A few years back, when there was first talk about a TV show based on The Flash, I remember hearing people say that the character could get a stronger foothold with the American public in a time when shows like CSI were so popular. The argument was that people would have an easier time getting their heads around the idea that Barry Allen was a police scientist, and that blew my mind. I mean, is the day job really the thing that people should be interested in when they're watching The Flash? Isn't the part where he can run super-fast and fight guys with ice guns the more important part of that whole franchise?
Besides, I think we can all agree that it was way better back in 1991, when the Flash worked for the IRS as the world's first superhero taxman.
In a big year for comic book characters on the big screen, none were bigger or more swoonsome than Christopher Michael Pratt, the swaggering prince of twinkle-eyed handsomeness who brought boring 70s obscurity Star-Lord to thrilling, sexually stimulating life in this year's Guardians Of The Galaxy, and briefly made us feel alive again in this numbing, disconnected modern hellscape of free wi-fi and gluten free brownies.
As is our long-standing tradition here at ComicsAlliance, we name a "sexiest man alive" every year without fail. Previous winners include Harry Hamlin, Mark Harmon, and two-time winner Namor McKenzie. This year there was never any doubt that our winner was going to be Peter Quill himself, Chris Pratt. Because Chris Hemsworth was in literally nothing. NOTHING. Sometimes it's really hard to get out of bed, you know?
From 1992 to 1997, the X-Men animated series aired on Fox, giving Marvel Comics in all their convoluted, continuity-heavy glory a foothold in mass media and giving a generation of fans a window into one of the hottest comics ever at the peak of its popularity. From bizarre adaptations of key X-Men storylines to faithful adapations of some of the weirdest and most complex stories the merry mutants had to offer, it was one of the most important comics-based television shows of all time, which is why we've dedicated this time every week to an in-depth guide to every single episode of the series.
This week, that episode guide finally comes to an end with "Graduation Day," where mutant rebellion sweeps the globe, and An X-Man Dies! Sort of!
The Legend of Korra has been about many things—generational divides, anarchy, teen romance—but mostly, it’s been about power. Where Korra saw divine talent, Amon saw an underclass maintained by the caprice of nature. Where Korra saw vengeful dark spirits, Unalaq saw a grave imbalance that had pained the world for thousands of years. Where Korra saw an inept, but inevitable monarchy, Zaheer saw a tyrant whose willful ignorance kept her people destitute. Where Korra was absent, Kuvira, in her own words, “stepped up.” Where Korra sees status quo, others see the cruelty of those in power—and the opportunity for change.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: Sidekicks fight back, Wildcat reveals his vigilante past, and another red herring in the season's big murder plot.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Funky Flashman, aka The Flash.
We had a skip week! I missed you so much! You look great! Did you do something new with your hair? Well, it is working, let me tell you. This week, we’re looking at the fifth episode episode of the first season of The Flash, featuring a woman who is literally the bomb, more than two disastrous heart-to-heart chats, and the wonder that is Clancy Brown. So let’s light the fuse on this week’s episode, “Plastique.”
After a one-week hiatus, Agents of SHIELD returns with an episode about math. And look, I'm not trying to be mean here, but I understand that an hour earlier in the night, the Flash stripped down to his underoos over on his TV show Shoe. (They use the Arrow naming convention, right?) So Agents of SHIELD really needs to step up its game if it wants to be competitive in the increasingly crowded superhero TV market. Lance Hunter in a Speedo, at the very least.
This week's episode, 'The Writing On The Wall', was directed by Vincent Misiano and written by Craig Titley, and guest stars both Cougar Town's Brian Van Holt and The 4400's Joel Gretsch, who are two handsome grizzled blond men that you probably thought were the same person until this exact moment. Psych. Here's our uniquely formulated "SHLEID" recap.
I love crossovers. Even when they don't really work that well or make a whole lot of sense, it's almost always interesting seeing how characters that don't usually hang out bounce off of each other -- and it's especially fun when you've got a character like Superman. That guy's such a well-known, well-defined cultural institution that there has to be a huge temptation to see how he interacts with pretty much anyone else, even if you don't actually have the rights to do the real thing.
But really, that's the magic of comics. Even if you can't get the genuine article, you can always file off the serial numbers and do your own version and get the same effect. Sort of. And that's how Superman ended up spending a good chunk of the '70s hanging out with Captain Strong, a thinly veiled stand-in for Popeye the Sailor Man who was addicted to alien seaweed.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, it's the penultimate episode, which seems like a pretty good time to introduce Cannonball, Husk and Project Wideawake, right? Right.
Fans of Captain Marvel probably won't tire of being reminded that their hero is getting her own movie, scheduled for a July 6th 2018 release. There's no director, no writer, and no star attached, but the movie has a title and a date, and that alone is progress. Superhero fans have been waiting a long time for a Marvel Studios movie with a female lead.
The Captain Marvel movie is due to come out thirteen months after a planned 2017 Wonder Woman movie from Warner Bros, and those two pictures could help usher in a new age for female heroes, if the studios follow through.
The Wonder Woman movie was a long time coming, but she's an obvious choice for Warner Bros; she's the definitive female hero, a brand, and an icon, with more than seventy years of history. By contrast, Captain Marvel has been around in her current incarnation for two years. But there are good reasons why she's Marvel's pick for a leading lady.
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