This week, Boom! Studios announced Curb Stomp, a new four-issue miniseries from the team of Ryan Ferrier, Devaki Neogi and Neil Lalonde. Taking place in a city divided up by four gangs, Curb Stomp shows what happens when the five women who make up one of those gangs, the Fever, are pushed into a war by an act of violence meant to defend their turf. On sale in February, issue one comes with cover art by Tula Lotay, Trevor Hairsine and Marie Bergeron.
Curb Stomp arrives in the midst of comics readers' increasingly vocal desire for more diverse stories featuring women protagonists. Boom! has been attempting to service this audience with books like Lumberjanes, Bee and Puppycat and Butterfly, and Curb Stomp would seem to speak to the call for more strong, action-based heroines in particular. With that in mind we spoke to Ferrier and Neogi about the feeling that they're trying to get from the series, the challenge of designing characters for a life of brutal violence, and just why it is that the gang is called "The Fever."
I like sword-and-sorcery fantasy adventure as much as the next person who spent a significant portion of their life reading about dark elves with lavender eyes and twin scimitars, but let's be honest here: It is not a genre that is without problems. As engaging as those stories can be, there just isn't as much focus on characters who are lazy and super into butts.
Fortunately, Madéleine Flores has brought the world Help Us Great Warrior, a story about the small, somewhat lumpy Great Warrior, who embodies those traits while also venturing on epic quests to save the world. Now, it's coming to Boom! Box in the form of an eight-issue limited series, set for release in February.
Next month Boom Studios releases the first issue of Escape From New York, the latest title from the publisher to present a sequel to one of John Carpenter's cult-classic '80s movies -- following on the heels of the popular Big Trouble In Little China series.
The publisher has hand-picked an excellent creative team to follow in the film's footsteps and put Snake Plissken through his post-apocalyptic paces, in the form of Eisner-nominated High Crimes writer Christopher Sebela and acclaimed Irredeemable artist Diego Barreto. ComicsAlliance spoke to Sebela about his plans for the book, his affinity for the source material, and the experience of adapting such a well-loved property to the comics medium.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
Fear, passion, beauty, love, and monsters. There's a feast of wonders in the best of October's comic book covers, with exceptional work from Becky Cloonan, Jorge Molina, Megan Hutchison, Kyla Vanderklugt and more -- taking us to some extraordinary places, and showing us some incredible sights.
On sale next week from the kaboom! imprint of Boom! Studios, Adventure Time: Bitter Sweets is the fourth in a series of original graphic novels starring the characters from Pendleton Ward's enduringly popular and influential animated series. The first three, printed in black and white, explored scenarios and relationships like Finn and Princess Flame's budding romance; a coming-of-age journey with some of the series' idiosyncratic princesses; and a teen-type angst opus starring Marceline the Vampire Queen. Courtesy of writer Kate Leth and artist Zachary Sterling, Bitter Sweets is a full-color adventure (obvs) focused squarely on Princess Bubblegum and Peppermint Butler, who is her butler (obvs), as they traverse the lands beyond the Candy Kingdom.
Of all the sentences I've read in comics news this week, none have been as much of an emotional rollercoaster as this one: Ryan North is leaving the Adventure Time comic, and will be replaced as writer by Christopher Hastings.
The announcement comes after almost three years of North's tenure as writer alongside artists Shelli Paroline and Braden Lamb, which included multiple awards for the series including an Eisner for Best Publication For Kids, and was revealed when the solicitations for January's issue were released, announcing the new team of Hastings, the creator of The Adventures of Dr. McNinja, and artist Zachary Sterling, who previously worked on Boom!'s line of Adventure Time original graphic novels.
Now that this whole vampire trend that's been dominating media has finally started to cool down, it's time for us to predict what's going to be next. Werewolves have been done and mummies seem pretty unlikely, so if I had to guess, I'd say that the next big thing is going to be bird people. Just folks covered in feathers everywhere 2K15, you mark my words.
Or at least, that's the impression that I'm getting from the announcement of Archaia's newest comic, Jorge Corona's Feathers, which launches in January with a six-issue miniseries. Corona will tell the story of a feather-covered boy named Rin who makes a friend for the first time in his life, and attempts to guide her home through a world of twisted back alleys and smoky chimneys, and it looks amazing.
Later this month, BOOM! Studios will release the first issue of Memetic, an oversized-format, three-part limited series by the team of James Tynion IV (Batman Eternal, The Woods) and Eryk Donovan (The House In The Wall) with colorist Adam Guzowski that puts a distinctly modern spin on classic apocalyptic fiction formulas. The title is an adjective referring to memes -- self-replicating ideas or entities that start with an individual before spreading to more people and across various media.
The story of Memetic is kicked into motion by the unleashing of the kind of adorable animal image many of us have seen and shared. In this case, it's "Good Times Sloth," and it becomes the most viral piece of internet content in history. Unfortunately, Good Times Sloth turns out to be weaponized meme that leads straight to the end of the human world as we know it.
It's a fascinating and unique concept, and to get a bit more insight, we spoke to Tynion and Donovan about the project's inception from initial idea to finished product.
Drawing comics is time-consuming, sometimes crushing, occasionally rewarding, and almost impossible to quit if you love it. And it helps if you get to do it around other artists who love it as much as you do.
Those are some of the key takeaways from Comic Book Artists: Next Generation, an AT&T U-Verse documentary about the artists at Toronto's R.A.I.D. Studio (a.k.a. the Royal Academy of Illustration and Design; though it's not a real Royal Academy in the strictest sense). The studio has ten resident artists, but the half-hour documentary shines a light on four key players: Ramón Pérez, Marcus To, Francis Manapul and Kalman Andrasofszky.
Sleepy Hollow is my favorite show on television, and has been since that scene in the first episode where the Headless Horseman showed up and tried to kill Ichabod Crane by blowing him away with a machine gun in each hand. It was, and remains, the single most beautiful thing I had ever seen, and while I initially worried about whether the show would be able to keep that energy up as the story rolled on, well, there was an episode last week with the premise of Benjamin Franklin building a Frankenstein's Monster out of the most powerful soldiers who died in the Revolutionary War, so, y'know, they've pretty much maintained a constant level of being absolutely bananas.
So needless to say, I was pretty excited when Boom Studios announced that they were going to be releasing a comic tie-in by Marguerite Bennett, Jorge Coelho, Tamra Bonvillain and Jim Campbell, because if nothing else, Sleepy Hollow's particular brand of horror-themed kookiness is exactly the sort of thing that would lend itself well to comics. Having read the first issue, out this week, I can confirm that the team did their absolute best to make the comic as weird as the show, and while it's not a perfect translation, it's definitely a good one.
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