We really don't know much about how Wonder Woman will fit into the plot of 'Batman v Superman: Dawn of Justice.' We do know that she's being played by Gal Gadot and that she will, somehow, get some screen time alongside Henry Cavill's Superman, Ben Affleck's Batman and Jesse Eisenberg's Lex Luthor. But that's about it ... until now! Thanks to a tiny snippet (caught on Vine, no less) we now know that DC's Amazon warrior will forego her classic origin story in favor of her modern beginning.
Here's a weird thing about this career that I've found myself in: A couple of weeks ago, I wrote a few disparaging remarks about one Andrew Bennett, the weepy star of DC's I... Vampire, and the next day I got an email from one of my childhood heroes asking, jokingly, what I thought of the Andrew Bennett story that he'd done in the pages of Brave and the Bold. The writer was Batman: Year Two's own Mike W. Barr, and the issue in question was BATB #195, where he and artist Jim Aparo sent Bennett on a team-up with the Caped Crusader to deal with a sudden wave of vampire crime in Gotham City. To be honest, it's really one of those perfect superhero comics for Halloween. It's fun, it's exciting, and as you may have guessed, it's more than a little weird.
Largely because it takes the World's Greatest Detective to figure out that all this vampire crime might have something to do with Gotham's newest business, Club Dracula.
In case you've forgotten their current status in the New 52 version of the DC Universe (which at this point is old enough that we can probably stop referring to it as New), Superman and Lois Lane are no longer romantically entangled.
Superman is, of course, currently dating Wonder Woman, while Lois is with... Jonathan Carroll? Remember that dude? Is he still around? Well, trust me on this one, he doesn't matter, because as of this week's Batman/Superman #15, Lois is going to be dating Batman -- or at least, she's going to be going on a date with him.
This is a post three years in the making. Way back in 2011, David Wolkin and I attempted to deconstruct the madness of Batman: Odyssey, an incomprehensible masterwork by legendary Batman artist (and legendarily terrible Skateman writer) Neal Adams that quickly established itself as the most insane comic we have ever read. When the series was renewed for a glorious second volume, we completed four additional reviews -- but stopped just short of the last two issues.
Our recaps were gratifyingly well-received, inspiring fan art, live readings and even cantankerous comments from Neal Adams himself (or so we choose to believe). And for the last three years, people have been tweeting at us, e-mailing us and asking us at conventions when we would finally complete our coverage of Batman: Odyssey.
That day is today.
DC Digital's Sensation Comics Featuring Wonder Woman must be doing decent business, as the publisher announced a second digital Wonder Woman title at the Download This panel at New York Comic-Con on Sunday; Wonder Woman '77, inspired by the hit 1970s Wonder Woman TV show starring Lynda Carter. The series follows the digital-first format of the Batman '66 comic, which is based on the 1960s Batman TV show.
Written by Marc Andreyko and illustrated by various artists, Wonder Woman '77 will launch in December with a six weekly installments that will later be released in print. Further Wonder Woman '77 stories are expected to follow in the future.
To this day, The LEGO Movie remains one of exactly two movies about Batman released in my lifetime that I missed out on seeing in the theater. The other, incidentally, is Mask of the Phantasm, and I'm as surprised as you are that I somehow missed out on that one, but considering that I didn't have a car or my own source of income when I was 11, I can at least use that as an excuse. Sadly, missing out on The LEGO Movie is entirely on me, and remains one of my greatest regrets.
But here's the good news: It seems that I'm getting another shot at seeing the blocky, thumbless incarnation of the World's Greatest Detective on the big screen, because Warner Bros. has announced a LEGO Batman movie coming to theaters in 2017.
As Vertigo's two currently longest-running series head to a close -- Bill Willingham's Fables and Mike Carey and Peter Gross's The Unwritten -- the DC imprint is doubtless looking for new series with long-term potential to run alongside FBP, Astro City, and American Vampire.
At New York Comic-Con on Friday the publisher announced two titles that might fit the bill, both from DC writers making their Vertigo debut. Grayson writer Tim Seeley will team with former Madame Xanadu artist Marley Zarcone on Effigy, while once and future Secret Six author Gail Simone and former 2000 AD artist Jonathan Davis-Hunt are the team behind Clean Room.
Ramona Fradon is one of the great living legends of comics, a creator with an instantly recognizable style who has worked on some of DC Comics' best-loved series -- and co-created a few classic characters along the way. Her crisp, lyrical line has elevated every book she's touched over her six-and-a-half decades in the business, and her work continues to influence and inspire creators to this day.
Fradon graduated from Parsons School Of Design in 1950, and began working at DC almost immediately, pencilling the Shining Knight backup story in Adventure Comics #165 – and when that feature was replaced by Aquaman two issues later, Fradon found her first signature character.
Q: The new Klarion series started this week, and aside from Seven Soldiers and Batman: the Animated Series, I know little about him. What's his deal? -- @T_Lawson
A: Huh. Well this one oughtta be pretty easy, T: He's a Witch Boy. He's a Boy who is also a Witch. That's pretty much all there is to it; Kirby wasn't really all that into subtlety. Now who wants to go get lunch?
[Editor's Note: Chris, we've talked about this.]
Okay, fine. There actually is a little more to it than that, but to be honest, Klarion is less interesting to me on his own than he is in the context of Kirby's other work. He's a Witch Boy, a strange and sinister creature rooted completely in horror, happily existing in a world built for superheroes, and that's actually pretty cool.
When it comes to Gotham, two things are clear. One, the Fox crime drama purported to portray the origins of Batman and his criminal counterparts isn’t committed to much precision around the 75-year old mythos. Second, rather than tell the story of the unique and complex process of becoming Batman — a progressive evolution wherein a fearful, inexperienced but persistent youngster is shaped into an unlikely superhero — the show shortcuts to a nearly fully-formed Bruce Wayne in the body of an 11-year old kid.
Collecting police files. Testing endurance. Sneaking up on people. Unless we’re to believe the first three episodes take place in Bruce’s imagination as some part of a posttraumatic delusion, these are hardly behaviors we’d expect to see in a young boy immediately following parental loss — even for one who will grow up to be Batman. The only things missing are his cape and cowl. So for those who get a giggle out of watching a kid play detective and refuse psychotherapy, Gotham delivers. When it comes to villains, classic and original, the show has much more to offer.