Over the past couple of years, Rick Remender has done a pretty solid job of balancing his work for Marvel with creator-owned titles. In addition to his work on Captain America, he's launched Black Science with Matteo Scalera and Deadly Class with Wesley Craig and Lee Loughridge, and now, he and artist Greg Tocchini are reuniting for a new sci-fi series called Low.
This week Image Comics released the first issue of Tech Jacket by Joe Keatinge and Khary Randolph. And while this may be the first time many of today's readers have heard of the title, it's actually been lurking around the edges of the Image line for over a decade. Created in 2002 by pre-Walking-Dead Robert Kirkman and artist E.J. Su, the eponymous Tech Jacket is a wearable cache of the most powerful weapons in the universe, bestowed irreversibly unto teenager Zack Thompson when he encountered a dying alien. Naturally, Zack used his newfound abilities to become a galactic warrior of great worth and protecting Earth from universal threats with more enthusiasm and wide-eyed wonder than other Earthborn space cops you might have heard of.
The original series ran for only six issues but the story was later continued as a back-up in the pages of Kirkman and Ryan Ottley's Invincible. Then, earlier this year, Keatinge and Randolph produced a trio of digital issues that revitalized the concepts and characters and paved the way for this new ongoing series.
With issue #1 on sale now from Image and Kirkman's Skybound imprint, ComicsAlliance spoke to the creative team about what drew them to these characters and concepts, and what plans they have in store for the series.
A great comic book cover has a lot of work to do. It’s both an advertisement and a work of art; both a statement and an invitation. Sometimes they convey character, sometimes mood, sometimes moment. Sometimes they pastiche the classics or pay tribute to the past; sometimes they strive to show us something entirely new. Always they show us a glimpse of somewhere else through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the month that was.
Bloodbaths, glowing hands, and sinister animal silhouettes; these are a few of comics' favorite things, judging by the comic book covers from June 2014. Read on for great covers from Riley Rossmo, Christian Ward, Russell Dauterman, Jerome Opeña, and more.
Because you're young you may not realize the latest Wicked + Divine variant cover is a particularly cheeky reference to a 1976 mugshot of David Bowie, himself a major inspiration on the Kieron Gillen/Jamie McKelvie series about ancient gods reincarnated as glamorous pop stars. But hang on to yourself; the only way to get ahold of this conversation piece is to buy it from Beach Ball and Corner Store Comics in California.
The mark of a great pop song is not just that it's a pleasure to hear and hear again, but that it rewards struggling with it. Kieron Gillen and Jamie McKelvie have been conflating pop music and comics since they first collaborated on Phonogram ten years ago; Gillen's described the central conceit of their new series The Wicked + The Divine as "gods as pop stars, and pop stars as gods." That's a good way of describing the story itself -- but the comic is also about presenting Gillen and McKelvie as pop stars, and as pop mechanics. It's the product of a decade spent working out what makes comics click, and how to make them speak to a mass audience.
I've been fortunate enough to read the first two issues of The Wicked + The Divine; they're marvelous, a little bit maddening, and thoroughly worth wrestling with.
I don't know if it's even really necessary to tell anyone that they should be reading Matt Fraction and Chip Zdarsky's Sex Criminals, but on the off chance that you've been sleeping on the story of two bank robbers with hearts of gold and time-stopping orgasms, you really oughtta get on that, and this week is a pretty good time to get to it. With Sex Criminals #6, Fraction and Zdarsky are kicking off their second story arc with the return of Jon and Susie. Or at least, the return of most of Jon and Susie. See, there's a piece missing, and one assumes that this is going to cause all kinds of problems over the next few issues.
The creative team of Kieron Gillen and Jamie McKelvie first made their mark with the 2006 Image Comics release Phonogram: Rue Britannia, a thrilling and thoughtful story about magic, music, modern sorcery, and how the records we listen to affect our lives and identities. The series combined cultural touchstones and urban fantasy trappings in a way that captured the imagination of critics and readers, and its success ultimately led to Gillen and McKelvie becoming separately and together some of comics' most fan-favorite creators on books like Journey Into Mystery, X-Men Season One, Suburban Glamour, a second series of Phonogram, and their rmuch-lauded collaboration on the recently concluded reinvention of Young Avengers.
This week, they're releasing the debut issue of their latest (and most ambitious) project: The Wicked + The Divine, an ongoing series from Image that blends together many of their favorite subjects: youthful reinvention, manifest deities, supernatural superpowers, and, of course, the transformative power of pop music. The first issue is both intriguing and exhilarating, depicting the adventure of a superfan as she rubs elbows with ancient gods who return every ninety years, this time in the form of gorgeous young people who become 21st century celebrities. At once sublimely understated and action-packed, the first issue grabs you instantly and leaves you anxious to read more.
ComicsAlliance connected with the entire W+D creative team of Gillen and McKelvie; designer Hannah Donovan; letterer Clayton Cowles; and colo(u)rist Matt Wilson for an in-depth conversation about the story they're telling, their collaborative process, and the artistic and cultural inspirations for the series. Along the way, we're revealing some previously unseen behind-the-scenes materials and an exclusive previews of The Wicked + The Divine #2.
The foul-mouthed, booze-fueled adventurers of Kurtis J. Wiebe and Roc Upchurch's Image Comics series Rat Queens probably wouldn't be welcome on The Disney Channel or Cartoon Network (maybe Adult Swim), but that isn't stopping the Weta Workshop's Pukeko Pictures and the Heavy Metal brand from developing it into an animated series.
The two production companies, which jointly acquired the rights to the series, are hard at work developing a half-hour animated version of the exploits of Betty (thief), Hannah (mage), Dee (cleric) and Violet (fighter). They're planning to pitch it to networks soon.
Through its prior two volumes, Image's Liquid City has established itself as one of the most intriguing anthology series on the comics landscape. Though it's only comes out once every couple of years, the collection featuring the work of Southeast Asian creators is nonetheless one of the most beguiling collections of talent largely unknown in the west, and provides a wealth of curious comics in each volume.
This week, the anthology returns with another cabal of creators providing over twenty original stories for the 250-plus-page Liquid City Volume 3. And even though there was a huge leap in quality from the first volume to the second, the newest edition is easily the best in the series.
This week, Chris and Matt talk about how much they love Big Trouble in Little China, and how much they enjoyed the first issue of the new comic sequel by Eric Powell and Brian Churilla in spite of some art hiccups; then it's on to Nailbiter #2 by Joshua Williamson and Mike Henderson; and finally they discuss the first volume of Afterlife With Archie by Roberto Aguirre-Sacasa and Francesco Francavilla.