Jen Wang first came to the notice of many comics fans with her incredibly assured 2010 debut, Koko Be Good, a grounded but beautiful tale of young adulthood set in contemporary San Francisco. Her follow-up, In Real Life, presents a younger protagonist and a more fantastical setting -- albeit one that's meant to be an escape from "real life," and proves to be an extension of it.
Based on Cory Doctorow's short story Anda's Game, In Real Life is the story of a young woman who learns about the world and herself through her interactions in the massive multiplayer online game Coarsegold Online. It's a story that showcases Wang's gift for emotional reality, and also to create the lavish fantasy of the game world. The result is one of the most resonant and compelling books of 2014. After speaking to Doctorow at New York Comic-Con, ComicsAlliance talked to Wang to learn what this story means to her.
Gail Simone, longtime comic book writer for DC Comics (and snarky Twitterer), is in the midst of a career evolution at the moment. Simone's comics work started with the Women in Refrigerators website, which was a commentary on how female characters are all-too-often mistreated in comics (named after the 1990s story in which Green Lantern Kyle Rayner discovers his girlfriend's body stuffed in his refrigerator). WIR became an important part of the discussion of how female characters are treated in superhero comics - a discussion that continues today. Simone's work on WIR led to a column at Comic Book Resources titled "You'll All Be Sorry" and the humor in that column in turn led to Simone working on Simpsons comics.
It was her entry into superhero comics, however, that permanently shifted Simeone's career. Although she worked for Marvel a bit, including a run on Deadpool and then Agent X, Simone has primarily made her home at DC over the last decade. Popular books like Birds of Prey, Secret Six, Wonder Woman, Batgirl, and others solidified Simone as super hero writer with an outspoken fan base.
Now Simone is in a brand new position: that of a non-exclusive freelancer. For many creators, this can be a difficult hustle, as the shift from guaranteed work minimums to having to look for gigs can be a struggle. Simone seems to be thriving, however. Between working on various Red Sonja projects at Dynamite and writing a Tomb Raider series at Dark Horse, Simone is also still working at DC, with a Vertigo series called Clean Room on the way and preparing to relaunch of fan-favorite Secret Six, which is in stores on December 3.
In part one of this in-depth two-part interview, Simone spoke with ComicsAlliance about Women in Refrigerators, women in comics, and her occasionally tense time at DC.
Over the past few years, Gabriel Hardman and Corinna Bechko have quickly become one of the creative teams that I look forward to seeing the most, and this week, they're giving me a pretty good reason to be excited. Today marks the release of the first installment of their three-part story in Sensation Comics, the digital-first Wonder Woman anthology, which finds DC's Amazon Princess sent on a rescue mission to Apokolips, the home of the evil New Gods.
To find out more, I spoke with Bechko and Hardman about their approach to Wonder Woman, their take on Jack Kirby's cosmic evil, and just why it is that page turns are so magical.
On Sunday afternoon, we spoke to Emily Blunt who is promoting her role in Disney’s ‘Into the Woods.’ During this conversation, Blunt referenced her character in this summer’s ‘Edge of Tomorrow,’ comparing that role to what a possible Marvel movie might be. It just so happens, Blunt’s name has been mentioned in Internet buzz as a possible lead in Marvel’s ‘Captain Marvel’ (due in 2018), which would be Marvel’s first movie with a female lead. Has Blunt heard this buzz? As it turns out, she has. And she seems to find that buzz quite flattering, but admits she has had no discussions with Marvel at this time.
On November 26th, DC releases the first issue of Gotham By Midnight, a new series by Ray Fawkes and Ben Templesmith that blends black magic and police procedurals, and exposes the supernatural shenanigans that go on below the surface of Batman's hometown. Along with recent successes Gotham Academy, Arkham Manor, and the newly-revamped Batgirl, the book is part of a substantial overhaul and expansion of DC's Bat-family of titles under editor Mark Doyle.
ComicsAlliance sat down with writer Ray Fawkes to get some insight on what he and Templesmith have planned for Detective Jim Corrigan -- who longtime DC fans know is the original host of the vengeance of God, the Spectre -- and his shadowy squad of GCPD operatives.
Azzarello and Chiang's Wonder Woman has been praised for putting forth an epic, cohesive and narratively self-contained superhero drama with flourishes of the urban fantasy that once defined DC's Vertigo imprint, but has also been criticized for the changes it made to Wonder Woman's core myth. What's not in dispute is that the pair have created the most memorable and talked about Wonder Woman story in years -- maybe in decades -- and to mark the conclusion of their work, we caught up with Chiang and Azzarello to look back at their run and talk about their novel take on the feminist icon.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cartoonist Corin Howell attended the Savannah College of Art and Design and graduated with a degree in Sequential Art. Also one of the first students of the Murphy Apprenticeship with the great Sean Murphy, she writes, draws, and colors her projects, which so far have included work for Viz and Oni, as well as work she's self-publishing.
Noelle Stevenson is the future. Nimona, her celebrated and fantastical webcomic about a villain's shapeshifting sidekick, will be published as a graphic novel by HarperCollins in 2015; Lumberjanes, the Boom Studios series about a group of girl adventurers that she co-writes with Grace Ellis, has been promoted from miniseries to ongoing; Marvel has just announced that she's writing a story for the upcoming Thor Annual #1; and she's a writer on Disney’s Wander Over Yonder cartoon.
You're going to see a lot of Noelle Stevenson in the coming year. She's an outspoken, accomplished, and driven talent, and it's no surprise that everyone is suddenly taking notice. To better understand one of the industry’s most promising talents, ComicsAlliance sat down with Stevenson to talk about the indie scene, going legit, and the trials of a changing industry.
In October, DC launched Klarion, Ann Nocenti and Trevor McCarthy's new series re-imagining Jack Kirby's cult-favorite "witch boy". Klarion, in this incarnation, is a magical being from a parallel earth who lands in New York City and proceeds to act in the manner one might expect from a hyper-powered juvenile with a taste for chaos.
Nocenti and McCarthy have big plans for their strange little boy. CpmicsAlliance caught up with the creative team at New York Comic-Con to talk about decoding Kirby, planting secret messages in art, and letting the character lead the weirdness.
Since the first issue hit stands earlier this year, Joe Keatinge and Leila del Duca's Shutter has established itself as one of Image's most popular new titles. The tale of Kate Kristopher, a world-famous ex-explorer who gets embroiled in all manner of mystery and adventure, it's been winning over readers with its idiosyncratic blend of science fiction, urban fantasy, and good old-fashioned derring do.
With the first paperback collection released this week, ComicsAlliance sat down with the series' creators to talk about developing the world's characters, the story so far, and pushing the limits of their self-created reality.
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