Public-safety media is taking a step away from filmstrips and pamphlets toward something much cooler: comic books. In Oregon, anyway.
The Oregon Office of Emergency Management has partnered with Milwaukee, Oregon-based Dark Horse Comics to release Without Warning, a free, 12-page comic all about earthquake safety. It's not just a bunch of safety tips with pictures, either. Writers Jeremy Barlow and Althea Rizzo and artist David Hahn have developed a real story about a girl trying to get back to her family in the aftermath of a disaster.
No, you shouldn't adjust your computer screen. The above photo is of Vincent D'Onofrio, who shaved his head for his role as Wilson Fisk (aka Kingpin) in Marvel's upcoming 'Daredevil' series, to stream on Netflix in 2015. As he told ScreenCrush earlier today, tonight he's filming a big scene in Brooklyn where "it’s the first time you see my character do something physical." Given how intimidating the 'Law & Order: Criminal Intent' vet looks in person with this new look -- mind you, he's also 6'4'' -- we can't wait to see how his character comes to life on-screen.
A day may be coming when comic book creators no longer have to turn to the kindness of others to help them pay their medical bills, but that day is not today. Writers, artists, colorists, letterers -- virtually everyone involved with making your favorite comics works in a freelance capacity, where healthcare remains a financial burden in America.
As you may have read a few months ago, Schmuck writer and photographer Seth Kushner has been diagnosed with leukemia and needs a bone marrow transplant. This week, his family started a GoFundMe page to raise $50,000 to make it happen.
For the past year, I've spoken to Scott Snyder for a series of in-depth interviews about Batman: Zero Year, the new origin story that he, Greg Capullo, Danny Miki and FCO Plascencia have produced for DC Comics. In the final act, "Savage City," Batman was confronted with a Gotham City that had been destroyed by a super-storm, was overrun by plants that had grown out of control, and was being held in the iron grip of the Riddler, all while confronting the trauma that inspired him to become a hero.
With the full story completed, I spoke to Snyder for the first part of a two-part interview about how he felt he'd achieved his goals with the bestselling story, the inspiration for the dynamic visuals, and his meeting with Frank Miller, possibly the most definitive Batman author, who had one very specific note about the story.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, a few viewers write in to ask about the history of Firestorm, a relatively obscure DC Comics character who was most prominent in the 1980s. As you may already know, obscure DC characters from the '80s are Chris's entire jam, which sends him on a long explanation of who Firestorm is and how he came to be, from the DC Implosion to Brave and the Bold.
Teased for years and finally launched this week, The Multiversity is a universe-jumping series of DC Comics one-shots tracking the cosmic monitor Nix Uotan and an assemblage of star-crossed heroes as they attempt to save 52 universes and beyond from a trippy cosmic existential threat that, like much of Morrison’s best work, represents something far more mundane and relatable. Tying back into the very first Multiverse story in DC’s history, the heroes of these universes become aware of this threat by reading about it in comic books… comic books that, it turns out, take place in neighboring universes. Indeed, writer Grant Morrison continues his streak of highly metatextual DC cosmic epics with this eight-issue mega-series (plus one Tolkienesque guidebook).
Described by Morrison as "the ultimate statement of what DC is", The Multiversity naturally offers the reader much beyond the surface level adventure, and that means annotations. Rather than merely filling out checklists of references, my hope with this feature is to slowly unearth and extrapolate a narrative model for Morrison and his collaborators' work on The Multiversity; an interconnecting web of themes and cause and effect that works both on literal and symbolic levels.
Three pages into the preview for The Multiversity #1, I knew I was going to have a lot to work with.
With no further ado, go get your erasers and your textbooks, close your laptops, sharpen your pencils, and get ready for some course notes. Let's go to school.
With the rise of digital comics, one of the biggest sticking points for consumers has been the idea of ownership, but this summer, we're seeing a big move towards a DRM-free model. The latest publisher to step up to the plate: Dynamite Entertainment, which launched a new digital storefront today, offering comics for download in PDF format.
In celebration of their launch -- and of their tenth anniversary -- Dynamite has thrown a couple of extras into the launch. First, they've put a selection of first issues on sale for ten cents each, including Vampirella, The Boys and The Trial of Sherlock Holmes. Second, they're donating 10% of Dynamite digital's profits for the first month to the Comic Book Legal Defense Fund.
The solicitations for November's books reveal that Superior Foes Of Spider-Man, by Nick Spencer, and Steve Lieber, and the New Warriors revival, by Christopher Yost and Marcus To, will offer up their swan songs that month.
Neither series sold particularly well -- both were near the bottom of the charts -- but each drew critical acclaim, particularly Superior Foes.
For anyone who still had a little doubt in his or her mind about whether Frank Miller -- the man who wrote and drew Sin City, which is basically all about tough guys fightin' over dames (and also lady ninjas hanging out with prostitutes) -- is nostalgic for a perceived golden age of dudeliness, look no further than his new 20Q interview in Playboy.
One of the interview's wrap-up questions is about whether Miller prefers an old-fashioned ideal of masculinity, and Miller answers that he'd like to see "the 1940s-style gentleman" make a comeback.