The comic book series that kicked off a years-long collaboration between writer Ed Brubaker and artist Sean Phillips is poised for a film adaptation produced by some recognizable names, among them Matt Damon and longtime collaborator Ben "Dardedevil/Batman" Affleck.
The pair will produce a film version of the Wildstorm series Sleeper. No director has been attached yet, but the screenplay will be written by The Shield creator Shawn Ryan and collaborator David Wiener.
Relaunches. They're the worst. A sign of desperation from an industry obsessed with gimmicks and stunts. A transparent attempt to drive up sales with no respect for the audience, no regard for the author, no consideration for the history of the title.
Or, they're the opposite of that. New #1s might actually be the smartest way to tell ongoing stories, and the best way forward for the genre comic industry. More relaunches and more #1s could be exactly what comics needs.
Q: You mentioned "The Problem" in last week's column. So, what is "The Problem?" --@green2814
A: Last week, I dug in a little into the idea that even though they share prominent creators and have influenced each other back and forth over the course of the last 50 years, the DC and Marvel Universes have some fundamental differences in the way they're structured. One of the things I really wanted to get across in that column was that neither one is really fundamentally better than the other, they're just incompatible in a lot of ways, and I touched on how that results in something I call The Problem. Since that's still pretty fresh in everybody's mind, and since you were nice enough to set the ball right on the tee and hand me the bat, I might as well elaborate on that now. It's actually pretty simple.
To put it bluntly, The Problem is that DC wants to be Marvel, and they have for the past 50 years.
Thumb through DC Comics' new releases this week and you'll find the above image -- a teaser for the upcoming Batman: Eternal weekly series -- in the back pages of a good many of them (all the books I saw, in fact).
I had to look up the artist who drew it. It's Detective Comics artist Jason Fabok, but it could just as easily be Tony Daniel, David Finch, Guillem March, Ivan Reis, Adrian Syaf, or a handful of other current DC artists. Like it or not, this is, with a few exceptions, just how DC Comics look now.
Ever since it was announced at Comic-Con this past summer, quite a few people have been referring to the upcoming Zack-Snyder directed film featuring Henry Cavill and Superman and Ben Affleck as Batman as "Batman Vs. Superman."
But the movie is still going to be a direct sequel to Man of Steel (Lex Luthor will be appearing, Snyder has confirmed) and judging from a list of domains recently registered by MarkMonitor, the company Warner Bros uses for its warnerbros.com domain and the registrar for the SupermanvsBatman.com domain, it could keep that title.
Whenever a publisher puts out a "Best Of" collection for a long-running character, it's always really interesting to see what kind of stories make the cut. They make a fascinating look at the character -- not just the past, in the stories being reprinted, but in how revealing they are about the attitudes about those stories when they're all collected. If you go back through books like The Best Batman Stories Ever Told or The Very Best of Spider-Man, they're just as much of a snapshot of how the companies saw those characters when the books came out as they are of the times when those stories were originally printed.
Last week, DC put out an especially interesting highlight reel for their flagship character, Superman: A Celebration of 75 Years, and the stories they lined up as the best Superman has to offer say an awful lot about how DC looks at the Man of Steel. They might call it a "celebration" on the cover, but when you actually go in and read it, it feels more like a funeral dirge.
Fans found out about the panel when DC Comics announced a contest seeking an artist to draw one page of the issue. DC Co-Publishers Dan DiDio and Jim Lee said they would personally select the artist based on submissions of a single page, and included a description of the page's four panels.
Batman’s origin has been told many times before, but I think it’s fair to say that it’s never been done quite like Scott Snyder and Greg Capullo‘s “Zero Year.” They’re telling the story of what they call a “punk rock Batman,” a younger Bruce Wayne who returns to Gotham to challenge a city that’s already being crushed under the weight of a new kind of crime, and they’re packing everything they possibly can into it. So much, in fact, that the twelve-issue epic has been divided into three distinct arcs, and with “Secret City” ending last month, we’re talking to Snyder in a series of interviews, going in-depth to discuss what these first four issues mean for Batman, his world, and Snyder personally.
Today, after discussing the story in general terms in part one, we get into the specifics of the first arc: The villains, what they represent, the role of the Wayne Family in shaping Snyder and Capullo's take, and Bruce Wayne's development as the Batman of a new kind of city full of new kinds of fears -- and how Batman's greatest enemy is an empty, meaningless life.
After a troubled development, several delays and news of the show it's based on being canceled, the video game Young Justice: Legacy is finally out today.
The game, which was written in conjunction with the show's producers and fills in the gap between Young Justice's first and second seasons on Cartoon Network, explains why some of the characters changed rather drastically. It's likely the last fans will be seeing of these versions of the characters, barring another tie-in comic series (the initial series, which ran for 25 issues, ended in February) or something similar. Check out a handful of screenshots after the jump.
Batman's origin has been told many times before, but I think it's fair to say that it's never been done quite like Scott Snyder and Greg Capullo's "Zero Year." They're telling the story of what they call a "punk rock Batman," a younger Bruce Wayne who returns to Gotham to challenge a city that's already being crushed under the weight of a new kind of crime, and they're packing everything they possibly can into it. So much, in fact, that the twelve-issue epic has been divided into three distinct arcs, and with "Secret City" ending last month, we're talking to Snyder in a series of interviews, going in-depth to discuss what these first four issues mean for Batman, his world, and Snyder personally.
Today, in part one of our "Secret City" interview, Snyder talks about his influences, the pressure that came with trying to live up to Batman: Year One, and why he wanted to take Batman's origin in a radically different direction that we'd never seen before.
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