The last year of Cartoon Network's Regular Show has brought some pretty huge changes to the lives of everyone's favorite park groundskeepers who just happen to be a raccoon and a bluejay. The departure of Margaret and the reintroduction of CJ, the secret origin of Skips and the introduction of Thomas the Intern have all shaken up life around the park, and it doesn't seem like it's going to stop any time soon.
To find out more, I went to San Diego Comic-Con and spoke to J.G. Quintel (show creator and the voice of Mordecai), Sean Szeles (writer and director), Matt Price (writer), Bill Salyers (Rigby), Minty Lewis (storyboard artist and the voice of Eileen) and Roger Craig Smith (Thomas) at Comic-Con International. Find out more about Eileen's rise to prominence, hear hints about Thomas's upcoming role in the spotlight, and witness J.G. Quintel's reaction when I tell him how upset my 63 year-old mother was when Skips' girlfriend died in that flashback. Seriously.
DC Comics' upcoming Gotham Academy by Becky Cloonan, Brenden Fletcher and Karl Kerschl is one of those ideas that's so good that it's amazing that it took a full 75 years of Batman comics for it to actually happen. Set in a prestigious private school in the middle of Batman's hometown, Gotham Academy will debut this October following the adventures of two young students at a private school in a city known mostly for its truly staggering population of supervillains.
One assumes that hijinks will ensue, but to find out more, ComicsAlliance's Juliet Kahn spoke to Cloonan, Fletcher and Batman group editor Mark Doyle at San Diego Comic-Con.
Here at ComicsAlliance, we're already pretty excited about Jim Zub and Steve Cummings' Wayward. The story of a girl who moves from Ireland to Japan after her parents divorce, only to find herself in a world that's not only culturally different, but also full of supernatural monsters that want to murder her right there on the streets of Tokyo hits that perfect combination of adolescent metaphors and comic book action that I'll always love as a reader.
If, however, you still need convincing before the book's Final Order Cutoff date on Monday, then have a look below for a five-page preview that provides a gorgeous showcase of Cummings' art as Rory arrives in Tokyo. And maybe, if you're good, I might throw something else in for good measure.
Director James Gunn's Guardians Of The Galaxy is a big gamble for Marvel Studios. It's an unknown quantity even to most comic fans. It's a space opera at a time when non-Lucasfilm space operas don't perform well. It's a movie with a talking raccoon at a time when even Disney princess movies don't have talking animals.
Of course, all of Marvel's movies have been gambles. Iron Man wasn't a household name, despite how we think of the character now. Thor was a sci fi fantasy movie -- what could be worse? Captain America seemed an impossible sell for overseas markets. Bringing those franchises together for Avengers? Insanity. Marvel Studios' safest bet was probably Hulk -- a household name and a proven quantity -- and that's been the studio's weakest performer. So it looks like the big gambles are where Marvel excels. If Guardians Of The Galaxy is the studio's biggest gamble to date, it makes a weird kind of sense that it's also one of the studio's most delightful successes.
Saga co-creator Fiona Staples is one of the best cover artists in the industry, so it's no surprise that Marvel should want to borrow some of her magic for their new Thor series, by Jason Aaron and Russell Dauterman. And it's no surprise that the result is awesome, with the new Thor wielding the mighty Mjolnir to smash a frost giant right in his big frosty face.
Mile High Comics did not have a great San Diego Comic-Con this year. According to a report written by company president Chuck Rozanski, Mile High stood to lose about $10,000 just by having a booth (technically, seven booths) at this year's show.
That's a massive amount of money for a retailer, even one as huge as Mile High. The loss was so big that Rozanski threatened to never come back to Comic-Con again. Ultimately, Rozanski decided that he will come back next year as an "emotional response" to an outpouring of support from fans and comics pros, but his major problem with the show remains the same: Publisher exclusives.
As you know from our weekly Best Cosplay Ever feature, we are big fans of cosplay at ComicsAlliance. The comics, sci-fi, gaming and fantasy communities’ talents for homemade disguises, craftsmanship, and sartorial superheroics are definitely on display this weekend at San Diego Comic-Con, and in addition to the great photography of Pat Loika, we availed ourselves of the film crew shared by CA and our sister sites ScreenCrush and Arcade Sushi to capture some cosplayers on film, showing off their work and talking about what this increasingly popular and influential hobby -- or art form, if you like -- means to them.
With the still-can't-believe-they-actually-made-this-one Guardians of the Galaxy opening this weekend, it’s time again to break down the convoluted history of comics in the recurring feature we call Comics, Everybody! Courtesy of cartoonist Chris Haley of Let’s Be Friends Again and colorist Jordan Gibson, the subject of this edition has an uncommonly strong claim to the title of unlikely hero. Or at least, unlikely movie star. That's right, we're talking about Star-Lord, the Marvel Comics space hero created by Steve Englehart and Steve Gan.
Whether you’re new to Guardians and Star-Lord and curious to learn more about his ridiculous history or you’re a hardcore Marvel nerd looking to Um-Actually this feature into oblivion, you’ll be sure to enjoy this special tribute to the galaxy's newly famous nobody.
Q: Hey Chris, what's the worst story from the best writer? -- @starr226
A: I've gotten this question a few times over the past few weeks, and it's one that's really interesting to me for a few reasons, the most important of which being that nobody in the history of comics has a perfect record. Once you put out more than, say, four comics, everyone from Jack Kirby on down has stunk up the room at least once in their career, and it can be really fun looking at something to try to figure out exactly why something doesn't work, when everything else from that particular creator works so well.
For me, though, as easy as it would be to hit a soft target like Alan Moore and Scott Clark's Spawn/WildC.A.T.S: Devil Day, the biggest and most surprising drop will always be Larry Hama and Scott McDaniel's surprisingly terrible run on Batman.
It's never a safe bet to think the United States Supreme Court will take on any particular case -- it only accepts a handful each year -- but the credibility of Jack Kirby's family's case against Marvel Comics got another big boost recently.
Attorney Tom Goldstein, the founder of SCOTUSblog, one of the most widely-read online sources for Supreme Court commentary, has opted to co-represent the Kirby family as it fights for copyrights for characters Kirby co-created between 1958 and 1963, which include the Hulk, the X-Men, the Fantastic Four, and a slew of others. Goldstein's name puts considerable muscle behind the Kirby family's claim, which Marvel has asked the Supreme Court to dismiss because it doesn't "merit review."