkham Manor, and the newly-revamped Batgirl, the book is part of a substantial overhaul and expansion of DC's Bat-family of titles under editor Mark Doyle.
ComicsAlliance sat down with writer Ray Fawkes to get some insight on what he and Templesmith have planned for Detective Jim Corrigan -- who longtime DC fans know is the original host of the vengeance of God, the Spectre -- and his shadowy squad of GCPD operatives.
Earlier this week Bleeding Cool reported that Rat Queens artist John Upchurch, who draws under the pen name Roc Upchurch, was arrested in Georgia last month on charges of "Battery - Family Violence." The report sourced a blog post by Upchurch's wife describing the events, one which she later deleted but that is still available in the form of Web cache. Roc Upchurch confirmed the arrest in a statement to Bleeding Cool.
Following questions of what would become of the series, Rat Queens writer and co-creator Kurtis Wiebe announced on his website that in light of the nature of the charges, Upchurch will no longer be drawing the comic, and that Rat Queens will continue with a new artist.
Each and every week, ComicsAlliance puts the spotlight on some of our favorite pieces in our regular Best Art Ever (This Week) feature. Every now and then, though, something comes along that deserves to take the spotlight all on its own, and there's a new art print that definitely fits the bill. In this case, it's because it combines two of our favorite things: Artist Geof Darrow and The Legend of Korra.
Originally published by DC Comics in 1988, Cinder and Ashe is a comic by Gerry Conway, José Luis García-López, and Joe Orlando about two mercenary/detective friends who are unable to escape and reconcile with the horrors of their shared past in Vietnam -- a past which has become actualized with the returning of a mad killer who they both thought was long dead. The story takes place in New Orleans with flashbacks to Vietnam, and some stops in Washington, DC and Iowa.
Now available in a collected edition, the book is a well preserved testament to the artistry of one of comics' best storytellers.