Even though it was announced months ago, I'm still having a hard time believing that we live in a magical world where Alex de Campi and Fernando Ruiz's Archie Vs Predator is a real thing that is happening. Even in a time when the company's most critically successful book is a moody supernatural horror story where the entire cast is about two seconds away from being murdered by zombies, Archie Vs Predator still seems like a beautiful, beautiful dream.
That's why, in order to confirm that this is in fact happening, I spoke to Ruiz about what it's like to send the Predator to Riverdale, and how it compares to drawing Betty riding a dragon.
If you've been following Archie's adventure comics, then you might remember that a good chunk of 2013 was taken up with "Worlds Collide," a massive crossover between Sonic the Hedgehog and Mega Man. If you missed it, then trust me, it was a pretty big deal - so big, in fact, that it seems like Archie, Sonic and Capcom have decided to follow it up with an even bigger crossover: "Worlds Unite," a full-on mashup of Sega and Capcom characters, set to launch in May, finally bring us one step closer to my dream of Jughead showing up in a Street Fighter game.
What? We're actually getting Archie vs. Predator, do you really think that couldn't happen?
When Archie Comics announced a while back that it was relaunching its flagship character with a new series by Mark Waid and Fiona Staples, we all knew that the current series was going to come to an end, and today, Archie let us know exactly when that's happening. This June will mark the final issue for Archie, ending at... #666!
Could this mean that Archie's universe gets rebooted due to some kind of sinister pact with the Devil himself?! Has the Author of All Lies finally wreaked his hellish revenge on Archie and his crew for all those weird religious comics they appeared in back in the '70s?Is Reggie actually Satan, as I have so long suspected?
A Netflix (or perhaps a Spotify) for comics may have arrived.
Scribd, an online depository of books and audiobooks that gives subscribers unlimited access to a massive library for an $8.99 per month subscription fee, announced today that it has added more than 10,000 comics from publishers including Marvel, Valiant, IDW, Top Shelf, Archie, Boom! Studios, Top Cow, and Arcana to its subscription service.
Duane Swierczynski is the man who made Archie Comics cuss.
When the company relaunches its superhero line as Dark Circle, the flagship title will be The Black Hood, in which Swierczynski and artist Michael Gaydos, co-creator of Alias, reinvent the character in an incredibly violent mature readers crime story focused on Greg Hettinger, a cop who gets injured in the line of duty while taking down a vigilante, and takes on the identity of the Black Hood in order to deal with the pain, frustration and rage that wells up as a result of his accident.
It's a brutal story that fits right in with Swierczynski's other work on books like Judge Dredd and Punisher, and as a result, it's also a pretty big departure from Archie's usual offerings, even in a time when the company is reinventing itself with critically acclaimed horror comics and a push for a more realistic Riverdale. To find out more, I spoke to Swierczynski to talk about the origins of the Black Hood as a hero for the bad side of Philadelphia, how far Hettinger has to fall, and, maybe most importantly, Swierczynski's own place in history as the first writer to work the F-bomb into an Archie book.
In a time that's seeing Archie take huge steps forward in expanding its line into horror titles and more serious takes on everyone's favorite small-town teens, the publisher seems to be putting as much as it can into a new line: Dark Circle.
The line was announced last year, anchored by Duane Swierczynski and Michael Gaydos's mature-readers take on The Black Hood, Adam Christopher, Chuck Wendig and Wilfredo Torres's new redesign for The Shield, and Dean Haspiel and Mark Waid's return to the bizarre adventures of The Fox. Today, Archie revealed that it will support the titles through digital platforms that also feature older takes on the characters. To find out more, I spoke to editor Alex Segura about the new direction for the characters and how they're different from previous attempts, the fate of the New Crusaders that were relaunched only a few years ago, and whether Archie's continued move into other genres means that Riverdale's days are numbered.
The last year or so of Archie comics has been defined by one thing: the supernatural. Not only did we get Afterlife With Archie, which saw Sabrina the Teenage Witch dabbling in necromancy and inadvertently bringing about a zombie apocalypse that saw Jughead ripping out throats at a school dance, but it was so popular that we got a separate ongoing series about Sabrina dealing with the Lovecraftian horrors that result from witchcraft.
To the casual reader, this might seem like it's a pretty big departure from the usual Archie storylines about sharing milkshakes and having too many dates to the movies, but those of us who really know Archie Comics know that it's been there all along. Or, at the very least, it's been there since 1962, in that story where Betty Cooper literally sold her soul to the Devil so that she could make out with Archie.
The last twelve months offered comic book readers a wide variety of work ranging from the most crowd-pleasing superhero epics to the most idiosyncratic of indies, and the return of old favorites to the emergence of exciting new talent. It was a busy and productive year for the industry, and one we’re pleased to celebrate with what we’re certain will be an uncontroversial, unenumerated list of awards that will prompt only resounding agreement and unbroken fellowship amongst our readers in the comments below.
It probably won't surprise anyone if I say that Archie Comics has published a lot of Christmas stories over the past 60 years, but you have to understand that when I say "a lot of Christmas comics," I mean a truly ridiculous amount. Just to give you an idea, there are two separate characters in the Archie universe -- Jingles and Sugarplum -- who are magical Christmas imps who use their powers to give the gang a hard time during the holidays. They have done stories like that so many times that they actually needed a spare.
And as you might imagine from the fact that I just used the phrase "magical Christmas imps," Archie's holiday stories tend to be a little weird. But none of them -- and I say this as someone with two paperbacks' worth of Archie Christmas comics -- skew quite as far into madness as the one where Little Archie meets the alien Santa Claus from Planet Peewee.
Listen, I'll be the first to admit that I'm a complete sucker when it comes to Christmas comics. I love 'em, and the more heartwarming they are, the better, whether it's a thoroughly predictable ending where someone does a good deed for the less fortunate or a passionate, starry-eyed speech about peace on Earth and goodwill to others. I love that stuff, and as a result, I've never been a fan of Christmas stories that go dark. Call me a sap if you will, but in most darker Christmas stories, there's a cynicism that I just don't find all that appealing.
Every now and then, however, I run across a holiday story that's not just dark and not just cynical, but so utterly, shockingly grim that I end up completely fascinated by it, and this week, that is exactly what has happened. Everyone who has ever tried to make a jaded, pessimistic holiday story needs to step aside, because I have found the darkest, most shockingly violent Christmas comic of all time -- and it's a six-page Archie story from 1958.
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