The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries.
Sailor Moon is inescapable. There’s the new anime of course, and the new musicals, the merchandise, and the retranslation of the manga. But it’s the emblem of a wider renaissance as well, a resurgence of love for mahou shoujo, or magical girl anime and manga — a movement led by women well out of their childhood years. A quick stroll through Tumblr reveals Sailor Moon cupcakes, punky Sailor Moon jackets, heartfelt essays about what the portrayal of lesbianism in Sailor Moon meant to the reader, dozens of artists working together to reanimate an episode of the anime, Sailor Moon nail art tutorials, cats named Luna, Beryl, Haruka and everything in between, hand-sculpted figurines, ornate embroidery projects, and an endless avalanche of fanart. Sailor Moon as an Adventure Time character. Sailor Moon cheekily clutching a Hitachi Magic Wand. Sailor Moon as a vicious biker chick. Sailor Moon protesting the Supreme Court's Hobby Lobby ruling.
Sailor Moon fans have not so much rediscovered their love for Naoko Takeuchi’s sword-and-sparkle epic as they have elected her queen mother of their imaginations and ultimate aspirational self. She is, simultaneously, symbol, cause, and leader.
This resurgence is animated by more than typical fannish passion. This is a need to return to a world where young women are in charge. This is an anger at the pabulum of Good Role Models for Girls, at boob windows and “fridging" and “tits or gtfo.” This is 15-year-olds covering their notebooks in “MERMAIDS AGAINST MISOGYNY” stickers, yet also gravely serious grad students applying bell hooks to Takeuchi’s use of Greco-Roman myth. This is a collective invoking of spirits, made more potent in their absence — Usagi Tsukino and all her friends as saints and saviors, carrying the light of childhood optimism to an adulthood in sore need of it. This is nostalgia as a weapon. “Pretty soldiers” indeed.
Based on a 1976 Detective Comics story by Dennis O'Neil and Dick Giordano, "Appointment in Crime Alley" is a memorable and heartfelt episode of Batman: The Animated Series. Gritty and sorrowful, the episode is centered around the anniversary of Thomas and Martha Wayne's murder in Park Row 30 years ago, and Bruce Wayne's annual appointment to visit the site of their death. We also learn more about Dr. Leslie Thompkins, the longtime friend and colleague of Thomas Wayne who consoled young Bruce on the night his parents were murdered. We realize Leslie's life was also greatly affected by the tragedy, and the two share a unique bond.
Are Bruce and Leslie enacting a healthy coping method by commemorating the Waynes every year in "Crime Alley", or is this a sign of prolonged grief and their inability to move on? In this episode of the Arkham Sessions, we discuss how some people who experience trauma and negative life events can get "stuck" on bad thoughts which keep them from overcoming the tragedies in their lives.
I'm not even close to kidding when I say that one of the most exciting things about life in 2014 is that we're experiencing an amazing renaissance of Sailor Moon. Not only has the manga been reissued in its entirety from Kodansha, and not only is the classic series being released uncut with two episodes every Monday on Hulu, but Pretty Guardian Sailor Moon Crystal, a new series based on Naoko Takeuchi's original series, made its worldwide premiere last weekend.
This is, for someone who loves Sailor Moon as much as I do, a pretty big deal, and Crystal's first episode lived up to the hype by being an absolutely gorgeous new version of Usagi's first outing as Sailor Moon. The thing is, Crystal was designed to be a far more strict adaptation of the source material, and while it definitely succeeds on that front, that's also its biggest problem.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, it's the finale of "Beyond Good And Evil," and honestly, your guess is as good as mine.
For a certain generation of TV viewers, Bob Hastings will always be Lt. Elroy Carpenter from McHale's Navy. For another generation, he'll forever be the voice of Police Commissioner Gordon. We may not have known his name or even thought about who was providing Gordon's voice on Batman: The Animated Series, but for our entire lives, his voice will be the voice we hear in our heads when we read a comic with Gordon in it.
Hastings died Monday after a long battle with prostate cancer, according to the Burbank Leader. He was 89.
Warner Bros. Animation's DC Nation shorts produced some pretty fantastic material and shined a mass media spotlight on a lot of obscure DC Comics characters. But my favorite, hands down -- and that of many viewers -- was the animated reimagining of Dan Mishkin, Gary Cohn and Ernie Colon's Amethyst, Princess of Gemworld. Over the course of seven 75-second shorts produced, directed and designed by artist and animator Brianne Drouhard, Amy Winston was upgraded from an '80s straight-faced sword-and-sworcery concept to a a synthesis of gamer culture and magical girl anime, starring a contemporary young woman pulled into a funny and dangerous video game world where she's a princess of destiny set on a quest to battle skeletons, slay dragons and save the world.
With the series of shorts concluded and available to watch online, we spoke to Drouhard about how she pitched the fan-favorite story, the trials of adapting her illustrating style for animation, and why it was important for Amethyst to have video games in her life. We also got plenty of gorgeous Amethyst art from Drouhard in the process.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, a reader wants to know why Chris, who is often so opposed to romanticizing villains, loves Destro so much. What is it about an arms dealer who supplies a terrorist organization bent on world domination that makes him different from other villains -- and makes him so easy for us to identify with?
If you're a fan of Avatar: The Legend of Korra, then you're probably having a pretty good week. Not only did Book 3 start up this weekend with the promise of Korra re-founding the Air Nation and going up against a team of super-powered crooks bent on destruction -- including an Water Bender who uses tendrils of water and ice in place of her missing arms, which is awesome -- but today marks the release of Book 2 on home video, for anyone who needs to catch up.
As you might expect, the Blu-Ray/DVD has more to offer than just the episodes of the show. There's a whole list of special features, including one where show creators Michael Dante DiMartino and Bryan Konietzko discuss the family dynamic that influenced the second season.
In putting together this summer's superhero-themed SpongeBob Comics Annual-Size Super-Giant Swimtacular #2, United Plankton Pictures dug deep and left-of-center for inspiration and riff material. How deep, and how left-of-center? Well, the book includes, "I Shall Destroy All The Civilized Planktons!", a rather meticulously assembled homage to the work of Golden Age oddball artist Fletcher Hanks and his Stardust The Super-Wizard, by Paul Karasik and R. Sikoryak.
That story follows a few featuring more traditional targets of parody, like a Western-themed story starring SpongeBob regular Mermaid Man, who is basically just Silver Age Aquaman with sea shells over his nipples and a starfish in the middle of his face, and another in which Squidward becomes Batman parody the Squishy Knight and SpongeBob becomes "Multi-Purpose Sponge, the hero with a different costume in every panel" (which allows for panel after panel of SpongeBob dressed as various Marvel and DC superheroes).
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