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DC And Vertigo Comic Book Releases For March 2015

DC Solicits

Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions, graphic novels, toys, statues and other collectibles going on sale in March 2014 (and in some cases beyond) from the publisher’s New 52 superhero line; the mature readers Vertigo imprint; the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles; and the limited edition products from DC Collectibles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.

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Filed Under: Category: DC, News, Previews

Magic Clark: A Moment Of Appreciation For Emanuela Lupacchino’s Hunkstice League of Absmerica

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We already praised DC's movie-themed variant covers last week, and it feels safe to say there's plenty of great work on show here from Dave Johnson, Bill Sienkiewicz, Marco D'Alphonso et al; this is a variant month that justifies its existence through excellence.

But I want to draw particular attention to just one cover, which I think deserves special recognition for oustanding achievement in its field. I refer, of course, to Emanuela Lupacchino's cover for Justice League #40 in the style of a poster for the 2010 Steven Soderbergh movie Magic Mike, which re-imagines the Justice League boys as oiled-up strippers.

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The Batman ’66 Episode Guide 1×04: The Penguin’s A Jinx

The Batman ’66 Episode Guide 1×03: The Penguin's A Jinx

The 1966 Batman television show was one of the most successful and influential adaptations of comic books to mass media of all time. Over the course of three seasons and 120 episodes, the series became a cultural force with its unique combination of tongue-in-cheek humor, thrilling superhero adventure and celebrity guest stars, and shaped the way the public would view the Caped Crusader for the next five decades. Now, in the midst of a well-deserved renaissance of the show, ComicsAlliance is proud to present The Batman '66 Episode Guide, an in-depth examination of every single adventure, arch-criminal and deathtrap cliffhanger of the series.

This week, the Penguin's inaugural adventure continues with the perfect crime... planned by the Batman himself!

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‘Batgirl’ #37 Criticized For Transphobic Content; Creative Team Apologizes

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DC's new take on Batgirl has been one of the pioneers of a new movement towards mainstream comics for a progressive young female audience -- a movement whose other flagbearers have become a mantra of sorts in 2014; Lumberjanes, Ms. Marvel, Gotham Academy, etc. In the hands of creators Cameron Stewart, Brenden Fletcher and Babs Tarr, Batgirl offered a satisfyingly contemporary and feminist take on Gotham superheroics.

So it came as a particular disappointment when last week's Batgirl #37 contained themes and imagery that were transphobic and transmisogynistic, leading several critics to call out the creative team for their insensitivity. This weekend the creators offered a statement of apology, saying, "we want to acknowledge the hurt and offense we've caused."

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DC’s Movie Poster Variant Covers Are Amazing

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As a general rule, I'm not a huge fan of variant covers, but let me tell you straight up: I love me a theme month. Any time that comics go with a unified cover layout for a month, I'm in, if only to see how nice they look when they're laid out next to each other on a shelf. Of course, it helps if both the theme and the covers themselves are awesome. Which, in the case of DC's variants for May of 2015, is exactly what they are.

The theme is movie posters, and the covers have taken inspiration from all over the world of cinema, and the results are genuinely amazing. I'm particularly fond of Cliff Chiang finally getting to use his Batgirl-themed Purple Rain homage on the cover of a comic, and that Superman x Super Fly mashup is something I've wanted for years, but whoever thought up that Catwoman x Bullitt cover deserves a raise and a paid vacation.

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Filed Under: , Category: Art, DC

‘Arrow’ Season 3 Recap, Episode 9: ‘The Climb’

CA_ArrowRecap

The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.

This week: Everyone lies to Captain Lance because he is a fragile porcelain figure ready to break, a murder is finally solved, and another pretty major one seemingly occurs.

