Over the past 40 years, Tom Batiuk’s Funky Winkerbean has transitioned from a gag-a-day comic strip about a high school to an ongoing chronicle of pure, abject misery. Thanks to the ongoing commentary on Josh Fruhlinger’s Comics Curmudgeon, I am now completely obsessed with it, which is why I spend a little time every month rounding up its finest examples of crushing despair.
This month, Batiuk took to the page to chronicle a few things that, if you weren't familiar with how this strip actually worked, would seem to be a few of life's happier moments: There's a marriage for Wally and Rachel, a trip out west for Les to work on the movie based on his most successful book, and in Crankshaft, it's summertime and the bus drivers are off on vacation! If, however you are familiar with how this strip works, then you'll know that this is all pretty much just setup for misery, hatred, and the actual wrath of God Himself. In other words, it's business as usual in Westview.
In putting together this summer's superhero-themed SpongeBob Comics Annual-Size Super-Giant Swimtacular #2, United Plankton Pictures dug deep and left-of-center for inspiration and riff material. How deep, and how left-of-center? Well, the book includes, "I Shall Destroy All The Civilized Planktons!", a rather meticulously assembled homage to the work of Golden Age oddball artist Fletcher Hanks and his Stardust The Super-Wizard, by Paul Karasik and R. Sikoryak.
That story follows a few featuring more traditional targets of parody, like a Western-themed story starring SpongeBob regular Mermaid Man, who is basically just Silver Age Aquaman with sea shells over his nipples and a starfish in the middle of his face, and another in which Squidward becomes Batman parody the Squishy Knight and SpongeBob becomes "Multi-Purpose Sponge, the hero with a different costume in every panel" (which allows for panel after panel of SpongeBob dressed as various Marvel and DC superheroes).
I love my job. I make Transformers vs. G.I.Joe comics on a monthly basis (with the help of my co-writer John Barber). As part of due diligence, it's my duty to see Transformers: Age of Extinction. My ticket is a business expense. I'm making my comic not just for fans of Transformers and G.I.Joe, but for the rest of planet Earth, too. As a Transformers author I need to know how the larger world percieves Transformers so that I can play up to certain expectations and run counter to preconceived notions. In that capacity, I documented my observations about the film.
Production continues on Batman v. Superman: Dawn of Justice, the follow-up to Man of Steel that's set to include Batman, Wonder Woman, Cyborg, Aquaman and, if they have time, Superman. At the very least, they're shooting a few scenes with Superman, as evidenced by a new photo from the set showing Henry Cavill as Clark Kent.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, the show really wants you to care about Cable and his son. But on the bright side, ROBOT MUMMIES!
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate battles the indestructible plague to which all comics convention-goers will eventually succumb: con-crud.
On the occasion of the film's 25th anniversary, ComicsAlliance represents our in-depth commentary and review of Tim Burton's Batman '89, the father of modern superhero cinema. Originally published in 2011 as part of our exhaustive Cinematic Batmanology series (which also included a massive five-part analysis of Christopher Nolan's The Dark Knight), this piece by Chris Sims and David Uzumeri strips the fan favorite Batman '89 down to the bone to get at what works, what doesn't work, and what's just plain crazy about Burton's enduringly influential film.
Because you're young you may not realize the latest Wicked + Divine variant cover is a particularly cheeky reference to a 1976 mugshot of David Bowie, himself a major inspiration on the Kieron Gillen/Jamie McKelvie series about ancient gods reincarnated as glamorous pop stars. But hang on to yourself; the only way to get ahold of this conversation piece is to buy it from Beach Ball and Corner Store Comics in California.
I was an unabashed fan of the 1989 Batman movie around the time of its release (particularly after it hit VHS), but the years have worn down my appreciation of it, and quite a few aspects of it don't entirely stand up to the scrutiny of a critical lens anymore.
There are a few pieces of media related to the film, however, that I feel just as positively about as I ever have. The Prince soundtrack, for one. And for another, the Sunsoft-developed game for the Nintendo Entertainment System that included a few cutscenes with lines from the movie, and largely ditched its plot otherwise. I took a stroll down memory lane with it, and it still holds up.
Rapper Froggy Fresh (formerly known as Krispy Kreme until a certain vendor of fried pastries told him he couldn't do that anymore) has released a music video that should certainly appeal to fans of Power Rangers, Predators getting kicked in the chest, and hip-hop. (In other words, probably the exact sort of person that reads ComicsAlliance.)
In "Street Rangers," Froggy Fresh and his best friend Mike discover a pair of Morphin' Watches and find themselves blessed with the ability to become super sentai sorts. Soon after, they come across a Predator bullying a kid at a playground, as Predators are apt to do when they're not destroying large sections of South American jungle or wreaking havoc in Los Angeles.
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