Welcome back to Rachel and Miles X-Plain the X-Men, a weekly podcast in which X-Perts Rachel Edidin and Miles Stokes explore the ins, outs, and retcons of fifty years of Marvel’s greatest superhero soap opera!
This week: Special guest Kurt Busiek is the J. Rober Oppenheimer of X-Men, Rachel and Miles learn to love the Silver Age, Cyclops gets a job, Bernard the Poet falls from grace, we really wish X-Men: The Secret Years was a real book, everyone recites poetry, and we still don’t get around to Marvels.
One of the best things about digital comics is that you can read them online pretty much anywhere, but sometimes, every now and then, you want to read them in print. Whether it's the extra features that inevitably come with a printed collection, the texture of paper or just the comforting reminder that physical objects exist and you are therefore not alone and isolated in a formless void, printed webcomics have a lot to offer today's discerning reader, and Dark Horse is stepping up to give you three of the most exciting collections of the year.
Set for release next spring, Eisner winning digital comic Bandette and the webcomic Polar: Eye For An Eye are returning to Dark Horse for the book trade customers, but the third, Murder Book is a newcomer, and it looks awesome.
Michael Egan, the former model who filed sexual abuse charges against X-Men: Days Of Future Past director Bryan Singer in civil court, has withdrawn his suit following the recent departure of his former attorney, Jeff Herman. Egan insists that his decision is no reflection on the merits of his case against Singer, and instead reflects his inability to continue without representation.
Benign Kingdom fills a niche that lay absurdly open for too long: well designed and curated artbooks from webcomic creators. Somehow, the idea never occurred to me or most anyone for years, despite the absolute cavalcade of talent on display. Who knew Danielle Corsetto, creator of Girls With Slingshots, produced such gorgeous figure drawings? Who knew Yuko Ota, co-creator and artist of Johnny Wander, could fill a page with such whimsy and menace?
One enormously successful Kickstarter later, Benign Kingdom has presented the world with these awesome talents, but also helped demonstrate the viability of self-publishing. ComicsAlliance sought out Evan Dahm, co-founder of the Benign Kingdom project and creator of the webcomic Rice Boy, to discuss a changing industry and their place within it.
Jack Kirby is very arguably the single most influential figure in the history of American comics. He produced countless stories in a career that spanned seven decades, inventing and re-inventing genres and styles every step of the way. He inspired generations of artists and writers; created and co-created thousands of characters; defined the visual vocabulary of superheroes; and believed in the potential of comics to be both entertainment and art, long before most people imagined these stories would be remembered past the four weeks that they sat on newsstands.
Today would have been Kirby’s 97th birthday, and to mark the occasion we’ve assembled a series of posts commemorating the life and work of the man known to American comics fans as “The King.” For this piece, we asked some of our favorite creators and other comics pros to celebrate Jack Kirby with their impressions of his characters, life, and legacy – and we got so many responses, we'll have another installment of all-star tributes tomorrow!
When it was announced back in January, we knew three things about ODY-C, the new Image series by writer Matt Fraction and artist Christian Ward: It was a retelling of The Odyssey, would take place in space, and the characters would all be gender-swapped.
What wasn't as clear was just how trippy and brutal it would be, but if the five-page prologue Ward posted to his Tumblr last week is indicative of what the whole series will be like, those are the words to describe it.
Ward was sure to note that these pages won't appear in the first issue of ODY-C, so get a good look at the prologue -- with its positively luminous color palette, sometimes unorthodox panel layouts, and one big scene of someone getting sliced in two with a sword -- now.
Traditionally speaking, TV tie-in comics have been a pretty mixed bag. The ones that are bad tend to fall flat pretty hard, ranging from forgettable to outright terrible. Occasionally, it's because they feel like cheap cash-ins, but more often, it's just a simple case of the tie-in not being able to capture the same spirit and feeling of the source material. But sometimes, every once in a while, you get something like the Bill and Ted's Excellent Comic Book series that Evan Dorkin did for Marvel back in the '90s, where he took the Wyld Stallyns on a full year of increasingly bizarre adventures and ended up making something that's actually amazing, or the recent Eisner-winning Adventure Time comics.
This week marked the launch of Dynamite's Bob's Burgers comic, and while it's only one issue in, I'm already going to go ahead and say that it goes far beyond capturing the spirit of the show, to the point where it feels like it could be a lost episode. It's not just a great translation of Bob's Burgers to comics, it's great Bob's Burgers, period.
Mostly because it starts with Erotic Friend Fiction about Tina being a horse.
Comics fans have become well acquainted with the notion that sometimes, creative people learn the wrong things from successes. It's why certain comics have been dominated for going on 30 years by a "dark" and "mature" sensibility that often comes off as grim, self-serious and overcooked.
Well, get ready for that way of thinking to make its way to movie theaters very soon. According to a report at Hitfix, Warner Bros. has a strict rule for its upcoming DC Comics movies: "No jokes."
Felipe Smith lived the dream of a thousand starry-eyed DeviantArtists when, in 2008, his nerd-skewering masterpiece Peepo Choo debuted at Kodansha-owned manga magazine Morning 2. When asked about what went into accomplishing this feat — becoming fluent in Japanese, keeping pace with the manga industry’s rigorous schedule, being an American noticed by the manga industry at all — Smith is all shrugs and smiles. His work spans the globe, he’s completely reinvigorated Marvel’s Ghost Rider, and, as friends pop by his booth, he slides smoothly in and out of the three languages he speaks, but you know, no biggie. Smith takes it all in his stride.
Peepo Choo, a gleefully lurid tale of cultural fetishization, yakuza, teenage boys, and gravure idols, lies far afield from Ghost Rider in terms of content. But Smith’s zingy, earnest voice unites the two works, and it is this voice that makes Smith such an exciting creator with such a tantalizingly unpredictable future. ComicsAlliance sat down with him at San Diego Comic-Con to discuss living and working in Japan, nerd culture around the world, and what Robbie Reyes brings to the superhero table.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.