Here at ComicsAlliance, Jason Horn's webcomic Ninjasaur has been a firm favourite for quite a while. Mixing ninjas and dinosaurs might be part of why we like it, although Horn matches the silliness with first-rate artwork and some of the most enjoyable comics storytelling around.
And happily enough, Horn is currently running a Kickstarter to bring volume one and volume two of his series to print. We're big advocates for anything that forcibly mashes dinosaurs and noble assassins together, so we spoke to Horn about the Kickstarter and his work on Ninjasaur for the first installment of our new crowdfunding Q&A feature, Back Pages.
When a comics Kickstarter campaign is a success in less than 24 hours, and the launch party and gallery exhibition attracts creators from all over the country, it’s clear that something special is about to happen. Beast Wagon, described by its creators as “One Flew Over the Cuckoo’s Nest with talking animals,” is the work of British Comic Award nominee Owen Michael Jones (Raygun Roads, Reel Love) and illustrator and comics newcomer John Pearson, and it could well be be the UK comic of the year.
A black comedy about madness overtaking the animals --- and humans --- in a zoo, Beast Wagon is a stunningly beautiful work. ComicsAlliance sat down with the two young punk creators to find out where this madness came from, and just how far the contagion is going to spread…
Armor Wars was one of the first batch of titles teased by Marvel in the early days of its promotion for the upcoming Secret Wars summer event; with only a few spots left to reveal on the Battleworld map, Armor Wars is now one of the last titles to be formally announced, and ComicsAlliance can exclusively reveal that the creative team of writer James Robinson and artist Marcio Takara will be the readers' guides for this corner of Marvel's strange new universe.
The original Armor Wars story in Iron Man #225-#231, by David Michelinie, Bob Layton, Mark D. Bright and Barry Windsor-Smith saw Tony Stark tracking down villains and rivals who had built armor based on stolen Stark designs. In this new Armor Wars there are two Starks --- Tony and Arno --- going head-to-head in a world where everyone has to wear armor, and one of the armored heroes has been murdered.
It's a high-tech murder mystery, but Robinson promises "a big armor war in each issue." We spoke to Robinson and Takara to learn more about the Armor Wars world of Technopolis, and we cracked open Takara's sketchbook to see some of his awesome armor designs.
Back in 2013, comic book writer Greg Pak, musician Jonathan Coulton and artist Takeshi Miyazawa launched a Kickstarter campaign to fund a comic book adaptation of Coulton's songs called Code Monkey Save World. If you're familiar with Coulton, it probably won't surprise you to learn that the campaign blew through its $39,000 goal in less than twelve hours, and went on to blow through a bunch of stretch goals --- one of which included Pak and Miyazawa producing a children's book based on Coulton's "The Princess Who Saved Herself."
If you were a backer (and I was), then you got that children's book today in a digital format, but the team isn't quite done with it yet. They've launched a new Kickstarter with a goal of producing a physical copy of the book, and to find out why, I spoke to Pak and Coulton about the response to their initial campaign, the origin of the project, and what they hope to get out of it.
Hire This Woman is a recurring feature on ComicsAlliance that shines a spotlight on female comics creators, whether they're relative newcomers or experienced pros who are ready to break out. In an overwhelmingly male business, we want to draw your attention to these creators --- and to raise their profile with editors and industry gatekeepers.
Cartoonist and art professor Emi Gennis often self-publishes her work, including the minicomic Spaz!, and has also published work on The Nib. Her focus is primarily nonfiction as told through comics, and she writes, draws, colors, and letters her own work.
When you look at the cover to DJ Kirkbride and Vasilis Gogtzilas's The Bigger Bang, it's easy to think that you know exactly what's going on in that book. Big guy, impossible muscles, cape, space; surely this is a cosmic superhero adventure. And it is, except that it's not long until you hit upon the formless tentacle monster who rose to power as galactic emperor through his fast-food chicken franchise, and the heavily accented space whale in trouble. That's when you realize that The Bigger Bang is a whole lot stranger, and more interesting, than you thought.
With the fourth issue set for release on March 18, I spoke to writer DJ Kirkbride about the series, how it was built to be something unlike anything he'd ever done, and just what it was about a giant Cthulhu monster in a tiny little crown that made the book so good.
Writer Alex de Campi and artist Carla Speed McNeil have teamed up to create the Image book No Mercy, about a group of teenagers from the U.S. who go to Central America on a school trip and things go horribly, horribly wrong.
The story is brutal and unforgiving, but also at times touching and funny. With lots of psychological terror, a diverse cast, and a pair of great creators at the wheel, the book sounds right up our alley, so we spoke with de Campi and McNeil to find out what readers can expect from No Mercy.
Even though it was announced months ago, I'm still having a hard time believing that we live in a magical world where Alex de Campi and Fernando Ruiz's Archie Vs Predator is a real thing that is happening. Even in a time when the company's most critically successful book is a moody supernatural horror story where the entire cast is about two seconds away from being murdered by zombies, Archie Vs Predator still seems like a beautiful, beautiful dream.
That's why, in order to confirm that this is in fact happening, I spoke to Ruiz about what it's like to send the Predator to Riverdale, and how it compares to drawing Betty riding a dragon.
Convergence is drawing ever closer; a massive not-quite-in-continuity crossover event that replaces all of DC's monthly titles for two months this spring, to throw together interpretations of characters from throughout DC history on an isolated world where they will end up fighting a lot. The event is comprised of a weekly miniseries by writer Jeff King and artists Carlo Pagulayan and Jason Paz that delivers the central overarching plot line, and a number of character-focused two-issue miniseries that will expand on the themes of the weekly series, provide additional context, and revive fan-favorite versions of many classic DC heroes and villains.
It's a huge, massively ambitious undertaking, so we spoke to DC co-publisher Dan DiDio to get a better idea about the publisher's plans, the company's overall goals for the event, and the impact it will have on the DC universe in the future.
You can’t keep a good Teen Titan down. On the screen, on the page, in and out of feathered disco unitards --- the public gobbles them up and asks for more. DC’s Convergence event will unite classic Titans writer Marv Wolfman with artists Nicola Scott and Marc Deering for a trip back to the 1980s in Convergence: New Teen Titans, a tale which promises to pit the adolescent do-gooders against the Tangent Universe’s Doom Patrol.
Will Robotman and Cyborg square off in a battle for riveted supremacy? Will Beast Boy’s history with the Patrol find him trapped between his past and present? Will Starfire’s legendary ultra-perm emerge from the chaos unscathed? With these issues in mind, ComicsAlliance sat down with the creative team to discuss the Titans’ various eras, their enduring appeal, and what the future holds for the classic super team.
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