Okay, so there's good news and bad news. The good news is that ComiXology is having a massive sale on Batman comics, and has knocked a bunch of them down to 99¢ each, which means that you can grab some great stories on the cheap. The bad news? Since this whole thing is in honor of Batman's 75th anniversary, they've put 750 comics on sale, plus a handful of graphic novel collections. All things considered, that's a pretty good problem to have, but still, that can be pretty overwhelming.
Fortunately, we're here to help. As the World's Foremost Batmanologist, I've sifted through the sale to bring you safe bets for what you should be grabbing during the sale. Assuming you've got the obvious ones -- like The Dark Knight Returns, Batman: Year One and the recent runs by Morrison, Snyder, and Capullo -- here's what to grab next!
The Marvel Unlimited app is a gigantic, messy cache of awesome and terrible old comic books: a library of 13,000 or so back issues of Marvel titles, available on demand for subscribers with tablets or mobile phones. Like any good back-room longbox, it's disorganized and riddled with gaps, but it's also full of forgotten and overlooked jewels, as well as a few stone classics. In Marvel Unlimited Edition, Eisner-winning critic Douglas Wolk dives into the Unlimited archive to find its best, oddest and most intriguing comics.
Jim Steranko's reputation as one of the great American comic book artists rests almost entirely on the comparatively tiny body of work he drew for Marvel between 1966 and 1970: nine complete comic books, eighteen "Nick Fury: Agent of S.H.I.E.L.D." episodes that each occupied half of an issue of Strange Tales, and a pair of seven-page stories from anthologies, as well as a handful of covers. All of his Marvel stories can now be read on the Unlimited app... except for Nick Fury #5, for whatever reason. If you've never gotten to sample Steranko's psychedelic delights, here are three excellent starting points.
This week, Chris and Matt talk about how Robin Rises Omega #1 by Peter Tomasi and Andy Kubert should be great, but falls short, possibly because it's a victim of its own marketing. Then, we talk about how Life With Archie #36 by Paul Kupperberg and Pat & Tim Kennedy is really enjoyable despite some weird tics. Then, we discuss the cool new sci-fi anthology, 2299, edited by Dylan Todd.
Here's some crazy news: Writer Warren Ellis (Moon Knight) and artist Michael Allred (Silver Surfer) are teaming up for a comic about a rich industrialist who wanted to change the world and is often associated with the symbol of a bat. No, not that one!
Their graphic novel The Spirit of Bacardi, about Emilio Bacardi, the son of Bacardi Rum founder Don Facundo Bacardí Massó, will debut on the company's website August 6.
The Marvel Unlimited app is a gigantic, messy cache of awesome and terrible old comic books: a library of 13,000 or so back issues of Marvel titles, available on demand for subscribers with tablets or mobile phones. Like any good back-room longbox, it’s disorganized and riddled with gaps, but it’s also full of forgotten and overlooked jewels, as well as a few stone classics. In Marvel Unlimited Edition, Eisner-winning critic Douglas Wolk dives into the Unlimited archive to find its best, oddest and most intriguing comics.
Steve Gerber died in 2008, but his work is still casting a shadow over contemporary comics -- it's a good bet that Guardians of the Galaxy and The Defenders wouldn't be what they are now without him, for instance, and the biting, off-kilter tone of his writing has found its way into the central stream of superhero comics. Here are a couple of ingenious variations on projects he co-created, as well as a posthumously published jewel.
A nomination for a Harvey Award, named for legendary MAD Magazine cartoonist and editor Harvey Kurtzman, is unquestionably the most prestigious honor that has ever been bestowed on a comic book about NASCAR. Seriously. It happened in 2009 with NASCAR Heroes.
The Harvey Awards have released the list of this year's nominees. As you might expect, the usual suspects like Hawkeye and Daredevil were honored, along with other nomination leaders Saga and Quantum and Woody. Archie, Valiant and Image all received a good amount of nominations, but it's BOOM! Studios, along with its Archaia imprint, that earned the most recognition with 26 nominations; well more than any other publisher.
Digital comics sales are a huge area of growth for the American comic book industry, rising faster than even ebook sales for traditional publishing. Digital accounted for $90 million dollars worth of sales in 2013 and as an increasingly accessible distribution platform for comics creators, is sure to become more and more integrated into the business of making comics.
Journalist, educator and digital media expert Todd Allen is currently running a Kickstarter for his ebook The Economics of Digital Comics, which helps explain the intricacies of the digital comics landscape for fans and creators alike. Also the author of The Economics of Webcomics, Allen's already well exceeded his modest funding goal. ComicsAlliance sat down with Allen to discuss his work and the digital business of comics.
This week, Chris and Matt are oddly surprised by the (possible?) commentary found in New Suicide Squad #1 by Sean Ryan and Jeremy Roberts. Then they like how Armor Hunters #1 by Robert Venditti and Doug Braithwaite hits the big event-comic notes without being contrived. And finally, they discuss a couple of DC's digital-comic offerings: Scooby Doo Team-Up #5 by Sholly Fisch and Dario Brizuela, and Bat-Manga #1 by Jiro Kuwata.
Wonder Woman has been quite the topic of conversation of late, thanks to the news that the popular and critically-acclaimed Brian Azzarello/Cliff Chiang creative team would soon be leaving her title after a three-year run to be replaced by the already controversial team of Meredith Finch/David Finch -- who have already made some troubling statements in simply trying to promote their run -- and the news that Gilbert Hernandez will bring his talents to the character for Sensation Comics.
While we were all talking about the Finch family, feminism, and the premier female superhero in comics history last week, we may have missed the fact that DC Comics just published an excellent Wonder Woman comic, one that cherry-picked elements from her most popular iterations (her weird-but-awesome Golden Age persona under the guidance of her creators, the Lynda Carter TV show, Super Friends) and presented them in dismemberment-free, all-ages comic that could be enjoyed by anyone from the littlest girl to the oldest old man. A comic book that was both fun and funny, and had just a touch of good old comic book insanity.
Snuck out in the usual DC Comics PR is a little gift to discerning readers that may demonstrate that DC's digital wing really know what it's doing. Gilbert Hernandez, the legendary Love & Rockets cartoonist who gave the world Heartbreak Soup and Palomar, is going to write and draw a Wonder Woman story. Like, for real.
The story is part of the DC West Coast office's digital first line, and will appear in late September as part of the Wonder Woman anthology Sensation Comics. A print edition will follow in October.
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