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‘The Walking Dead’ Season 5 Comic-to-TV Comparison: “Self Help”

The Walking Dead Comic TV Comparison Self Help Abraham
AMC / Image

‘The Walking Dead’ season 5 shambled out its 5th entry with Sunday’s latest "Self Help” but how did it hold up to the comic book continuity? Abraham's past is revealed as Eugene lets slip a shocking secret about their mission to D.C., so what’s next for ‘The Walking Dead’ as the fifth season kicks into gear?

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Joe Keatinge And Leila Del Duca Talk Fantasy, Character & Inspiration In ‘Shutter’ [Interview]

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Since the first issue hit stands earlier this year, Joe Keatinge and Leila del Duca's Shutter has established itself as one of Image's most popular new titles. The tale of Kate Kristopher, a world-famous ex-explorer who gets embroiled in all manner of mystery and adventure, it's been winning over readers with its idiosyncratic blend of science fiction, urban fantasy, and good old-fashioned derring do.

With the first paperback collection released this week, ComicsAlliance sat down with the series' creators to talk about developing the world's characters, the story so far, and pushing the limits of their self-created reality.

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The Finality Of Death: Busiek & Dewey Defy Anthropomorphic Expectations With ‘Tooth & Claw’ #1

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Having been one of the creators who saved superhero comics in the 1990s, it can be difficult to think of Kurt Busiek as anything other than a superhero comic writer. But between all of his high-profile runs on big Marvel and DC books and undisputed classics Marvels and Astro City, Busiek has frequently played in the fantasy genre with great results. If you've never read The Wizard's Tale, Arrowsmith, or his run on Conan, you've been missing out on an aspect of Busiek's all-world talent that shouldn't be overlooked, and it's time to getcha life right.

Created by Busiek and Benjamin Dewey (I Was The Cat), Tooth & Claw is a fantasy about the end of magic, a mythical hero, and a dog-boy named Dunstan. And somehow, given all those words I just typed, it's also a dark Mature Readers comic about the suddenness and finality of death.

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Toronto’s Finest Halloween Cosplay At The Silver Snail’s Snailoween Party 2014

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Cosplay always goes mainstream at Halloween, with the witch and ghost and vampire costumes of yesteryear making way on the streets, and at parties and bars, for the sort of pop culture costumes we're more used to seeing at conventions. These days, everyone wants to be Iron Man. But a lot of comic fans take pride in going the extra mile at Halloween, and nowhere is that more true than at Toronto's annual Snailoween Party, organized by local retailer Silver Snail Comics. Cosplay photographer Paul Hillier was on the scene to capture some of the finest outfits of the night, and he's agreed to let us share them here at ComicsAlliance.

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Best Comic Book Covers Ever (This Month): October 2014

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A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.

Fear, passion, beauty, love, and monsters. There's a feast of wonders in the best of October's comic book covers, with exceptional work from Becky Cloonan, Jorge Molina, Megan Hutchison, Kyla Vanderklugt and more -- taking us to some extraordinary places, and showing us some incredible sights.

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The Mainstream Version Of Everybody Sucks: An Interview With Joshua Hale Fialkov

The Bunker. Art by Joe Infurnari
The Bunker. Art by Joe Infurnari

Writer Joshua Hale Fialkov has been building a positive reputation in the comics industry for years now. His work for Marvel and DC -- including Ultimate FF and I, Vampire -- may be what he’s best known for, but his creator-owned work -- including Oni's The Bunker and The Life After -- has built up its own fanbase.

One of the most interesting things about Fialkov is his serious, business-like approach to even his most creative endeavors. Many comic creators have their own ways of getting work done -- with varying success when it comes to meeting deadlines -- but there’s something particularly fascinating for me as an editor about creators who plan and schedule their time, analyze their own work, and still produce art that is innovative and entertaining. Fialkov's blog, How Fialkov Do, offers a thoughtful and entertaining view into how he gets his writing out into the world. I've spoken to Fialkov about his process a great deal over the years, and I thought ComicsAlliance readers might be interested to read more about it.

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Ed Brubaker And Sean Phillips Bring ‘Criminal’ To Image

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The powerhouse creative team of Ed Brubaker and Sean Phillips have been publishing all their recent work -- Fatale and The Fade Out, namely -- with Image Comics, so it seemed pretty clear that it'd only be a matter of time before what's arguably the duo's most recognizable creator-owned noir title, the hugely acclaimed and award-winning Criminal, currently published by Marvel's Icon imprint.

In January, the series will make the big move with a new one-shot, a magazine-sized bonus edition of that one-shot, and a trade paperback of the first Criminal mini-series, "Coward." Colorist Elizabeth Breitweiser will stay with the book at its new home.

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Riot In The Streets With A Hot Cup Of Coffee (And An Earth-Shattering Lightning Punch) In ‘The Wicked + The Divine’ #5

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As someone who will argue vehemently against the very existence of a second Pipettes album, I've been a fan of Kieron Gillen and Jamie McKelvie's comics about the (literal) magic of pop music since day one. The only problem I've had with them is that they tend to lack the true indicators of quality literature: Explosions and people getting punched in the head with lightning bolts. This, incidentally, is why Street Fighter remains the high point of modern art.

Fortunately, The Wicked + The Divine is out to remedy that with as much explosion-based storytelling as Gillen and McKelvie can cram into it, and this week's issue takes things to the extreme. Not only are there finger-snapping kabooms and electric Falcon punches, there's a full-on riot in the streets going down. And also, I suppose, minor vandalism, but that's a little less impressive in the scheme of things.

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Ivan Brandon & Nic Klein’s ‘Drifter’ Is Image Comics’ Next Sci-Fi Success [Advance Review]

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The way things are going, it's won't be much longer before we start referring to Image Comics as "that European sci-fi publisher.... but American." Over the last few years, Image has been host to a string of challenging and offbeat titles with strong Euro SF influences, and so far they've all been exceptional. With the combined comics goodness of Saga, Prophet, Nowhere Men, Black Science, and Starlight, stylish science fiction is trending upwards, and with Ivan Brandon and Nic Klein's forthcoming Drifter, the trend continues.

In advance of the November release of Drifter #1 (final order cutoff is next week, for you pre-orderers and retailers), Image has provided ComicsAlliance with an advance copy of the book, and boy, is it purdy.

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5 Ways ‘Southern Bastards’ Absolutely Nails The Modern South

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Image Comics' Southern Bastards has a lot to offer people who enjoy a good crime/revenge comic like I do. There's palpable tension, a sense of some serious wrongs that need to be righted, and people fighting each other with bats (one of them the remnant of a tree that grew out of a grave and was struck by lightning) in the middle of the street.

But, you might say, there are lots of crime comics out there. Heck, Jason Aaron, the writer of Southern Bastards, has penned a good many himself. Scalped and his Punisher run, to name a couple. Southern Bastards is something really special, though, because of the way Aaron and artist Jason Latour embrace its setting so deeply and wholeheartedly.

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