If you've been wondering why I've been a little more excited lately, why bird songs are a little sweeter or why food tastes a little better, it's because the latest storyline of DC's digital-first Batman '66 comic has involved Batman and Batgirl heading to Japan to take on Lord Death Man.
Jeff Parker, Sandy Jarrell and Jordie Bellaire have done a pretty amazing job creating story that I wish would've happened on television, but giving it the unlimited budget for stuff like a new Japanese Batmobile and an army of ninjas, and it's pretty great. To get some insight into just how it all happened, I spoke to Parker for his thoughts on bringing in other period-specific villains, why Lord Death Man is so much more exciting than his original American counterpart, and ideas for other non-Gotham location that could use a visit from the Caped Crusaders!
Back when I was a kid, my single favorite episode of Batman '66, the one that I liked even more than the one where the Joker tried to conquer Gotham City by winning a surfing competition and becoming "King of the Surf and All The Surfers," was the one where Batman, Robin and Batgirl took a trip to Londinium in order to fight Lord Ffogg and his small army of mod pickpockets. Something about getting those characters out of that version of Gotham City is always interesting to me.
So you can imagine how excited I was when opened up this week's issue of Batman '66 and found out that Jeff Parker, Sandy Jarrell, and Jordie Bellaire had taken Batman and Batgirl on an international trip to Japan to battle it out with Lord Death Man. I'll admit that I'm predisposed to like this stuff, but trust me: It is basically perfect.
I think we can all agree that the best comics are cheap comics, which is why I always keep an eye on Comixology's sales page to see if there are any good deals to be had. This week, they're offering up a handful of Superman collections for six bucks each --- which in a couple of cases is 70% off --- and while that's a pretty great deal, it also raises the question of just which ones you should pick up.
Fortunately, I've read all of these stories, so in order to help you make an informed decision, I've picked out a few best bets for picking up some cheap reads with the Man of Steel, if only to keep anyone from accidentally buying Earth One thinking that it might be good.
Good news, manga fans who prefer Comixology over all other digital comics platforms: it's now easier to get your VIZ Media manga fix. This seems to be part of VIZ's ongoing dedication to diversifying the platforms their digital manga is available on, which leaders at the company reported as important over a year ago. As of this week, VIZ has added 650 volumes - over 65 total series - to the Comixology library. These titles are from those originally published by Shogakukan in Japan. This brings the grand total of VIZ offerings up on Comixology to 190 series and 1,100 volumes. Plus, to celebrate this occasion, there's a sale on a few VIZ bundles to get your collection started or to continue building your collection.
A Netflix (or perhaps a Spotify) for comics may have arrived.
Scribd, an online depository of books and audiobooks that gives subscribers unlimited access to a massive library for an $8.99 per month subscription fee, announced today that it has added more than 10,000 comics from publishers including Marvel, Valiant, IDW, Top Shelf, Archie, Boom! Studios, Top Cow, and Arcana to its subscription service.
ComicsAlliance readers get an exclusive first look at the latest covers for DC Digital's next two print editions of Sensation Comics Featuring Wonder Woman, featuring the Amazonian warrior brought to life by Michael Zulli and Francesco Francavilla. The stories feature cats, dragons, Lois Lane, and a pop starlet, but the covers offer two other visions of DC's most formidable hero.
Zulli, best known for his stunning painted work on Sandman, portrays his Wonder Woman armored up and ready for battle on the cover for Sensation Comics #10. For issue #9, cover artist superstar and Black Beetle creator Francavilla offers a glamorous pop-art inspired '60s take on the hero.
One of the great strengths of DC's digital-first line of comics is that it's a showcase both for emerging talent and for some unorthodox storytelling approaches. DC's digital wing plays to the strengths of the anthology format, telling the sort of stories that the main line just isn't interested in telling. For a character like Wonder Woman, an icon beloved by a lot of people who aren't invested in the rigmarole of month-to-month continuity, the approach is especially liberating.
The latest writer to tackle Wonder Woman for the digital-first Sensation Comics series is Amy Chu, an up-and-comer who we've profiled in the past. Chu has collaborated on short stories with Larry Hama, Steve McNiven, and Janet K. Lee, and has self-published her comics through her Alpha Girl Comics imprint. Her Sensation Comics story, 'Rescue Angel,' tells a Wonder Woman tale with a focus on a different female warrior, a young combat pilot, with art by Bernard Chang and colors by Wendy Broome.
If you've been wondering why people have been asking you "a/s/l?" all day and then following it up with a friendly "haha nice," it's because it's Cyber Monday! Today, we all set aside a little time for the tradition of shopping as our ancestors did so many snowy winters ago: on the internet in pajamas. Truly, it is the most wonderful time of the year.
To that end, a lot of your favorite online retailers are having sales today, including the digital comics retailers at Comixology! In fact, there's so much on there that we have decided to take it upon ourselves to guide you to the best of Comixology's Cyber Monday Sale!
When ComicsAlliance first heard that Gilbert Hernandez would write and draw a Wonder Woman story for DC's digital first Sensation Comics series, we were excited to see what the master Love & Rockets illustrator would would do with the character. We also assumed he'd be the author of the story about Wonder Woman as a rock star.
Anyone following Sensation Comics now knows that the rock star story was Margeurite Sauvage's excellent work, while Hernandez spun a tale about a brainwashed Diana going toe-to-toe with fellow heroes Supergirl and Mary Marvel. The first half of his two-parter, "No Chains Can Hold Her," is already available. DC sent us this exclusive preview of part two, available this Thursday.
Readers demand a lot from superhero comics: consistency, continuity, adherence to the rules of the universe, compelling heroes, magnetic villains, satisfying endings, and the list goes on.
But those of us who have been reading for years (if not decades) are chiefly looking for one big thing above all else: novelty. We want to see something we’ve never seen before; characters we recognize as the heroes and villains we love being put into scenarios and settings wholly unlike what’s come in nearly 80 years of superhero comics.
That’s notoriously hard to do. Many times, stories end up being very similar to what’s come before, and when creators do try something new, they elicit complaints from readers who don’t like particular changes or decisions. But what if you could strip away those pressures and build a superhero comic that’s so strange and unique that it’s a must-read?
That’s what Jiro Kuwata’s 1960s Batman comics, currently being republished as the DC Digital Series Batman: The Jiro Kuwata Batmanga, are. A strange combination of classic Batman comics, the 1960s Batman TV-show, Marvel-Age science-based storytelling, mysticism, cartoon physics, Tokusatsu, and of all things, Scooby-Doo, it isn’t like any comic I’ve ever read. It’s endlessly surprising, and I love it.
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