Steve Gerber was one of comics' most individual talents – an acclaimed writer whose career spanned four decades, an outspoken voice for creative rights, and, of course, as he's inevitably known today, the man who made an ill-tempered cigar-smoking duck into one of Marvel's most unforgettable characters.
He broke into the field in the early '70s as part of a "new guard" of Marve
Metropolis, Illinois, has a Superman statue. Philadelphia has immortalized Rocky in bronze. Detroit has a much-publicized Robocop statue. Why shouldn't Edmonton be home to a statue of its fictional hero, Wolverine?
About 3,000 people have signed a Change.org petition calling for the mayor and city council of the Alberta's capital city to put up a life-size statue of the Marvel superhero in City Hall. At least one city councillor says he isn't opposed to the idea.
The great thing about Fox News is that it's only Tuesday and you're already about to see the dumbest thing you'll see all week.
In this case, it's a clip from Fox's weekend morning show, where three people with the collective brains of a sack of doorknobs turn their reasoned and well-thought out opinions to the world of comic books. Specifically taking on Jason Aaron and Russell Dauterman's upcoming run on Thor, where the iconic Marvel hero will get a new identity as a woman, and complaining about Wonder Woman's costume in the upcoming Batman v. Superman: Dawn of Justice film by comparing it to Jim Lee's redesign from four years ago that, according to them, appears to be a product of what they characterize as fundamentalist Sharia Law.
No, really, this dope on the left actually says that.
It's Celebrate Bisexuality Day today, also called Bisexual Visibility Day -- a day to celebrate and promote recognition of those who are sexually attracted to people of more than one gender. The day exists because people with non-monosexual queer identities face unusual challenges in being recognized by both mainstream and queer cultures, yet visibility helps break down barriers and encourage acceptance.
In superhero comics, the problem of bisexual invisibility is as ingrained as anywhere; the medium struggles to acknowledge the existence of anything that didn't exist in The Honeymooners or The Andy Griffith Show, unless it's a space god, a shapeshifter, or a parasitic psychic monster. Having a character say, "I'm bisexual" is apparently more implausible than any of those things. There are signs that the industry is changing in this regard -- but slowly, and rather half-heartedly.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Writer Giulie Speziani has worked on a few different projects, including By The Slice and Golden Age with artist Cecilia Latella. You can see her in person this weekend at Long Beach Comic-Con on the Hire This Woman panel at 3:30pm on Sunday, September 28th, along with other past and future featured creators!
“If the harassment is so bad, why don’t women just report it?”
“I want to believe these women, but if they’re not willing to come forth and put their name to these accusations, I just can’t.”
“These claims of harassment are all so overblown. I never see it happening.”
I have been a woman in the comics industry for a few months now. It has been wonderful. It has also been terrifying.
Terrifying in a way I’m used to, though. When you grow up enveloped in the miasma of “tits or GTFO,” “attention whore,” and “fake geek girl,” fear becomes the price you pay to enjoy your hobbies. You don’t even think of it as fear most of the time. Sometimes you join in the fear mongering yourself, enjoying the a**hole glamour of not being too pussy to call another girl a slut. Sometimes you hide in woman-heavy spaces, which go maligned elsewhere (“Tumblrinas!”) but do a pretty solid job of keeping you safe. The fear comes back eventually, though, as a slew of graphic rape threats or a simple joke about “feminazis” you are expected to chuckle along with. It might be in response to a screed worthy of Andrea Dworkin—or maybe you just tweeted something about disliking Guardians of the Galaxy. What matters is that you were a woman with an opinion on the internet, and now you must be punished. You must be made to fear.
Over the past few years, comics fans have been embroiled in a debate over the double standard that applies to superhero costumes. While men's costumes are increasingly depicted as totally functional, women's costumes remain what they've been for decades: skimpy, overtly sexualized, and all too often, anything but what would be practical for the purposes of patrolling the streets and fighting crime.
Filmmaker Luke Patton's short film "Sexy Superhero" faces that debate head-on and makes something really funny out of it.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions. In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate creates an interactive tool to help determine your costume for Halloween next month. Simply download the PDF, cut it out and roll. You're welcome.
If you were to pull a random sampling of professionals from across the comics industry and poll them on their favorite modern-day creators, Mike Mignola's name would doubtlessly rank near the top. Since he burst on the scene at Marvel in the early 1980s, pencilling an obscure limited series about a talking space raccoon, he's matured brilliantly – from his seminal work at DC Comics (pencilling books including World Of Krypton, Cosmic Odyssey, and Batman: Gotham By Gaslight), to his work at Topps, Marvel, and other companies in the early '90s (on Ironwolf, Bram Stoker's Dracula, various X-books, and many other titles), to his move into creator-owned comics with the mighty Hellboy, he's maintained a unique voice and an immediately recognizable art style, bettering himself with each successive project, evolving and refining his voice at every opportunity.
Whether it's baby Hellboy eating a forbidden breakfast, a snake and a magician flying kites, or a robotic super-spy with a detachable head in the employ of President Lincoln, there's a dry-yet-absurd tone to Mignola stories that drips with the glee of innovation and possibility, yet manages to keep it all contained within straight-faced third-person storytelling. And so, today, a few days after his 54th birthday, we're excited to celebrate Mike Mignola's career with a few fellow fans (who also happen to be notable comic-makers in their own right).
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