We’ve seen Batman envisioned time and again on screens big and small, and yet it took a tiny LEGO version of the character to take us by surprise with Phil Lord and Chris Miller’s hilarious take on the character in this year’s ‘The LEGO Movie.’ Voiced by Will Arnett, this version of Batman lovingly satirized the Caped Crusader. The character was such a hit that we’re getting a spinoff in 2017 ahead of the ‘LEGO Movie’ sequel, and the writers have dropped some details about what we can expect.
Over the past couple of weeks, DC Comics' Convergence event has resulted in some of the most exciting and most bizarre announcements since the company threw out their previous shared universe canon in favor of the "New 52" reboot -- especially since the core idea of next April's big crossover is that they're bringing back a bunch of the versions of characters that they got rid of for a big battle against the new batch. Last week was particularly enticing for long-time fans, teasing us with Greg Rucka's return to writing Renee Montoya in The Question and Gail Simone going back to the fan-favorite pairing of Nightwing/Oracle.
This week, they've attempted to top that with a whole new roster of books, and this time they're set in a pre-Flashpoint Metropolis. The second week's launches will see the return of characters from 1996's Kingdom Come and the landmark Justice League International, plus Louise Simonson writing Steel. Of course, we're also getting Azrael and the return of Larry Hama to writing Batman, so someone out there needs to stop wishing on the Monkey's Paw already.
A few years back, when there was first talk about a TV show based on The Flash, I remember hearing people say that the character could get a stronger foothold with the American public in a time when shows like CSI were so popular. The argument was that people would have an easier time getting their heads around the idea that Barry Allen was a police scientist, and that blew my mind. I mean, is the day job really the thing that people should be interested in when they're watching The Flash? Isn't the part where he can run super-fast and fight guys with ice guns the more important part of that whole franchise?
Besides, I think we can all agree that it was way better back in 1991, when the Flash worked for the IRS as the world's first superhero taxman.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions, graphic novels, toys, statues and other collectibles going on sale in February 2014 (and in some cases beyond) from the publisher’s New 52 superhero line; the mature readers Vertigo imprint; the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles; and the limited edition products from DC Collectibles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
The last time Christopher Nolan released a movie, film critics got death threats. That was back in 2012, when Nolan released ‘The Dark Knight Rises,’ and the first writers who dared to stray from the positive consensus about the film received waves of overwhelming backlash. After Marshall Fine published his pan, his site and his page on Rotten Tomatoes were both bombarded with angry comments politely requesting he “die in a fire” and hoping someone would beat him into a coma with a “thick rubber hose.”
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate comes to a startling conclusion about Catwoman.
The main character of this show, the one who goes by John Constantine, is an impostor. I know John Constantine, sir, and you are no John Constantine.
Mondo, you are killing me with this.
As part of their year-long celebration of Batman's 75th Anniversary, Mondo has produced an art show, posters, and a truly beautiful soundtrack album that sold out of all five designs at San Diego, and now, they're giving me the most compelling reason yet to get into vinyl: a die-cut single of Danny Elfman's theme from Batman: The Animated Series. I definitely do not need this because I don't even own a record player, but y'all... it's shaped like a bat. How can I not get this?
Q: What are your thoughts on Catwoman and how her role has evolved over time? It's unique, isn't it? -- @spudsfan
A: Here's a warning that you're about to read way too many words on what looks like a simple question: Yes and no.
It's not going to surprise anyone when i say that I love Catwoman as a character, and a lot of that comes from how adaptable she is. In her long history, she's been one of the few characters who's been able to transition from villain to hero and back again, and she has a relationship with Batman that has allowed for both characters to grow in ways that no other character has, or even could. But at the same time, she's probably the single most successful example of a cliché that bugs me to no end: The Villainous Love Interest.
In October, DC launched Klarion, Ann Nocenti and Trevor McCarthy's new series re-imagining Jack Kirby's cult-favorite "witch boy". Klarion, in this incarnation, is a magical being from a parallel earth who lands in New York City and proceeds to act in the manner one might expect from a hyper-powered juvenile with a taste for chaos.
Nocenti and McCarthy have big plans for their strange little boy. CpmicsAlliance caught up with the creative team at New York Comic-Con to talk about decoding Kirby, planting secret messages in art, and letting the character lead the weirdness.