On sale next week from the kaboom! imprint of Boom! Studios, Adventure Time: Bitter Sweets is the fourth in a series of original graphic novels starring the characters from Pendleton Ward's enduringly popular and influential animated series. The first three, printed in black and white, explored scenarios and relationships like Finn and Princess Flame's budding romance; a coming-of-age journey with some of the series' idiosyncratic princesses; and a teen-type angst opus starring Marceline the Vampire Queen. Courtesy of writer Kate Leth and artist Zachary Sterling, Bitter Sweets is a full-color adventure (obvs) focused squarely on Princess Bubblegum and Peppermint Butler, who is her butler (obvs), as they traverse the lands beyond the Candy Kingdom.
Of all the sentences I've read in comics news this week, none have been as much of an emotional rollercoaster as this one: Ryan North is leaving the Adventure Time comic, and will be replaced as writer by Christopher Hastings.
The announcement comes after almost three years of North's tenure as writer alongside artists Shelli Paroline and Braden Lamb, which included multiple awards for the series including an Eisner for Best Publication For Kids, and was revealed when the solicitations for January's issue were released, announcing the new team of Hastings, the creator of The Adventures of Dr. McNinja, and artist Zachary Sterling, who previously worked on Boom!'s line of Adventure Time original graphic novels.
Now that this whole vampire trend that's been dominating media has finally started to cool down, it's time for us to predict what's going to be next. Werewolves have been done and mummies seem pretty unlikely, so if I had to guess, I'd say that the next big thing is going to be bird people. Just folks covered in feathers everywhere 2K15, you mark my words.
Or at least, that's the impression that I'm getting from the announcement of Archaia's newest comic, Jorge Corona's Feathers, which launches in January with a six-issue miniseries. Corona will tell the story of a feather-covered boy named Rin who makes a friend for the first time in his life, and attempts to guide her home through a world of twisted back alleys and smoky chimneys, and it looks amazing.
Later this month, BOOM! Studios will release the first issue of Memetic, an oversized-format, three-part limited series by the team of James Tynion IV (Batman Eternal, The Woods) and Eryk Donovan (The House In The Wall) with colorist Adam Guzowski that puts a distinctly modern spin on classic apocalyptic fiction formulas. The title is an adjective referring to memes -- self-replicating ideas or entities that start with an individual before spreading to more people and across various media.
The story of Memetic is kicked into motion by the unleashing of the kind of adorable animal image many of us have seen and shared. In this case, it's "Good Times Sloth," and it becomes the most viral piece of internet content in history. Unfortunately, Good Times Sloth turns out to be weaponized meme that leads straight to the end of the human world as we know it.
It's a fascinating and unique concept, and to get a bit more insight, we spoke to Tynion and Donovan about the project's inception from initial idea to finished product.
Drawing comics is time-consuming, sometimes crushing, occasionally rewarding, and almost impossible to quit if you love it. And it helps if you get to do it around other artists who love it as much as you do.
Those are some of the key takeaways from Comic Book Artists: Next Generation, an AT&T U-Verse documentary about the artists at Toronto's R.A.I.D. Studio (a.k.a. the Royal Academy of Illustration and Design; though it's not a real Royal Academy in the strictest sense). The studio has ten resident artists, but the half-hour documentary shines a light on four key players: Ramón Pérez, Marcus To, Francis Manapul and Kalman Andrasofszky.
Sleepy Hollow is my favorite show on television, and has been since that scene in the first episode where the Headless Horseman showed up and tried to kill Ichabod Crane by blowing him away with a machine gun in each hand. It was, and remains, the single most beautiful thing I had ever seen, and while I initially worried about whether the show would be able to keep that energy up as the story rolled on, well, there was an episode last week with the premise of Benjamin Franklin building a Frankenstein's Monster out of the most powerful soldiers who died in the Revolutionary War, so, y'know, they've pretty much maintained a constant level of being absolutely bananas.
So needless to say, I was pretty excited when Boom Studios announced that they were going to be releasing a comic tie-in by Marguerite Bennett, Jorge Coelho, Tamra Bonvillain and Jim Campbell, because if nothing else, Sleepy Hollow's particular brand of horror-themed kookiness is exactly the sort of thing that would lend itself well to comics. Having read the first issue, out this week, I can confirm that the team did their absolute best to make the comic as weird as the show, and while it's not a perfect translation, it's definitely a good one.
You would think that after six months of adventures at a summer camp that is constantly being menaced by all manner of monsters and supernatural troublemakers, the Lumberjanes would have enough to worry about without the added stress of trying to pull off a heist. And yet, when Lumberjanes #7 hits shelves next week, from Noelle Stevenson, Grace Ellis, and Brooke Allen, that's exactly what they're doing, going all Ocean's 11 (or in this case, Ripley's 6), with a log cabin standing in for a casino vault.
Fox's action/horror/comedy Sleepy Hollow is one of the best shows on TV right now, and it deserves a tie-in comic that captures its oddball charm. Luckily, it looks like that's what fans are getting in the new Boom Studios series by writer Marguerite Bennett and artist Jorge Coelho.
The team isn't just shoehorning TV plots into comics form, though. While Bennett and Coelho do a really nice job of capturing the voices and looks of lead characters Ichabod Crane and Lt. Abbie Mills, the team also adds in some big action that you can't really pull off on a TV budget. Check out the first six pages here at ComicsAlliance.
It's a sad fact of modern life, but not all of us can be Ice Cube. No matter how many Raiders caps we may buy, it's just not going to happen. But, even though we may not achieve his perfect six-sidedness, we can all follow his example in one respect: We can all strive to have a good day.
That, my friends, is the lesson that we can all learn from Teen Dog #2, in which Jake Lawrence's cool, skateboarding dog is having some pretty good times indeed, along with his best friend Mariella, hunky new student Jordan, and the breakout character of the year, Thug Pug and his denim jacket.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
September's covers include masterclass composition from Genndy Tarkakovsky and Noelle Stevenson, some beautiful uses of light, color, and contrast, and some very different portraits of gods, old and new.