Readers demand a lot from superhero comics: consistency, continuity, adherence to the rules of the universe, compelling heroes, magnetic villains, satisfying endings, and the list goes on.
But those of us who have been reading for years (if not decades) are chiefly looking for one big thing above all else: novelty. We want to see something we’ve never seen before; characters we recognize as the heroes and villains we love being put into scenarios and settings wholly unlike what’s come in nearly 80 years of superhero comics.
That’s notoriously hard to do. Many times, stories end up being very similar to what’s come before, and when creators do try something new, they elicit complaints from readers who don’t like particular changes or decisions. But what if you could strip away those pressures and build a superhero comic that’s so strange and unique that it’s a must-read?
That’s what Jiro Kuwata’s 1960s Batman comics, currently being republished as the DC Digital Series Batman: The Jiro Kuwata Batmanga, are. A strange combination of classic Batman comics, the 1960s Batman TV-show, Marvel-Age science-based storytelling, mysticism, cartoon physics, Tokusatsu, and of all things, Scooby-Doo, it isn’t like any comic I’ve ever read. It’s endlessly surprising, and I love it.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: The Flash dundundundundundun–AH-AAAAAH!–Defender of the Universe!
This week, we’re looking at the sixth episode episode of the first season, “The Flash Is Born,” which features a greasy hunk in muscle shirts, guys being dudes, and a karate robot. On your marks, get set, GOOOOO!
We’ve seen Batman envisioned time and again on screens big and small, and yet it took a tiny LEGO version of the character to take us by surprise with Phil Lord and Chris Miller’s hilarious take on the character in this year’s ‘The LEGO Movie.’ Voiced by Will Arnett, this version of Batman lovingly satirized the Caped Crusader. The character was such a hit that we’re getting a spinoff in 2017 ahead of the ‘LEGO Movie’ sequel, and the writers have dropped some details about what we can expect.
Over the past couple of weeks, DC Comics' Convergence event has resulted in some of the most exciting and most bizarre announcements since the company threw out their previous shared universe canon in favor of the "New 52" reboot -- especially since the core idea of next April's big crossover is that they're bringing back a bunch of the versions of characters that they got rid of for a big battle against the new batch. Last week was particularly enticing for long-time fans, teasing us with Greg Rucka's return to writing Renee Montoya in The Question and Gail Simone going back to the fan-favorite pairing of Nightwing/Oracle.
This week, they've attempted to top that with a whole new roster of books, and this time they're set in a pre-Flashpoint Metropolis. The second week's launches will see the return of characters from 1996's Kingdom Come and the landmark Justice League International, plus Louise Simonson writing Steel. Of course, we're also getting Azrael and the return of Larry Hama to writing Batman, so someone out there needs to stop wishing on the Monkey's Paw already.
A few years back, when there was first talk about a TV show based on The Flash, I remember hearing people say that the character could get a stronger foothold with the American public in a time when shows like CSI were so popular. The argument was that people would have an easier time getting their heads around the idea that Barry Allen was a police scientist, and that blew my mind. I mean, is the day job really the thing that people should be interested in when they're watching The Flash? Isn't the part where he can run super-fast and fight guys with ice guns the more important part of that whole franchise?
Besides, I think we can all agree that it was way better back in 1991, when the Flash worked for the IRS as the world's first superhero taxman.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions, graphic novels, toys, statues and other collectibles going on sale in February 2014 (and in some cases beyond) from the publisher’s New 52 superhero line; the mature readers Vertigo imprint; the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles; and the limited edition products from DC Collectibles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
The last time Christopher Nolan released a movie, film critics got death threats. That was back in 2012, when Nolan released ‘The Dark Knight Rises,’ and the first writers who dared to stray from the positive consensus about the film received waves of overwhelming backlash. After Marshall Fine published his pan, his site and his page on Rotten Tomatoes were both bombarded with angry comments politely requesting he “die in a fire” and hoping someone would beat him into a coma with a “thick rubber hose.”
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate comes to a startling conclusion about Catwoman.
As part of their year-long celebration of Batman's 75th Anniversary, Mondo has produced an art show, posters, and a truly beautiful soundtrack album that sold out of all five designs at San Diego, and now, they're giving me the most compelling reason yet to get into vinyl: a die-cut single of Danny Elfman's theme from Batman: The Animated Series. I definitely do not need this because I don't even own a record player, but y'all... it's shaped like a bat. How can I not get this?
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