If you're not already, you may want to sit down, and if you're already sitting down, you may want to go ahead and clear off a spot on the floor so that you can lay there and stare into space thinking about how everything you have been told in your life has been rooted in lies and deception. Are you sitting? Good.
So it turns out Hello Kitty is not actually a cat.
Natasha Allegri is leading a movement. A quiet, earnest, doe-eyed movement to be sure, but one that is unstoppable, and unquestioningly vital. Bee and Puppycat, her already widely beloved series produced for Frederator's Cartoon Hangover channel, is about to relaunch, to widespread fan salivation. Her social media accounts swell with more and more followers every day. Puppycat plushes and inflatable swords were everywhere at San Diego Comic-Con, as was cosplay and fan art.
Allegri's work, in its sincere, unfailingly sweet way, has announced to the world that animation aimed at an adult (or at least teen) female audience is not just viable — it is a verified path to critical and commercial success. ComicsAlliance sat down with her at SDCC to discuss her success, the importance of cuteness, and what we can expect from the new Bee and Puppycat animated series.
Here is a fun fact about your old pal Chris Sims: I am never going to get tired of looking at pictures of Sailor Moon. I mean, it's been like 17 years since I first saw it and I keep finding the Sailor Senshi to be absolutely delightful, so I doubt that it's going to stop any time in the forseeable future.
Fortunately for me, there are fantastic artists like Missy Pena out there doing their best to make sure that there's genuinely great art out there for everyone to see. She has an amazing take on not just Sailor Moon, but other stuff that I love too, like Pokémon, The Legend of Korra and more! Check out some favorites below!
Comic-Con International in San Diego is nothing if not a great excuse to buy things that you can't get anywhere else, and folks, I am no more immune to the siren song of consumerism than anyone else. For me, my particular vice comes in the form of action figures -- specifically the Tamashii Nations S.H. Figuarts line of high-end Japanese action figures. At their booth last weekend, they had not only all five of the Inner Senshi from Sailor Moon, but they also had that giant Hello Kitty that Hello Kitty herself pilots so that she can fly around and battle against giant monsters, aka the single greatest thing that has ever been produced by the hands of man.
Obviously, I had to buy it all. So to justify my expense (and for tax purposes), join us on a journey to the floor of San Diego and find out just how much money I spent on toys. The answer will not shock you, but it may give you the impression that I should never have been trusted with a debit card.
Udon Entertainment unveiled an impressive line-up of books for the coming year at San Diego Comic-Con on Saturday night, including the English-language translaton of the manga of Ryo Akizuki Kill La Kill, and not one but two Osamu Tezuka artbooks. Osamu Tezuka Anime Character Artbook is a collection of sketchbook drawings and designs, while Osamu Tezuka Anime Character Illustrations collects his animation model sheets.
This week's fun at San Diego's Comic-Con International isn't just about stuff you can buy. I mean, yes, that's kind of the entire point of the convention, but in addition to new and exclusive products, plenty of publishers are offering unique experiences to lure you into their booths, and Viz Media is going the extra mile. In addition to new books like the Hello Kitty 40th Anniversary hardcover and The Art of Princess Mononoke, they're giving attendees the chance to take photos with characters like Doraemon and Hello Kitty.
That's right: a photo op with Hello Kitty. If you see me crying with joy on the con floor, that's why. Check out the rest of the exclusives belo
Sailor Moon is inescapable. There’s the new anime of course, and the new musicals, the merchandise, and the retranslation of the manga. But it’s the emblem of a wider renaissance as well, a resurgence of love for mahou shoujo, or magical girl anime and manga — a movement led by women well out of their childhood years. A quick stroll through Tumblr reveals Sailor Moon cupcakes, punky Sailor Moon jackets, heartfelt essays about what the portrayal of lesbianism in Sailor Moon meant to the reader, dozens of artists working together to reanimate an episode of the anime, Sailor Moon nail art tutorials, cats named Luna, Beryl, Haruka and everything in between, hand-sculpted figurines, ornate embroidery projects, and an endless avalanche of fanart. Sailor Moon as an Adventure Time character. Sailor Moon cheekily clutching a Hitachi Magic Wand. Sailor Moon as a vicious biker chick. Sailor Moon protesting the Supreme Court's Hobby Lobby ruling.
Sailor Moon fans have not so much rediscovered their love for Naoko Takeuchi’s sword-and-sparkle epic as they have elected her queen mother of their imaginations and ultimate aspirational self. She is, simultaneously, symbol, cause, and leader.
This resurgence is animated by more than typical fannish passion. This is a need to return to a world where young women are in charge. This is an anger at the pabulum of Good Role Models for Girls, at boob windows and “fridging" and “tits or gtfo.” This is 15-year-olds covering their notebooks in “MERMAIDS AGAINST MISOGYNY” stickers, yet also gravely serious grad students applying bell hooks to Takeuchi’s use of Greco-Roman myth. This is a collective invoking of spirits, made more potent in their absence — Usagi Tsukino and all her friends as saints and saviors, carrying the light of childhood optimism to an adulthood in sore need of it. This is nostalgia as a weapon. “Pretty soldiers” indeed.
I'm not even close to kidding when I say that one of the most exciting things about life in 2014 is that we're experiencing an amazing renaissance of Sailor Moon. Not only has the manga been reissued in its entirety from Kodansha, and not only is the classic series being released uncut with two episodes every Monday on Hulu, but Pretty Guardian Sailor Moon Crystal, a new series based on Naoko Takeuchi's original series, made its worldwide premiere last weekend.
This is, for someone who loves Sailor Moon as much as I do, a pretty big deal, and Crystal's first episode lived up to the hype by being an absolutely gorgeous new version of Usagi's first outing as Sailor Moon. The thing is, Crystal was designed to be a far more strict adaptation of the source material, and while it definitely succeeds on that front, that's also its biggest problem.
I don't think that there's ever been a better time to be a fain of Sailor Moon. Not only is Viz releasing the classic 1992 animated series on Hulu -- uncut, with new subtitles and a new dub on the way -- but there's a new animated series set to debut next month, simulcast around the world as it airs in Japan. The show's called Pretty Guardian Sailor Moon Crystal, and now, there's a trailer for it.
Unfortunately, the trailer lacks what I would consider to be the single most iconic image of not just Sailor Moon, but the entirety of anime. While Usagi does in fact run out of her house late for school there is no toast in her mouth. Other than that, though, it's pretty fantastic.
Even back before anime and manga exploded (or E X P L O D Ed, as the case may be) and became as widely available as they are today, Masaume Shirow's Ghost In The Shell and Mamoru Oshii's anime adaptation were considered to be true high points of the cyberpunk genre. It's one of the most well known franchises in the entirety of anime, producing multiple adaptations and influencing films like The Matrix.
Obviously, it's going to have a pretty dedicated fanbase, and now, a group of artists and filmmakers have gotten together to produce a live-action fan-film adaptation of the original Ghost In The Shell anime's title sequence, reproducing it shot-for-shot. Check out a video of the process behind the recreation below!
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