A familiar fixture at conventions, writer John Lees' The Standard has been in-publication since 2011. The story of a retired superhero forced to put back on his cape to investigate the apparent murder of his former sidekick, the six-issue series was picked up by ComixTribe and published across 2013-14. Joined by artist Jonathan Rector and a creative team of Will Robson, Mike Gagnon, Kel Nuttall, and Steven Forbes, the series was highly acclaimed across the UK, and earned Lees the Best Writer Award at the Scottish Independent Comic Awards.
This year the team has come to Kickstarter to fund a collected hardcover edition of the complete series. Featuring over 200 pages of story, back material, and many other surprises, the collection has already been funded and is headed into stretch goal territory. Following on from that success, ComicsAlliance spoke to Lees about the long journey that led him here.
Welcome to the first installment of True Blue, our weekly recap of Archie Comics' crossover event between the Sonic the Hedgehog and Mega Man series, "Worlds Unite." Each installment, we'll recap the notable moments of the latest chapter in "Worlds Unite" with Archie Action Editor Vin Lovallo, and take a look at what lies ahead for the next chapter of the crossover event.
This One Summer's artist Jillian Tamaki's next book was just released, and it's very different to her collaborations with her cousin Mariko, which also include 2008's Skim. The Drawn and Quarterly-published SuperMutant Magic Academy collects Tamaki's webcomic of the same name, featuring a cast of characters of unusual abilities, backgrounds and appearances, who all attend the same private school. What is perhaps most extraordinary about the characters --- who include fox spirit Wendy, immortal Everlasting Boy, and aggressive performance artist Frances --- is just how familiar they all are under their unfamiliar surfaces.
SMMA is a comic about a special school full of special kids, but it focuses on the parts of them that aren't special... or at least, the parts that they have in common with us. Which, of course, helps makes the comic special. Tamaki is currently touring to promote SMMA. We took the opportunity to talk to her about her work.
When you think of the revived Valiant Comics, a few standout creators come to mind, and oe of those is certainly Robert Venditti, a writer who has been on board since the company came back to life in 2012.
After taking the reins on last year's Armor Hunters event, Venditti is picking up the baton once again, along with artists Robert Gill and Doug Braithwaite, for Book of Death, a four-issue miniseries that explores the fallout from this spring's The Valiant and blasts ahead into an uncertain, dangerous future for the Valiant Universe, with excerpts from the titular book --- which comes from the future ---- playing a big part in each issue.
After getting a sneak peek at the script for issue one, we spent a few minutes on the phone with Venditti to talk about whether his future for the Valiant U is concrete or fluid, the art of writing a comic script, the concept of a villain who can manipulate nature, whether trees can be threatening, and much more.
Bill Sienkiewicz is one of the unquestioned greats of the comic medium, a creator who, over his long and stories career, has constantly pushed the limits of sequential art, blending media, blurring boundaries between seemingly disparate techniques, and creating work that's endlessly innovative and instantly identifiable. And his work hasn't been limited to comics – he's painted cover art for best-selling albums, created animation design, illustrated trading cards, and co-created picture books.
Now he's contributed to a multi-media "post-digital" project entitled H8 Society: How An Atomic Fart Saved The World that combines his visuals with an original sci-fi/comedy ebook by the postmodern duo known as 2Dans. The project also includes a collection of 26 original songs from independent musical artists. It's an ambitiously unorthodox enterprise, and on the eve of its release, we got the chance to sit with Bill and discuss his contribution to the project, his stylistic choices, the balance of artistry and reality, and all manner of other things.
Hire This Woman is a recurring feature on ComicsAlliance that shines a spotlight on female comics creators, whether they're relative newcomers or experienced pros who are ready to break out. In an overwhelmingly male business, we want to draw your attention to these creators --- and to raise their profile with editors and industry gatekeepers.
Busy cartoonist Natalie Nourigat has worked on Deadpool, Bee & PuppyCat, It Girl & the Atomics, and many of her own projects including the webcomic Home Is Where The Internet Is. She's also worked as a storyboard and commercial artist. She's currently working on a graphic novel for Oni Press called Over the Surface.
Here's one for fans of The X-Files. Running on Kickstarter right now, Cash and Carrie follows the junior high school adventures of Dallas Cash and Inez Carrie, two budding investigators who find themselves pulled into a fiendish fiasco with a hint of the supernatural. Somebody has taken their school's mascot, a goat, and they race off (on their vespas, awesomely) to go get it back.
Created by Shawn Pryor, who recently served as President of Action Lab Comics, the book is written by Giulie Speziani and pencilled by Penny Candy, and the whole team were determined to create an all-ages series with real diversity. The term sometimes becomes a meaningless catch-all, but, here's a book that takes the concept seriously and gives it some depth. Inez and Dallas are bright and fun characters to hang out with, as are the creative team. ComicsAlliance spoke to all three about their project.
Michael Moreci has been building his name as a stand-out genre comics writer in the past few years, starting with paranormal investigator series Hoax Hunters at Image, co-written with Steve Seeley, and more recently with the sci-fi noir odyssey adventure Roche Limit, with art by Vic Malhotra.
His new series, Transference, sees him unite with artist Ron Salas at Black Mask Studios for a high concept tale of time-travel and counter-terrorism, as an elite special agent transfered into his own past-self must track down an enemy agent to save the future. ComicsAlliance chatted with Moreci about his relationship with comics, working with Ron Salas and Black Mask, and why he's not afraid to court Hollywood through comics. He also shared an exclusive eight-page preview of Transference #1.
To say that Tom Scioli and John Barber‘s Transformers vs. GI Joe is an unusual comic is underselling things quite a bit. On paper, it’s a natural fit, an ongoing series that follows in the footsteps of earlier books that have combined the two toy lines into one massive interplanetary battle. In practice, though, it’s something a lot bigger, a comic that almost assaults the reader by cramming in as much big, wild stuff as it possibly can — a toy comic so weird, and so great, that it almost feels like it shouldn’t exist.
With the book's second storyline well under way, throwing in everything from vikings to old gods to Dinobots (and a new printing of his amazing American Barbarian on the way this summer), I talked to cowriter, artist and occasional ComicsAlliance guest contributor Tom Scioli about the series. Today, he talks about building a history for a universe that's even more important than our own, the two-page Free Comic Book Day story, and why his book isn't a paean to Snake Eyes.
To say that Tom Scioli and John Barber's Transformers vs. GI Joe is an unusual comic is underselling things quite a bit. On paper, it's a natural fit, an ongoing series that follows in the footsteps of earlier books that have combined the two toy lines into one massive interplanetary battle. In practice, though, it's something a lot bigger, a comic that almost assaults the reader by cramming in as much big, wild stuff as it possibly can --- a toy comic so weird, and so great, that it almost feels like it shouldn't exist.
With the book's second storyline well under way, throwing in everything from vikings to old gods to Dinobots (and with a new printing of the amazing American Barbarian on the way this summer), I talked to cowriter, artist and occasional ComicsAlliance guest contributor Tom Scioli about the series. Today, in the first part of the interview, he talks about the exhausting process of fitting it all into 20 pages, and reveals the adaptation he wrote for a Transformers vs. GI Joe movie that does not actually exist.
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