It never rains but it pours. Hot on the heels of the news that IDW will be publishing the whole of Hugo Pratt's Corto Maltese in English for the first time, publishers Casterman have announced that Blacksad writer Juan Diaz Canales and Spanish artist Ruben Pellejero have been tapped to author a new, original Corto Maltese story. Due for release in October 2015, the book will be simultaneously released in French, Dutch, Italian, and Spanish, although there is no news yet of a potential English edition from IDW or anyone else.
IDW - Page 5
The world of My Little Pony: Friendship Is Magic raises a lot of questions about animals. I mean, they're talking horses, but they also have a complicated economy and businesses, all built on the very shaky premise that a bunch of talking horses are going to build an entire financial system around selling cakes, and it only gets more complicated when you throw in the fact that there are other animals involved. Take Applejack for instance. She owns a farm, and while she obviously primarily raises apples, she's also got a herd of cattle -- cattle who also talk, and seem to have hopes and aspirations of their own.
What I'm getting at here is that the relationship of the ponies to other animals is pretty complicated, and it's only set to get more so in next week's My Little Pony: Friendship Is Magic #24, when Fluttershy and the Cutie Mark Crusaders are dragged through time by a semi-reformed chimera to see some dangerous animals from Equestria's past.
You would think that by October, the end of Convention Season as we know it, publishers like IDW would be running out of exclusive covers and new titles to debut at cons. But you would be wrong. The dogged determination of the people who make comics should never be underestimated, and when they set up at Booth #1844 next weekend at New York Comic Con, IDW is going to have plenty to offer.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
September's covers include masterclass composition from Genndy Tarkakovsky and Noelle Stevenson, some beautiful uses of light, color, and contrast, and some very different portraits of gods, old and new.
Listen, I like My Little Pony: Friendship is Magic a lot, but if there's one crucial flaw in the entire franchise, it's that it's not about superheroes. I mean, honestly, I like friendship and peppy songs as much as anyone, but how am I supposed to enjoy those things in comic book form if they do not also involve using phenomenal powers to concuss evildoers?
Fortunately for me, that problem has been neatly solved by writer Ted Anderson (also known as NPR's Chief Brony Correspondent), artist Ben Bates and colorist Heather Breckel, in the pages of next week's My Little Pony: Friendship Is Magic Annual 2014. It seems there are now pony superheroes and, more importantly, thematic pony villains who are dressed as hot-rod mummies. Really.
Back in July, ComiXology addressed one of the biggest questions people had with its digital comics service: Do customers actually own the issues they buy?
The company unviled a DRM-free backup feature, but only for a handful of publishers, including Image Comics, Dynamite Entertainment, and Top Shelf Productions, among others. This week, ComiXology announced a second wave of publishers that will offer DRM-free downloads -- and no, Marvel and DC still aren't part of the deal.
If you spent a lot of time watching Cartoon Network when you were a kid (or when you were, you know, in your twenties, no judgment here), then one thing you probably wanted to see more than anything else was a gigantic crossover between all of their original programming. Who didn't want to see Professor Utonium and Dexter swap scientific notes, or find out what would happen if the Powerpuff Girls took on Aku from Samurai Jack?
Well, in case you weren't already aware, that's actually happening right now, in the form of IDW's Super Secret Crisis War, and next week, it hits Foster's Home For Imaginary Friends, courtesy of writer Ivan Cohen and artist Paulina Ganucheau, in a story about Pixel, shape-shifting robot that can duplicate any of the imaginary residents.
If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile Top Ten Lists of everything you could ever want to know about comics.
Ever since Bloom County became a sensation in the early '80s, Berkeley Breathed has had an incredibly varied career. He followed Bloom County's initial success with two more popular comic strips, Outland and Opus; he won the 1987 Pulitzer Prize for editorial cartooning; he wrote and illustrated best-selling children's books; he adapted his own stories into a pair of animated TV specials, and he provided art for various environmental and animal-wellfare charities.
In recent years he's shifted his primary focus to film (production art and original projects), while also overseeing IDW's comprehensive collected editions of his strips. He recently teamed with IDW again for Berkeleyworks, a retrospective volume collecting a number of his paintings, sketches, and illustrations – and last month, he made a rare convention appearance, playing to a packed room at San Diego Comic-Con. ComicsAlliance spoke with Breathed about his career in cartooning, his work in other media, and his upcoming projects.
Andy Price has brought joy to licensed comics. His work on IDW’s My Little Pony: Friendship is Magic necessarily follows the established look of the animated TV series, but Price's playfulness and skill enliven every page: imaginative lettering, dramatically lit villains, too many background gags to count. The most recently completed arc of the series, 'Reflections,' encompasses an alternate universe, doomed love, some truly intense crosshatching, and a general willingness to play with the characters in a way licensed comics typically avoid.
Along with writer Katie Cook, Price has developed Hasbro’s land of pastel ponies into something a little wilder and a little weirder, yet ensured that it remains enormously compelling to kids and adults alike. ComicsAlliance sat down with Price at San Diego Comic-Con to discuss how he and Cook pulled this off, his thoughts on Brony fandom, and, of course, his pick for best pony.