For the most part, mainstream comics don’t care about fashion. But sometimes, something sneaks through and reminds us all of why this matters. Sensation Comics #7, illustrated by Marguerite Sauvage from a script by Sean E. Williams, is that rare, trembling shaft of light into the dank, Dragon Ball Z-print-button-downed basement that is the state of fashion in comics.
It looks like the good folks over at Mondo have been on quite a tear lately when it comes to cornering the market on comic book themed vinyl records. Just a few months ago at San Diego's Comic-Con International, they put out a limited edition Batman: The Animated Series soundtrack, and now, they've announced that they're following that up with a collectible edition of the soundtrack to Guardians of the Galaxy.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
By now, you've probably heard all about the genuinely awful licensed t-shirt featuring Superman planting a seemingly unwelcome smooch on Wonder Woman and proclaiming "SCORE!" and that he's "done it again." It's bad for a lot of reasons -- blatant sexism, the awful lettering of the caption box -- but, as an optimist, I've always taken the position that nothing is so bad that it can't be improved in some way. And apparently, that's Bill Sienkiewicz's position as well.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
September's covers include masterclass composition from Genndy Tarkakovsky and Noelle Stevenson, some beautiful uses of light, color, and contrast, and some very different portraits of gods, old and new.
New York Comic Con is right around the corner, and if you're planning on heading to Manhattan's Javits Center next weekend, the good people at Boom! Studios want to give you as many chances to part with your money at Booth 1344 as they possibly can. To that end, they're offering up a slate of pretty amazing looking variant covers, including a beautifully painted wrap-around cover for the Adventure Time: Fionna and Cake hardcover and an NYC-specific image where Jake Lawrence's Teen Dog takes a ride on a cosmic subway.
My personal favorite, though, is the first issue of Sleepy Hollow, the tie-in to the amazingly bonkers Fox television show, which features Abbie and Ichabod charging through the forest with a hot pink lantern, as drawn by Lumberjanes co-creator Noelle Stevenson. It is basically amazing.
The ComicsAlliance staff is a diverse lineup writers, editors, artists, photographers and designers, but before we’re any of those things we’re simply fans. Appreciators. Collectors. Almost every day we share with each other via Instagram all the great books, toys, artwork, apparel, and other beautiful and/or inescapably cool objects we collect almost ceaselessly in comics stores, at conventions, and from all kinds of sources all over North America (and sometimes beyond). Displaying (i.e. showing off) some rad swag typically inspires everyone to one-up their pop-archeologist game in the never ending quest to find awesome stuff, and simply posting the week’s new comics usually causes someone to discover a new title or artist, which in turn inspires a whole new line of excavation.
In the past we’ve published photos of our “con hauls” here on CA and the resulting discussion with readers — i.e. collector kudos — has always been fun, so with the ComicsAlliance Collection we’re going to do it every week. But more importantly, we want to see your collection too. Show us new additions to your collections by using the hashtag #CAcollection on Instagram and we’ll embed the best stuff alongside our own recent acquisitions. And please do follow us @ComicsAlliance.
In the process of writing my article about muscles vs curves, and how the big dudes of superhero comics typically fail to represent the tastes of most androphile women, I gathered a collection of images and recommended artists from my correspondents that illustrate the sort of art they'd love to see more of -- but which there's sadly very little of compared to all the T&A fan-service targeted at straight men.
I had far too many recommendations to put in the article, so I've compiled the collection (and a few personal favorites) into a very special one-off post. The collection includes pin-ups, fan art, sketches, and some traditional superhero art from artists who aren't afraid to put a little male eye candy in their work!
Steve Gerber was one of comics' most individual talents – an acclaimed writer whose career spanned four decades, an outspoken voice for creative rights, and, of course, as he's inevitably known today, the man who made an ill-tempered cigar-smoking duck into one of Marvel's most unforgettable characters.
He broke into the field in the early '70s as part of a "new guard" of Marve
That fan response to Marvel's Spider-Gwen one-shot Edge of Spider-Verse #2 was so profound can be chalked to a number of important factors that we've covered before, but perhaps none as crucial as the exhilarating visuals created by artist Robbi Rodriguez and colorist Rico Renzi. The duo earned praise from us and others for introducing a kind of crackling, almost reckless sense of energy and fun into an already aesthetically diverse Marvel Universe (or alternate universe, as the case may be).
But this came as no surprise to readers of FBP: Federal Bureau Of Physics, the Vertigo series Rodriguez and Renzi launched last year with writer Simon Oliver. FBP's mantra is "the impossible is always possible" thanks to its universe's occasional and frequently catastrophic breakdown of all known laws of physics. It's a premise that allows artists to be artists, and Rodriguez and Renzi dive wildly into their talents for hugely expressive, hypercolored images that -- along with routinely gorgeous covers by Nathan Fox -- have made FBP one of the most visually compelling American comics around at the moment.