Vertical Inc. publishes manga about eating disorders, adorable cat antics, 18th century prostitutes, and murderous high school cults. It brings avant-garde creators like Kyoko Okazaki and Moyoco Anno to Western eyes right alongside classic Tezuka work and more mainstream shonen fare like Knights of Sidonia and Mobile Suit Gundam: The Origin. I point to Vertical when friends ask me how to get into female manga creators, how to get into horror manga, how to get into josei (women’s) manga, or how to just take a break from the cycle of standard sci-fi and fantasy.
Vertcal is utterly singular and entirely necessary to the comics industry, and it was to the Vertical booth that I sped once the doors to the San Diego Comic-Con Exhibit Hall were open this year. After examining their new releases (I recommend In Clothes Called Fat, another glance into female anxiety courtesy of Moyoco Anno), I sat down with Ed Chavez, Vertical’s marketing director, to talk about past successes, present realities, and future plans.
Paul Pope is one of comics' most respected and versatile talents. Over the past three decades, he's produced an amazing body of work, from his breakthrough self-published THB series to a number of acclaimed projects for DC/Vertigo. Last October, he unleashed his long-awaited Battling Boy graphic novel, which became a bestseller and won "Best Publication For Teens" at the Eisners last month. This coming September, First Second will publish the first of three tie-in volumes, The Rise Of Aurora West, written by Pope and J.T Petty, with art by David Rubin.
We sat down with Pope at the First Second booth at San Diego Comic-Con, the morning after the Eisners ceremony, and had a wide-ranging conversation about his creative inspirations, the changing face of the comics market, and his new and upcoming projects.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Letterer Saida Temofonte has been working in comics for almost 20 years for a variety of companies including Wildstorm, DC Comics, and Marvel. She is currently lettering many projects from DC's digital division, including the much-beloved Lil Gotham series. She is also a storyboard artist for film.
UDON Entertainment published the first two volumes of its new Manga Classics line last week, adapting great works of literature as full-length manga. Manga Classics: Les Miserables, based on the novel by Victor Hugo, features art by SunNeko Lee, with an adaptation by Crystal Silvermoon and a script by Stacy King, while Manga Classics: Pride & Prejudice is illustrated by Po-Tse and adapted from Jane Austen's great novel by Stacy King.
UDON sent us a preview from Manga Classics: Pride & Prejudice that showcases both Po-Tse's gorgeous art and the wit and romance that makes Pride & Prejudice one of the most celebrated works in the English language.
After weeks of limp ratings, the Nickelodeon animated series The Legend of Korra has been passed off to the Nick.com website, leaving many to wonder what the future holds for the series. Confusion is never far from the discussion, whether it's from spurned fans or crowing critics. The fans haven't so much hit a rough patch as been dragged through a ravine. Now it holds its breath, unwilling to be hurt again.
Which is all really unfortunate, because season three of Korra is easily the best yet. Voice actor Janet Varney’s Korra continues to be one of TV finest heroines, full of grit, passion, and unbridled talent, while David Faustino’s Mako has mellowed from a high-strung athlete to… well, a high-strung cop, but one who wears his heart on his sleeve. ComicsAlliance sat down with Varney and Faustino at San Diego Comic-Con to talk about where the series has been, where it’s going, and what its legacy will be.
When Wendy and Richard Pini released the first issue of Elfquest in 1978, the landscape of the comic industry was wildly different. The "direct market" model of retailing was still in its infancy, with a loose network of regional companies distributing titles to comic shops around the country, and there was a sharp divide (in both content and style) between the mainstream superhero titles of Marvel and DC, and the adult-themed "comix" from underground publishers. Star Wars was a pop culture sensation, and the public was hungry for more adventure, seeking out all manner of sci-fi and fantasy in theaters and bookstores.
