Even though it was announced months ago, I'm still having a hard time believing that we live in a magical world where Alex de Campi and Fernando Ruiz's Archie Vs Predator is a real thing that is happening. Even in a time when the company's most critically successful book is a moody supernatural horror story where the entire cast is about two seconds away from being murdered by zombies, Archie Vs Predator still seems like a beautiful, beautiful dream.
That's why, in order to confirm that this is in fact happening, I spoke to Ruiz about what it's like to send the Predator to Riverdale, and how it compares to drawing Betty riding a dragon.
Over the years, ComicsAlliance has run many covers for Great Comics That Never Happened. From bizarre team-ups with musicians to holiday specials, writer Chris Sims and artists including Rusty Shackles, Kerry Callen, Dean Trippe, Nate Bellegarde, Colleen Coover, Jess Fink, and more teamed up to create stories too bizarre even for Elseworlds. For your enjoyment, we've collected all of these covers into one delightful gallery.
One of the most pleasant surprises of the New 52 relaunch was Francis Manapul and Brian Buccellato's run on The Flash. With clever, Will Eisner-inspired titles pages and chaotic compositions that emphasized movement rather than structure, Manapul's layouts were impressive without being superfluously...flashy. Eye-popping, complex designs weren't slathered across every page; they were saved for the moments when it best served the story. So it's not too much of a surprise that his work on Detective Comics looks completely different.
Where The Flash was colorful and kinetic, the current story in Detective Comics is a dark mystery, and appropriately, Manapul takes a different approach.
The Legend of Korra made history by the end of its official series finale, implicitly confirming a romantic relationship between two of its lead characters, a surprise move that creators Bryan Konietzko and Mike DiMartino expanded on at length afterward. Now, all the Korrasami feels can be yours, with official artwork of an Avatar date night.
There is no one, no one on the face of this planet, who is more excited about Kelly Thompson and Sophie Campbell's upcoming Jem and the Holograms comic than we are here at ComicsAlliance. But as much as we love the good guys, we have to admit that our heart belongs to the Misfits. I mean, their songs are better --- it says so right in the theme to the cartoon!
That's why we're proud to reveal a set of exclusive character profiles for the Holograms' ruthless antagonists, featuring Campbell's character designs for the new series.
Hire This Woman is a recurring feature on ComicsAlliance that shines a spotlight on female comics pros, whether they're relative newcomers or experienced pros who are ready to break out. In an overwhelmingly male business, we want to draw your attention to these creators --- and to raise their profile with editors and industry gatekeepers.
Cartoonist Maria-Elisa Heg does a bit of everything including writing, drawing, coloring, lettering, and singing. She's primarily worked on anthologies, educational comics, and auto-bio comics. She's also co-head of Zinefest Houston. Just like last week's featured person, C.M. Bratton, you can see her in person at the Hire This Woman panel at STAPLE! in Austin, Texas, on March 7th.
There aren't many decades that brought as much change for women as the 1960s. The roles and rights of women changed and the world met second wave feminism --- and yet, especially at the beginning of the decade, women were still often expected to fill only the role of a housewife and mother.
This is where Joëlle Jones and Jamie S. Rich's Lady Killer comes in, set in 1962. Lady Killer's heroine Josie is exactly the housewife and mother that the times demanded she be, and a focused career woman who happens to make a career out of assassination. It's a book that carries a lot of weight as a story about a woman in a time of great change. It's also a book that's easy on the eyes.
The Dress. For a little while there, in between one story and the next, the dress was all anyone seemed to be talking about --- or more specifically, a picture of a dress. Some people swore that the dress in the picture was white and gold; others felt certain it was blue and black. Color, which we tend to think of as a matter of fact, is really a matter of perception --- but, "it all depends how you look at it" is an unsatisfying answer to a question that nearly tore the internet in two.
Thankfully there are people whose whole business is color, among them the talented artists who color our comics, applying color theory to create space, time, mood, and emotion on the page. One such artist is Nathan Fairbairn, whose projects include Multiversity and Wonder Woman: The Trial of Diana Prince. Fairbairn was as confounded by the mysteries of The Dress as anyone, but as an expert in his field he had a better idea than most of us on how they might be decoded.
Cartoonists Brittney Sabo and Victoria G. Elliott have created a delightful event for the folks of Tumblr: Witchsona Week. Everyone and anyone is encouraged to create a witch persona for themselves --- a personal avatar that presents the version of a witch they want to be or see themselves as --- and the results are fantastic.
Since this is the second annual week of this sort, artists who created characters for the previous Witchsona week are encouraged to explain what's new with their witchy avatars. There's a broad range of styles and attitudes amongst the artists represented, and a lot of talent on display.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, and some of it’s endearingly silly. All of it is awesome.
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