When Mondo, the merchandising arm of the celebrated Alamo Drafthouse theater known for selling super-cool movie posters, announced that it would host a convention in Austin, Texas, September 20-21, it wasn't entirely clear what the focus would be. Movies? Artists? Movies about artists?
As it turns out, it's all of the above. In addition to hosting the world-premiere screening of the new documentary about the British comics anthology 2000AD, Future Shock!, the weekend event will also host an array of comic artists, many of which have contributed their talents to film. Some of those artists, including Alex Ross have contributed art to celebrate the 15th anniversary of The Iron Giant.
Pigs and airships? No, it's not a new Miyazaki movie -- it's Pigs Might Fly, a new graphic novel, written by Eisner Award-Winning Laika cartoonist Nick Abadzis, and drawn by cartoonist Jerel Dye, coming from First Second in 2016.
It's a very interesting time to be a Valiant comics fan. While the company's roster is made up of titles that revive the classic Valiant properties of the 1990s, they've proving to be anything but predictable in terms of content and presentation. Over the last six months alone, they've launched insane promotional campaigns, kicked off major crossover events, brought back long-time favorite creative teams, announced new projects from major creators, and gained acclaim for a publishing approach that seems more or less like "bring in topnotch talent, let them work their magic, and have fun".
Later this year, the company will release its first book named for an character that didn't have a counterpart in the '90s Valiant line: Punk Mambo #0, a special one-shot issue written by Peter Milligan and drawn by Robert Gill focusing on the mohawked voodoo priestess first introduced in the pages of Shadowman. Described by Valiant as the story of how Punk Mambo migrated from crusty British high society to the dark world of American voodoo, and how she returns to her origins to discover "the punks and the voodoo priests she used to know have cleaned themselves up, and she’s a loud, belching ghost from their past, come to break in the new furniture…and break some faces!"
ComicsAlliance readers are getting the first look at three different covers to issue #0, and an exclusive conversation with writer/creator Peter Milligan about his plans for the character and her
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Artist Elsa Charretier has primarily produced comics in her home country of France, including previous works Aeternum Vale, an issue of Le Garde Républicain, and backup pages for the Image comic One Hit Wonder. Her current project, The Infinite Loop, which she's pencilling, inking, and coloring, had a very successful crowdfunding campaign.
Just in case you're not up to speed on classic newspaper strips, Winsor McKay's Little Nemo is one of the most innovative comics of the 20th century. Originally running in newspapers from 1905 to 1926, it was arguably one of the first real masterpieces of the form, with McKay's surreal dreamscapes taking the form of beautiful imagery and page layouts that creators are still trying to recreate today.
Now, Nemo is returning to the comics page in Return To Slumberland. Not to be confused with the forthcoming Dream Another Dream anthology, this new series from Eric Shanower, Gabriel Rodriguez and Nelson Daniel launches this week from IDW Publishing, and it is beautiful. Seriously, just hands down one of the prettiest comics I've seen in a long time, and even though the first few pages don't quite get into the strangeness of walking beds and stair-step city skylines, I get the feeling that all of that stuff shows up right where the preview ends.
The older I get, the more genuine, un-ironic admiration I have for Rob Liefeld, but I've never been able to find a good resource for news and updates about the Rob. Today, though, that has changed, and now my phone -- and maybe even my life -- have finally found a purpose, because the Rob has launched an official app, containing information about his history in comics, his upcoming appearances, and more.
There's even an "Ask Rob" section that allows fans to pose questions directly to the man himself, which means we can finally find out if he still has those button-fly jeans.
The ComicsAlliance staff is a diverse lineup writers, editors, artists, photographers and designers, but before we’re any of those things we’re simply fans. Appreciators. Collectors. Almost every day we share with each other via Instagram all the great books, toys, artwork, apparel, and other beautiful and/or inescapably cool objects we collect almost ceaselessly in comics stores, at conventions, and from all kinds of sources all over North America (and sometimes beyond). Displaying (i.e. showing off) some rad swag typically inspires everyone to one-up their pop-archeologist game in the never ending quest to find awesome stuff, and simply posting the week’s new comics usually causes someone to discover a new title or artist, which in turn inspires a whole new line of excavation.
In the past we’ve published photos of our “con hauls” here on CA and the resulting discussion with readers — i.e. collector kudos — has always been fun, so with the ComicsAlliance Collection we’re going to do it every week. But more importantly, we want to see your collection too. Show us new additions to your collections by using the hashtag #CAcollection on Instagram and we’ll embed the best stuff alongside our own recent acquisitions. And please do follow us @ComicsAlliance.
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.
I don't know that from experience, of course (if anything, I fall on the villain side of the spectrum), but I've read enough comics about superheroes trying to get some semblance of a normal life back that I can say that with certainty. Artist Ryan Quickfall clearly gets that, too. In conjunction with Shutterstock, a leading purveyor of stock images of people holding clipboards, he has made some super-cool images of pharmaceutical aids for some of the world's most popular superheroes.
I grew up in the '90s, so no matter what I do with the rest of my life, I will always have a certain amount of nostalgic affection for X-Force. The hyperviolent, gun-toting mutant strike force that was originally created by Rob Liefeld back in 1991 has gone through a lot of different lineups and changes over the years, but one thing they've always had in common is that they specialize in massive amounts of destruction.
But just how is that destruction carried out? Graphic designer Rogan Josh has the answer in a new poster that he made where the various rosters are broken down to show just what they can accomplish, whether it's through claws, blades, claw-blades, or just good old fashioned guns.
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