If you weren’t aware of it before the past few weeks, even a passing interest in the recent Internet comics community likely informed you of the medical-expense-related plight a high-profile pair of comic book creators have been experiencing . First, there was Stan Sakai, the creator of Usagi Yojimbo, in dire straits because of an extended hospital stay for his wife, Sharon. Then there’s Bill Mantlo, the co-creator of Rocket Raccoon, who was severely injured in a skating accident 22 years ago and has required full-time care ever since. (He’s been under care for two decades, but Rocket's appearance in the forthcoming Guardians of the Galaxy movie has brought him back into the public eye.)
Both of these men have had to turn to donations from fans and colleagues to help with their considerable expenses, and those people have made admirable efforts to help these creative artists whose work has brightened their lives. Generosity is a good thing. But it shouldn’t have to be this way.
Following last week's absolutely unforgettable, star-studded and perhaps even scandalous100-episode spectacular, ComicsAlliance begins a new era of the best and longest running podcast covering comic book entertainment news.
Recorded on Friday, this episode features Senior Editors Andy Khouri and Caleb Goellner alongside writers Chris Sims and Andrew Wheeler for a deep and intense discussion of the most crucial topics affecting the comic book industry. Specifically, who was cast in another Fantastic Four movie; what people think about another superhero movie, Guardians of the Galaxy, that they never thought they'd like anyway; the 30th anniversary of the Teenage Mutant Ninja Turtles; and why RoboCop Vs. Terminator is awesome.
Comics as we know it is wide and fractured. There's Direct Market comics, bookstore comics, webcomics, indie comics, manga, Eurocomics, and several more subcultures. I'm curious about what working under the broad umbrella of "comics" is like for creators, publishers, critics, academics, and more. Over the course of this month, I'm going to interview several people whose work, position, or goals I find interesting and attempt to paint a picture of what "comics" means today.
For the month of February, I'm taking over the Inkstuds podcast in order to introduce Inkstuds Spotlight, a focused look at what it means to be in comics. A comprehensive look isn't my goal. My goal is to show you several different slices of life in comics, as the people I'm interviewing this month play a wide variety of roles in comics. For the final interview in the series, I speak withLeSean Thomas.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cartoonist Sally Jane Thompson has created many comics on her own such as the webcomic From! and the graphic novel Atomic Sheep. She has also contributed art to projects like Womanthology: Space and Liberator Volume 1.
Considering that we've taken every opportunity to tell you all how great Copra is, I'm going to guess that most ComicsAlliance readers are already pretty familiar with the work of Michel Fiffe. Today, though, we all learned something new. It seems that before he launched his self-published tribute to Suicide Squad, Fiffe made one final effort to try breaking into mainstream comics by submitting two pages of tryout art for G.I. Joe to IDW.
That's right, everybody: Michel Fiffe has drawn Snake-Eyes, Storm Shadow, Roadblock, the Baroness and Destro, and guess what? It is rad as hell. Check out the pages with his distinctive style in both pencils and inks below!
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate tackles the subject of freelancers not being paid in a timely fashion by publishers for work-for-hire projects, something that sadly rings true for many comic book professionals even today.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions. In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
This week, we're looking at cosplay inspired by the work of illustrator Babs Tarr. Best known in fandom circles for her Bosozoku Sailor Scouts piece, Tarr's art frequently incorporates a combination of femininity and toughness in both her original work and redesigns of licensed characters, creating a world where magical women and girl gangs are one in the same. With the onslaught of cosplayers creating their own takes on classic characters and pulling inspiration from fan redesigns, it's not surprising that Tarr's provocative style and whimsical aesthetic have caught the eye of stylish fans and inspired many cosplayers to incorporate her designs into their costumes. We spoke to Tarr about her work and about the cosplay that her work has inspired.
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