Ramona Fradon is one of the great living legends of comics, a creator with an instantly recognizable style who has worked on some of DC Comics' best-loved series -- and co-created a few classic characters along the way. Her crisp, lyrical line has elevated every book she's touched over her six-and-a-half decades in the business, and her work continues to influence and inspire creators to this day.
Fradon graduated from Parsons School Of Design in 1950, and began working at DC almost immediately, pencilling the Shining Knight backup story in Adventure Comics #165 – and when that feature was replaced by Aquaman two issues later, Fradon found her first signature character.
As readers will know from our weekly Best Cosplay Ever feature, we're big fans of cosplay at ComicsAlliance. The comics, sci-fi, gaming, and fantasy communities have proved time and again their exceptional talents for homemade disguises and superheroic sartorial excellence, and all of their craft and skill will be on display this weekend at New York Comic-Con. Our chief cosplay correspondent Betty Felon is on hand to document as much of it as she can. Scroll down for some of the very finest cosplay from New York.
This year, New York Comic-Con is taking harassment on their convention floor more seriously than ever before. Their brand-new anti-harassment policy is comprehensive and offers a great deal of protection for attendees. Still, we here at ComicsAlliance wanted to offer some tips for ensuring you and others around you have the safest, most fun convention possible.
Comics can be a very powerful medium, either as a catalyst for change or as a way to--even inadvertently--uphold stereotypes.
A New York Times cartoon about India's recent, successful mission to send an orbiting spacecraft to Mars fell into the latter category, angering so many people that the newspaper had to openly apologize.
Right from the start, Sam Humphries and Dalton Rose's Sacrifice is identifiable as a work of passion. It was self-published – a risky proposition in the direct market – and it was a story of personal importance to the author. Humphries has epilepsy, and Sacrifice is the story of a boy whose epilepsy isn't only a source of frustration and anguish, but also a superpower that propels him into an adventure at the zenith of the Aztec civilization – and perhaps also provides the ultimate key to his agency.
That's not the only source of passion evident in Sacrifice, though. The premise of the series – a suicidal Joy Division fanatic has a seizure that sends him back in time to before Cortés' invasion of the Aztecs – provides a venue for Humphries to spit fire over how profoundly outrageous and angering the perception and purported 'history' of the Aztecs is. As someone fascinated by and familiar with the truth about the Aztecs, Humphries uses the series' bedrock of time travel, violence, and destiny, to help readers take a step towards that truth.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions. In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate takes stock of her last year in the comic book universe, including starting the ComicsAlliance edition of Kate Or Die, traveling to conventions around the globe, meeting fans and making friends.
DC Comics has taken some heat over the past couple weeks for some licensed apparel that implied, or outright stated, that boys can be superheroes but girls have to settle for being superheroes' girlfriends or wives. The criticism reached a point where DC itself had to issue a statement promising to review its licensing process.
Another example of a licensee making a bad gender-related decision flew a little lower on the radar last week, but in this case the licensee, Wonder Forge, issued an apology itself. The game makers failed to put any playable female characters in its game, Justice League: Axis of Villains, and people -- particularly a concerned parent -- complained about the Target-exclusive game.
In late August, writer Gene Luen Yang posed a challenge to his peers in the world of comics: Write characters who are different from you, racially and culturally, even if it's scary. That can be tough to do without being insulting, or tone-deaf, or resorting to stereotypes. What can really help for writers is input from people of the races and cultures that they hope to depict; people who can gauge whether a work has the right level of sensitivity and understanding.
Luckily, a whole bunch of cartoonists have come together to offer up advice in a post on Midnight Breakfast titled "Writing People of Color (if you happen to be a person of another color)." It's chock full of insight.
Just as this year's comics-centric Banned Books Week was coming to a close, an Illinois school board has unanimously voted to keep Marjane Satrapi's graphic novel Persepolis on the reading list of a local high school.
According to the State Journal-Register, a Glenwood High School parent complained to Principal Jim Lee (yes, that's his name) about the book, questioning why a teacher would ask students to read a book about Muslims on September 11. The parent also complained about a scene that shows a dismembered body and a man being tortured. Thankfully Lee just plain wasn't having it.
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