It was the perfect moment for Elfquest to appear, and almost immediately, the Pinis had a best-selling comic on their hands. Within a few years, they sparked a second revolution, collecting Elfquest in a series of full-color paperbacks that pioneered the influx of comics into mainstream bookstores, and effectively laid the groundwork for the graphic novel market.
Now, 36 years later, they're still working on their signature creations, and have partnered with Dark Horse to publish a new series, Elfquest: The Final Quest, as well as new collections of the original series and a special "Gallery Edition," shot from the original artwork. ComicsAlliance got the chance to catch up with them at the Dark Horse booth at San Diego Comic-Con, and discuss how Elfquest has impacted the world of comics, both creatively and business-wise.
With books like Adventure Time, Regular Show and more, Boom! Studios has been doing a pretty solid job of adapting Cartoon Network's hit shows into comic books. This week, they added another one to their roster in the form of Steven Universe, with writer Jeremy Sorese and artist Coleman Engle taking on the story of, well, Steven Universe, a kid being raised by the heroic Crystal Gems, who protected the world from monsters alongside his mother until she died bringing him into the world.
To find out more about where they intend to go with the comic, we spoke to Sorese and Engel about what they intend to do with the book, the surprising darkness behind the "cotton candy exterior" of Steven's universe, and, perhaps most importantly, their feelings about Sailor Moon Crystal.
Of all the titles in DC Comics' "Digital-First" initiative, Batman Beyond 2.0 has been possibly the biggest surprise. Kyle Higgins and artist Thony Silas launched a series that expands the beloved Batman Beyond animated series storyline from the 1990s in exciting and unexpected ways, without losing the elements that made the Warner Bros. Animation original so popular, and fans have noticed and responded. The story of young Batman Terry McGuinness and his mentor Bruce Wayne and their adventures in Neo-Gotham, DC recently upgraded the Batman Beyond 2.0 from bi-weekly to weekly, and as of Chapter #25, Higgins brought his C.O.W.L. collaborator Alec Siegel and venerable comics veterans Phil Hester and Craig Rousseau onboard the series for what the team has promised to be a particularly dramatic new movement in the young series, one that includes a return of the Phantasm, one of Batman: The Animated Series' most rarely scene yet fan-favorite foes.
During a few spare minutes as San Diego Comic-Con, we stopped by the DC booth to chat with the Higgins and Siegel about their love for the Batman Beyond characters, their collaborative process, "Mark of the Phantasm", and their further plans for the book's future.
Mark Buckingham’s art hasn't just made Fables a classic — it has made it, and comics in general, accessible to reluctant readers the world over. His work on the long-running Vertigo series chronicling the lives of exiled fairy tale characters is simple, but never simplistic, and visually strong without ever sacrificing complexity. From Buckingham’s pen flow wooden soldiers of truly oaken resolve, smart-mouthed witches, rumpled detectives and alcoholic, anthropomorphic pigs, all living and loving in the little slice of New York City they've made their own.
Buckingham has helped propel the Bill Willingham-written series to the bestseller lists over and over again, inspired decadent cosplay and made Fables the kind of work that's beloved by your bag-and-boarding friends and your mom alike. Now, as the story nears its end, Buckingham is preparing to say goodbye the world he so richly imagined. ComicsAlliance found him at San Diego Comic-Con to discuss the fond farewell and what the future holds.
Chip Kidd is a one of American publishing's foremost graphic designers, a respected novelist and author in his own right, and a life-long comic book fan. He's worked with DC Comics on a number of different projects over the years, writing histories, creating logos, designing books, and even authoring stories like 2012's Batman: Death By Design graphic novel with Dave Taylor. Recently, he produced a "remix" of the first-ever Batman story (which was originally slated to be published in DC's "Detective Comics #27 Special Edition" giveaway, but ended up as a feature in the deluxe hardcover Batman: A Celebration Of 75 Years instead).
While at San Diego Comic-Con last month, we got a few minutes to drop by DC's booth and talk with Kidd about Batman, his design work, and his current (and upcoming) projects.
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