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Ed Brubaker Looks Back On Batman, Part Three: Catwoman

Catwoman by Darwyn Cooke and Ed Brubaker

With long runs on hit titles like Captain America, Daredevil, Sleeper, Fatale, Criminal and more, writer Ed Brubaker has cemented his position as one of the most prominent writers in American comics, and he got his start with superheroes with Batman. After being brought in from the world of crime comics to write the Batman comics in 2000, Brubaker rose to prominence with his work on Gotham City's heroes, including cowriting the seminal Gotham Central, relaunching Catwoman with a critically acclaimed and influential new direction, and retelling the first encounter between Batman and the Joker.

This week, ComicsAlliance is taking a look back at Brubaker's tenure on the Dark Knight with an in-depth interview. In part one, we discussed the writer's work with Scott McDaniel on Batman and his collaboration with Sean Phillips on the Elseworlds one-shot, Gotham Noir. In part two, we talked about Brubaker's run on Detective Comics, his landmark work with Greg Rucka and Michael Lark on Gotham Central, and his and Doug Mankhe's influential Joker story, The Man Who Laughs. Today we conclude our discussion by talking about his relaunch of Catwoman alongside Darwyn Cooke and Cameron Stewart, why he was worried that it would be a "poisoned chalice," and why it's one of the most significant comics in DC's long history.

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The Multiversity Annotations, Part 4: Not The Peace of the Grave or the Security of the Slave

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The fourth issue of the series, Pax Americana with art by Frank Quitely, colors by Nathan Fairbairn and letters by Rob Leigh, is probably the most widely anticipated of the series, and certainly the most-hyped. It's Morrison's attempt to update and revise the structure of Watchmen, but applied to the original Charlton characters, as that Alan Moore & Dave Gibbons work was originally intended to in its first pitch. While Watchmen followed a strict nine-panel grid structure (some panels would be bisected or extended, but that was the general latticework on which everything hung), Pax Americana goes for eight, resembling not only harmonic octaves of music and colors of the rainbow that make up much of the multiversal structure Morrison is working with but also the "Algorithm 8" that allows President Harley to perceive the underpinning structure of the universe and use it to his advantage. That algorithm is, of course, the eight-panel grid (and the 8-shape made by one's eyes while reading the page) that forms the comic book universe he lives in.

The book moves backwards in eight color-coded sections, which I'll denote, that correspond to the evolutionary stages of humanity/a single person espoused by Don Beck and Chris Cowan's spiral dynamics, or, more specifically, Ken Wilber's later integral theory, which incorporated it. I'd never heard of it before this book, and from all research I've done there's a reason for that; it seems to be widely accepted as bunk pseudoscience by any academic institution, which makes it a perfect evolution of the original Question and Rorschach's stark black-and-white Randian Objectivism, while also tying into not only Pax's obsession with the number eight but its role in the Multiversity series as a whole, both due to the nature of music in octaves which makes up the structure of the DC multiverse as well as the colors of the rainbow that form the Source Wall.

This is a long one, so with no further ado...

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Ed Brubaker Looks Back On Batman, Part Two: Gotham Central And The Man Who Laughs

Batman: The Man Who Laughs, Ed Brubaker and Doug Mahnke

With long runs on hit titles like Captain America, Daredevil, Sleeper, Fatale, Criminal and more, writer Ed Brubaker has cemented his position as one of the most prominent writers in American comics, and he got his start with superheroes with Batman. After being brought in from the world of crime comics to write the Batman comics in 2000, Brubaker rose to prominence with his work on Gotham City's heroes, including cowriting the seminal Gotham Central, relaunching Catwoman with a critically acclaimed and influential new direction, and retelling the first encounter between Batman and the Joker.

This week, ComicsAlliance is taking a look back at Brubaker's tenure on the Dark Knight with an in-depth interview, and today, we continue our discussion of his work on Detective Comics and focus on two of his most well-known projects: Batman: The Man Who Laughs and Gotham Central.

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Win a NECA Batman ’89 Bundle Just For Pretending To Love Us

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NECA

Like Batman and free things? What a silly question, of course you do. Guess it's a good thing we're giving away some choice Batman collectibles then, isn't it?

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