Because you're young you may not realize the latest Wicked + Divine variant cover is a particularly cheeky reference to a 1976 mugshot of David Bowie, himself a major inspiration on the Kieron Gillen/Jamie McKelvie series about ancient gods reincarnated as glamorous pop stars. But hang on to yourself; the only way to get ahold of this conversation piece is to buy it from Beach Ball and Corner Store Comics in California.
Summer is in full swing, which means that convention season is upon us once again, and with it, the opportunity to get art from some of your favorite comic book creators. As much as I like digging through back issue bins and hanging out with pals from across the country, filling up my sketchbook is one of the most fun parts of going to conventions. So much, in fact, that I actually had two in circulation this year.
One was continuing my theme of tokusatsu characters like the Power Rangers and Kamen Rider, while the other was just a general collection of favorite characters. Which, as you might expect, ended up with two drawings of Destro. Check out the new pieces below, featuring art from Tom Fowler, Kevin Mellon, Tom Scioli, Jordan Gibson and more!
Influential Marvel Comics artist John Romita Jr. begins his run on Superman with writer Geoff Johns this week, and while you'd expect this would just be another notch in the incredibly accomplished artist's belt (he's drawn popular runs with virtually every major Marvel character you can think of) he's apparently pretty intimidated by the prospect of taking on the very first comic book superhero.
I'm not a big fan of Tim Burton's 1989 Batman movie, which is celebrating its 25th anniversary this week, but there's definitely one thing that I think it did right. Burton's Gotham City, redesigned for the screen by Anton Furst, is absolutely beautiful. The Academy Award-winning production art direction is stylish, terrifying, visually engaging and arresting on a level that the rest of the movie has a hard time living up to, creating a world that looks like Batman could exist there.
It's also one of the movie's lasting influences on the world of the comics. Ever since Furst and Burton unveiled their version as a backdrop for the Joker blasting Prince from a boombox while trashing an art museum and Batman blowing up a chemical plant with his remote-control car, Gotham has adhered to their vision of the city, transforming from the bustling stand-in for New York that it was before and becoming its own unmistakable entity. And in true comic book fashion, the comics accomplished this by blowing everything up and starting over.
Publisher Locus Moon press has been working on the new anthology book, Little Nemo: Dream Another Dream, for about two years now, and it's asking for fans to help make the long journey come to fruition.
The book,which tasks creators including Paul Pope, John Cassaday, Jill Thompson, Cliff Chiang, J.H. Williams III, Craig Thompson, Carla Speed McNeil, Mike Allred and Roger Langridge, with drawing new, full-page Little Nemo strips in the style of series creator Winsor McCay, will come out in the fall if Locus Moon can raise $50,000 via Kickstarter. The project launched Monday morning, and by mid-afternoon, it was at around $13,000. Not a bad start.
Launched in late 1988 by the B.D. Fox agency -– who had also handled the campaigns for E.T.: The Extra-Terrestrial, the one true Robocop movie, and mankind’s crowning cinematic achievement, Bill & Ted’s Excellent Adventure – with a poster designed by the film’s production designer Anton Furst, the Batman campaign is a classic example of doing more with less. It’s sexy, sleek, mysterious and new. It’s regarded as one of the best movie campaigns ever, and for good reason. On the occasion of the film's 25th anniversary, let’s talk about why the campaign was so good.
Growing up in the '90s, back when video stores roamed the Earth like the mighty titans of entertainment that they were, I developed a deep and abiding love for a certain kind of aesthetic that I can only describe as "VHS." The lurid art and bizarre situations that you'd see strolling down the action movie aisle resonated with me in the way that few things have since, and when I see an artist like Chase Taylor, whose art somehow manages to capture that aesthetic perfectly, I'm immediately a fan.
That might sound a little dismissive, but it's not. There's a boundary-pushing energy to Taylor's art that's just beautiful, especially when it's Arnold Schwarzenegger as Mr. Freeze or gorillas cruising in a convertible. Check out a few of my favorites below!
The ComicsAlliance staff is a diverse lineup writers, editors, artists, photographers and designers, but before we’re any of those things we’re simply fans. Appreciators. Collectors. Almost every day we share with each other via Instagram all the great books, toys, artwork, apparel, and other beautiful and/or inescapably cool objects we collect almost ceaselessly in comics stores, at conventions, and from all kinds of sources all over North America (and sometimes beyond). Displaying (i.e. showing off) some rad swag typically inspires everyone to one-up their pop-archeologist game in the never ending quest to find awesome stuff, and simply posting the week’s new comics usually causes someone to discover a new title or artist, which in turn inspires a whole new line of excavation.
In the past we’ve published photos of our “con hauls” here on CA and the resulting discussion with readers — i.e. collector kudos — has always been fun, so with the ComicsAlliance Collection we’re going to do it every week. But more importantly, we want to see your collection too. Show us new additions to your collections by using the hashtag #CAcollection on Instagram and we’ll embed the best stuff alongside our own recent acquisitions. And please do follow us @ComicsAlliance.
I'm not really here to spoil your weekend with The Hard Questions, but I think there's an interesting debate you can have about whether advertising can truly be art. Like, we all have movie posters that we love, but does the idea of trying to sell you something change the nature of art? Does turning an aesthetic into a commodity cheapen it, and if so, what about all the Renaissance art that was commissioned from working artists in order to do just that? Is the Sistine Chapel really any different from Drew Struzan's Indiana Jones posters?
Folks, I don't know. I do, however, know that you can take existing advertisements and transform them into something that's fun and engaging.
That's exactly what artist Jon Burgerman has done with a series of photos called "Head Shots," where he takes the standard action movie poster to its logically violent conclusion while traveling through the subway. It's a pretty fantastic use of the stuff that's already out in public, and you can check out a few of the best ones below
We make a regular practice at ComicsAlliance of spotlighting particular artists or specific bodies of work, as well as the special qualities of comic book storytelling, but because cartoonists, illustrators and their fans share countless numbers of great pinups, fan art and other illustrations on sites like Flickr, Tumblr, DeviantArt and seemingly infinite art blogs that we’ve created Best Art Ever (This Week), a weekly depository for just some of the pieces of especially compelling artwork that we come across in our regular travels across the Web. Some of it’s new, some of it’s old, some of it’s created by working professionals, some of it’s created by future stars, some of it’s created by talented fans, awnd some of it’s endearingly silly. All of it is awesome.