Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions. In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, Jubilee actually compares the events of her life to a soap opera, just in case you didn't get that before now.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate creates an interactive tool to help determine your costume for Halloween next month. Simply download the PDF, cut it out and roll. You're welcome.
If you were to pull a random sampling of professionals from across the comics industry and poll them on their favorite modern-day creators, Mike Mignola's name would doubtlessly rank near the top. Since he burst on the scene at Marvel in the early 1980s, pencilling an obscure limited series about a talking space raccoon, he's matured brilliantly – from his seminal work at DC Comics (pencilling books including World Of Krypton, Cosmic Odyssey, and Batman: Gotham By Gaslight), to his work at Topps, Marvel, and other companies in the early '90s (on Ironwolf, Bram Stoker's Dracula, various X-books, and many other titles), to his move into creator-owned comics with the mighty Hellboy, he's maintained a unique voice and an immediately recognizable art style, bettering himself with each successive project, evolving and refining his voice at every opportunity.
Whether it's baby Hellboy eating a forbidden breakfast, a snake and a magician flying kites, or a robotic super-spy with a detachable head in the employ of President Lincoln, there's a dry-yet-absurd tone to Mignola stories that drips with the glee of innovation and possibility, yet manages to keep it all contained within straight-faced third-person storytelling. And so, today, a few days after his 54th birthday, we're excited to celebrate Mike Mignola's career with a few fellow fans (who also happen to be notable comic-makers in their own right).
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
The ComicsAlliance staff is a diverse lineup writers, editors, artists, photographers and designers, but before we’re any of those things we’re simply fans. Appreciators. Collectors. Almost every day we share with each other via Instagram all the great books, toys, artwork, apparel, and other beautiful and/or inescapably cool objects we collect almost ceaselessly in comics stores, at conventions, and from all kinds of sources all over North America (and sometimes beyond). Displaying (i.e. showing off) some rad swag typically inspires everyone to one-up their pop-archeologist game in the never ending quest to find awesome stuff, and simply posting the week’s new comics usually causes someone to discover a new title or artist, which in turn inspires a whole new line of excavation.
In the past we’ve published photos of our “con hauls” here on CA and the resulting discussion with readers — i.e. collector kudos — has always been fun, so with the ComicsAlliance Collection we’re going to do it every week. But more importantly, we want to see your collection too. Show us new additions to your collections by using the hashtag #CAcollection on Instagram and we’ll embed the best stuff alongside our own recent acquisitions. And please do follow us @ComicsAlliance.
We'll be focusing here on the second issue of the maxiseries, the unwieldily titled The Multiversity: The Society of Super-Heroes: Conquerors of the Counter-World, written by Grant Morrison with pencils by Tom Strong's Chris Sprouse, inks by Karl Story and Walden Wong, and gorgeous colors by Dave McCaig.
I'll admit here from the beginning that while I can talk about this series' relationship to the DC Universe and Morrison's oeuvre, I'm close to clueless about the vagaries of early 20th century pulp fiction and would be incredibly interested in hearing from more learned readers whatever I've missed from that angle. That said, there's still a great deal of meat to dig into in this issue, which serves as a sort of conceptual counterpoint to Final Crisis's opening scene, showing us the end of Anthro and Vandal Savage's 40,000-year feud.
So, with no further ado...
Sometimes we comics fans can get so bogged down in the minutiae of whether characters we like are being treated the way we think they should that we forget that some cartoonists actually risk their livelihoods -- and occasionally their lives -- to make comics.
Trouble can arise even over seemingly innocuous points. Consider the case of Venezuelan cartoonist Rayma Suprani, who was fired from her job at the El Universal newspaper over a cartoon about health care.
In case you haven't read it yet (and missed our review), Edge of Spider-Verse #2 by Jason LaTour and Robbi Rodriguez is a fantastic comic. It introduces an alternate-universe Gwen Stacy who become Spider-Woman and is on the run from the cops after being blamed for the death of poor old Peter Parker. It also involves an awesome element: A band called The Mary Janes, in which Gwen is the drummer, Mary Jane Watson is the lead singer/bassist, Glory Grant is the keyboardist, and Betty Brant plays lead guitar.
That'd be cool enough on its own, but a band called Married With Sea Monsters took it a step further. They've actually recorded a version of the song from the comic, "Face It Tiger," and posted it to YouTube.
Last week there was talk that a Supergirl TV show was in development from Arrow and Flash executive producer Greg Berlanti. This week CBS has jumped straight to a series order for the show, meaning Supergirl is just about guaranteed to make it to air (or else the network pay a hefty kill fee) -- and we can all start wildly speculating about who they'll cast as the lead and which version of the character will make it to the screen.