Kel McDonald has been making comics for ten years, including a ten year run on her webcomic Sorcery 101. She was an early adopter of crowdfunding as a way of getting her comics out in print, and book one of McDonald's Misfits of Avalon series came out earlier this year through Dark Horse Comics. As increasing numbers of young, particularly female comics creators turn to webcomics as a way of getting their work out there, and as increasing numbers of comics publishers look to webcomics for up-and-coming talent, creators like McDonald are poised to have a unique understanding of the current comics world we live in
As part of her wrap-up of Sorcery 101, she's currently running a Kickstarter campaign for an omnibus of the series. ComicsAlliance sat down with McDonald to talk comics, crowdfunding, and web versus print.
I'm a pretty big fan of Stan Sakai's Usagi Yojimbo, for the simple reason that it's one of the single greatest epics in comic book history. The mix of meticulously researched history, funny animal comics and high adventure, along wth Sakai's legendarily consistent high level of craftsmanship, has made it an amazing comic. That said, I never expected it to make the transition from the page to the stage.
And yet, that's exactly what's happening in London, as the Southwark Playhouse's Stewart Melton has adapted Usagi Yojimbo as their annual Christmas play -- and not only that, but it seems to be getting rave reviews for its use of live music and a whole lot of swordplay.
Comic artist Edvin Biukovic died fifteen years ago this month at just 30 years old. His death was obviously a terrible loss to those who knew and loved him. It was also a terrible loss to the comic industry; Biukovic never received the level of lasting acclaim or recognition that his talent deserved, and produced relatively few works. Yet he was one of the finest comic artists of his generation.
Biukovic published several works in his native Croatia that have sadly never been translated. His finished English-language works include a couple of Star Wars stories published at Dark Horse, and the first of Peter Milligan's Human Target stories for Vertigo. One work stands as his masterpiece; Devils And Deaths, written by his long-time friend and collaborator Darko Macan, and published by Dark Horse, is a science fiction story about a country torn apart by ancient grudges and tribal conflicts, and of the desperate people trying to eke out a purpose in the midst of war.
Josie is a young housewife living post-war America. She sells makeup door-to-door, she takes care of her twin kids and the family dog, she makes dinner for her husband, and she suffers her endlessly disapproving mother-in-law. That is, when she's not murdering people in astonishingly violent ways.
Josie's a highly trained assassin, and the paradox that is her life comes courtesy of cartoonist Joélle Jones and co-writer Jamie S. Rich, whose new Dark Horse series Lady Killer invites readers into a weirdly alluring story that follows a grand tradition of subverting Americana, but with a uniquely wicked, black comedy twist and what Josie might even say is a woman's touch.
Hey, have you folks heard about this Hellboy character? It's okay if you haven't -- there's a big #1 on the cover of this comic I just read, so I assume he's pretty new. Trust me, though, he's a character you're going to want to watch, because despite a name that seems pretty lousy the first time you hear it, this is pretty good stuff.
Seriously, though, as much as I love Hellboy and the world of the BPRD (Bureau for Paranormal Research and Defense), I'll admit that I haven't been keeping up with the ongoing adventures over the past few years. I'm sure they're good -- I'm sure they're great, because it's rare that Hellboy isn't, and Hellboy In Hell is viewed very favorably here at ComicsAlliance -- but it's one of those situations where I've fallen behind and it's at the point where there's so much I've missed that it's hard to get back into it.
And that's exactly why I was looking forward to Hellboy and the BPRD: 1952. On sale now, it tells the story of Hellboy's first assignment with the BPRD, which makes it the perfect jumping-on (or in my case, jumping-back-in) point, and not only is it ridiculously good, but it feels fresh and new in a way that's almost impossible for a 20 year-old franchise to pull off.
If you’re like some of the ComicsAlliance staff, you have a great affection for deluxe edition books that offer historical overviews of various pop culture topics, reprint the great works of the comics medium, and/or collect classic storylines (and supplement them with all kinds of bonus material)… And with the gift-giving season now in full swing, you're likely looking for the perfect gifts for your follow geeks (or possibly, wanting to give your relations some suggestions for things you'd like this year, in lieu of another ill-fitting sweater). So as a public service, we've compiled this list of some of the best expensive, large, and mind-blowingly ornate titles that you can find at your local comic shop or from online booksellers.
I've been a fan of Fred Van Lente's comics work for almost ten years now, and the one thing that I love more than anything else about his work is that every time he starts up a new series, it almost always feels like something completely different. You can draw parallels between books like Incredible Hercules and Archer & Armstrong, of course, but neither one of those feels quite the same as G.I. Joe or Taskmaster. The one thing that really unites them, and the one thing that comes through pretty clearly if you ever interview that that guy about his work, is that there's a lot of research that goes into everything he writes, and it's research that comes through in very strange ways.
Case in point: Resurrectionists, a new ongoing Dark Horse series from Van Lente, Maurizio Rosenzweig and Moreno Dinisio that provides a pretty amazing vehicle for delivering that research directly to the reader, and does it with one of the biggest, weirdest high concepts I've seen in a long time.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
Fear, passion, beauty, love, and monsters. There's a feast of wonders in the best of October's comic book covers, with exceptional work from Becky Cloonan, Jorge Molina, Megan Hutchison, Kyla Vanderklugt and more -- taking us to some extraordinary places, and showing us some incredible sights.
The Humble Bundle continues to be one of the best values in comic books, and as you might expect, this week they've turned their attention to the morespoooooky side of things. And by that, I mainly mean comics where Pinocchio uses his endless wooden nose to stab vampires.
In addition to several books without pictures -- which I find strange and frightening -- the current Horror Book bundle added a bunch of horror comics today, including The Mocking Dead by Fred Van Lente and Max Dunbar, a volume of Valiant's Shadowman by Peter Milligan and Roberto de la Torre, the first omnibus of Dark Horse's Buffy the Vampire Slayer comics, the first two issues of Roberto Aguirre-Sacasa and Francesco Francavilla's Afterlife With Archie, and more.
I love Halloween, but if we're going to be honest with each other -- and I think that's important if we're going to remain America's Most Beloved Comic Book News And Opinion Website™ -- then I'll have to admit that my favorite thing about October is seeing Christmas decorations pop up in stores. Yes
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