We knew as far back as Comic-Con 2015 that The Flash would face off against “Zoom” in Season 2, though even among comic fans, the name didn’t provide the clearest picture of Barry’s new big bad. Now, we at least have a voice in Candyman legend Tony Todd, as well as a few new details on the Venom-like “speed demon.”
DC - Page 2
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions.
In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
At this point, it's difficult to imagine that you, the discerning ComicsAlliance reader, do not already own Gotham Central in at least one format, but I imagine there are some folks out there who have just been waiting to get the whole series in one go. If that sounds like you --- or if you're just looking to pick up one of the greatest DC Comics ever printed in a third or fourth format --- then we have good news: The solicitations for DC's upcoming paperback and hardcover releases have revealed that it's planning a massive Gotham Central Omnibus for release next May.
Captain America: Civil War isn’t the only major superhero film that wrapped principal production this week — Bryan Singer completed his primary work on X-Men: Apocalypse, and David Ayer also finished the principal work on Suicide Squad. To celebrate, Ayer grabbed (almost) the entire cast along with much of the crew for one big photo.
Gotham hasn’t proven particularly shy with the lion’s share of Season 2 footage and teasers, but at least a few faces have been missing from its city streets. No longer, as the full character gallery for Gotham Season 2 brings Two-Face, Lucius Fox and more back into the fold, along with some new menace for our future Batman.
Q: Why does Jimmy Olsen work so well as Superman's Pal when Snapper Carr doesn't work as the Justice League's? -- @luckyrevenant
A: I honestly hadn't considered it until I saw this question, but the more I think about it, the more I realize that you're right. Snapper Carr, the finger-snapping teenage mascot of the Justice League from back when it actually wasn't that unusual for the Justice League to have things like teenage mascots, really is the direct descendant of Jimmy Olsen --- at least from a character standpoint. They fill that same role, the kid who gets to hang out with all your favorite superheroes so that you too can imagine yourself hanging with Batman and Superman. And yet, while Jimmy ranks at #3 in my illustrious and immutable list of the greatest comic book characters of all time, Snapper is one of the most ignored and forgotten characters of the entire Silver Age.
Ever since it debuted a few months ago, Tom King and Barnaby Bagenda's Omega Men has been one of the most engaging comics on the stands, and not just because of the story of the title characters and the intergalactic insurgency that has seen them manipulate the power structures of an entire planet and fake the death of Kyle Rayner before the series even started. Don't get me wrong --- all that stuff is interesting, and it makes for a fantastic read, but what really sets Omega Men apart is the visual style that its creators have adopted to tell their story.
Or, more accurately, about one very specific and very well-implemented element of the book's visual style: The Nine-Panel Grid.
Even if you don't know his name, you're almost certainly already familiar with the art of the incredible José Luis García-López. Over the course of a forty-year career working with DC Comics, his incredible design sensibility led him to be the primary artist for DC's licensed products, meaning that it's his art that reached the widest possible audience and, in a lot of ways, defined how characters like Batman, Superman and Wonder Woman looked in the eyes of the public.
And it makes sense that he would, too, since he was also the one who defined how those characters looked for DC Comics itself. In 1982, he was the primary artist of The DC Comics Style Guide, an incredible set of model sheets, color guides and dynamic reference poses --- and thanks to the Facebook group for García-López fans, you can have a look at the entire thing now!
The names of many of comics' greatest creators of the Golden and Silver Ages of comics — Jack Kirby, Will Eisner, Jerry Siegel, and, increasingly in recent years, Bill Finger — are deservedly well known by the average comic fan. However, the name of the writer of some of the best-selling comics of all time, and the creator of some of comics' most enduring characters, Otto Binder, is utterly unknown to many comics readers, making him perhaps the medium's most underrated writer.
James Jean's celebrated run as one of Vertigo's most accomplished cover artists on Fables began six years after Vertigo's other big mythology-and-fiction epic ended, meaning that we never got to see a James Jean cover on a Sandman comic. Now, we didn't exactly miss out --- Dave McKean's Sandman covers are rightly just as highly regarded as Jean's Fables covers --- but it's tempting to wonder what a James Jean run on writer Neil Gaiman's magnum opus might have looked like.