We're still over a year away from the big-screen debut of the amazingly titled Batman v Superman: Dawn of Justice, in which your two favorite DC Comics heroes will be v-ing each other alongside other members of the Justice League, and maybe getting around to fighting an actual supervillain somewhere in hour three, if they have time. If you can't wait, though, I have some good news: BrickNerd Studios has brought you a short film in which the LEGO counterparts of the Dark Knight and the Man of Steel slug it out in brutal combat... for... some reason.
I'm not overselling things when I say that this is the best possible version of this fight that you're likely to see onscreen, and that Hollywood's going to have a hard time topping it in 2016.
There are a lot of great things about the Batman '66 ongoing series, but I think my favorite is how it's been expanding the Dutch-angled, pop-art universe of the original TV show beyond its three-season run. There have been new adventures for the show's roster of special guest villains, new locations, and even new characters in the form of additions like the Arkham Institute's Dr. Holly Quinn and the massive, atomic-powered Bat-Robot.
On top of all that, the not-at-all surprising success of the Batman '66 revival has expanded the universe in one of the most interesting ways by finally giving us one of the biggest missed opportunities in the character's history: A full adaptation of Harlan Ellison's unproduced Two-Face story.
I've known that this story was out there for a while because it always comes up in discussions of great superhero stories that never happened, and finally getting to read it in this week's Batman '66: The Lost Episode was a fantastic experience -- not just because the story itself was fun, but because the way it was presented was amazing.
Azzarello and Chiang's Wonder Woman has been praised for putting forth an epic, cohesive and narratively self-contained superhero drama with flourishes of the urban fantasy that once defined DC's Vertigo imprint, but has also been criticized for the changes it made to Wonder Woman's core myth. What's not in dispute is that the pair have created the most memorable and talked about Wonder Woman story in years -- maybe in decades -- and to mark the conclusion of their work, we caught up with Chiang and Azzarello to look back at their run and talk about their novel take on the feminist icon.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: Arrow gets stalked, Felicity Smoak and Ray Palmer make something of a love connection, and 'Arrow' gets its Poochie.
When ComicsAlliance first heard that Gilbert Hernandez would write and draw a Wonder Woman story for DC's digital first Sensation Comics series, we were excited to see what the master Love & Rockets illustrator would would do with the character. We also assumed he'd be the author of the story about Wonder Woman as a rock star.
Anyone following Sensation Comics now knows that the rock star story was Margeurite Sauvage's excellent work, while Hernandez spun a tale about a brainwashed Diana going toe-to-toe with fellow heroes Supergirl and Mary Marvel. The first half of his two-parter, "No Chains Can Hold Her," is already available. DC sent us this exclusive preview of part two, available this Thursday.
Readers demand a lot from superhero comics: consistency, continuity, adherence to the rules of the universe, compelling heroes, magnetic villains, satisfying endings, and the list goes on.
But those of us who have been reading for years (if not decades) are chiefly looking for one big thing above all else: novelty. We want to see something we’ve never seen before; characters we recognize as the heroes and villains we love being put into scenarios and settings wholly unlike what’s come in nearly 80 years of superhero comics.
That’s notoriously hard to do. Many times, stories end up being very similar to what’s come before, and when creators do try something new, they elicit complaints from readers who don’t like particular changes or decisions. But what if you could strip away those pressures and build a superhero comic that’s so strange and unique that it’s a must-read?
That’s what Jiro Kuwata’s 1960s Batman comics, currently being republished as the DC Digital Series Batman: The Jiro Kuwata Batmanga, are. A strange combination of classic Batman comics, the 1960s Batman TV-show, Marvel-Age science-based storytelling, mysticism, cartoon physics, Tokusatsu, and of all things, Scooby-Doo, it isn’t like any comic I’ve ever read. It’s endlessly surprising, and I love it.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: The Flash dundundundundundun–AH-AAAAAH!–Defender of the Universe!
This week, we’re looking at the sixth episode episode of the first season, “The Flash Is Born,” which features a greasy hunk in muscle shirts, guys being dudes, and a karate robot. On your marks, get set, GOOOOO!
We’ve seen Batman envisioned time and again on screens big and small, and yet it took a tiny LEGO version of the character to take us by surprise with Phil Lord and Chris Miller’s hilarious take on the character in this year’s ‘The LEGO Movie.’ Voiced by Will Arnett, this version of Batman lovingly satirized the Caped Crusader. The character was such a hit that we’re getting a spinoff in 2017 ahead of the ‘LEGO Movie’ sequel, and the writers have dropped some details about what we can expect.
Over the past couple of weeks, DC Comics' Convergence event has resulted in some of the most exciting and most bizarre announcements since the company threw out their previous shared universe canon in favor of the "New 52" reboot -- especially since the core idea of next April's big crossover is that they're bringing back a bunch of the versions of characters that they got rid of for a big battle against the new batch. Last week was particularly enticing for long-time fans, teasing us with Greg Rucka's return to writing Renee Montoya in The Question and Gail Simone going back to the fan-favorite pairing of Nightwing/Oracle.
This week, they've attempted to top that with a whole new roster of books, and this time they're set in a pre-Flashpoint Metropolis. The second week's launches will see the return of characters from 1996's Kingdom Come and the landmark Justice League International, plus Louise Simonson writing Steel. Of course, we're also getting Azrael and the return of Larry Hama to writing Batman, so someone out there needs to stop wishing on the Monkey's Paw already.
A few years back, when there was first talk about a TV show based on The Flash, I remember hearing people say that the character could get a stronger foothold with the American public in a time when shows like CSI were so popular. The argument was that people would have an easier time getting their heads around the idea that Barry Allen was a police scientist, and that blew my mind. I mean, is the day job really the thing that people should be interested in when they're watching The Flash? Isn't the part where he can run super-fast and fight guys with ice guns the more important part of that whole franchise?
Besides, I think we can all agree that it was way better back in 1991, when the Flash worked for the IRS as the world's first superhero taxman.
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