Visiting the bustling hive of energy that was Edinburgh Comic Con back in mid-April, I was delighted to see that the table of dynamic duo John Lees and Iain Laurie had completely sold out of their critically acclaimed horror comic, And Then Emily Was Gone.
With a highly anticipated prequel, And Then Emily Was Gone #0, as one of the highlights of the 2015 Free Comic Book Day slate, what better time to sit down and talk horror, David Lynch, Scottish folklore, and how such a wicked comic ever reached our shelves with Lees and Laurie?
Iscariot is the story of Carson, a young woman taught magic by a rebellious old magician in order to save her from cancer, and of her struggles to adapt to what her life becomes. It promises to be a powerful tale, beautifully told by author S.M. Vidaurri --- and readers who want an advance preview can see a few pages right here, or pick up the Boom/Archaia Free Comic Book Day comic this weekend.
You may know Vidaurri's work from his contributions to Jim Henson's The Storyteller: Witches, or from his exquisite and affecting previous book, Iron, Or The War After, a tale of post-war reconciliation and resistance told with anthropomorphic animals. ComicsAlliance spoke to Vidaurri to find out what inspired this new tale, how he chose the visual language, and why cardinals play a recurring role in his comics!
Hire This Woman is a recurring feature on ComicsAlliance that shines a spotlight on female comics creators, whether they're relative newcomers or experienced pros who are ready to break out. In an overwhelmingly male business, we want to draw your attention to these creators --- and to raise their profile with editors and industry gatekeepers.
Artist Genevieve FT has worked in animation and video games, but also has a love of comics. She's drawn Garfield comics as well as covers for Adventure Time, Bravest Warriors, and Archie Comics.
Today we talk to David Winnick, David Hahn, Robin Furth and Rosemary Valero-O'Connell about the ideas behind their Vertigo SFX anthology stories, 'Pop-Up' and 'Momma had a Baby and Her Head Popped Off', and find out the sounds they like to wake up to, work to, and relax to.
The comics anthology, having struggled to make a lasting impact in mainstream American comics publishing, has found a home online. Kickstarter has proved to be the place to go if you want to see a collection of familiar and new artists telling stories together, and this month saw a mighty new anthology take to the platform. The Broken Frontier Anthology, edited by Frederick Hautain, is a collection of creator-owned tales presented by Broken Frontier, a website that specializes in creator-owned comics.
Ever since it was announced, I was pretty sure that Alex de Campi and Fernando Ruiz's Archie vs. Predator was going to be everything I wanted out of comics. Now, with the first issue out, I know for a fact that's true --- at the very least, it's my favorite Predator crossover of all time, replacing even the one where Judge Dredd takes his shirt off and fights a Predator with a knife alongside Dutch's granddaughter.
But really, that first issue is just the tip of an alarmingly violent iceberg, which is why I spoke to de Campi about how she prepared for the series, why she's so drawn to writing Betty, Veronica, and the medium of emojis, and why she wanted to give Dilton a giant robot Archie that he could use to fight aliens. Really.
Vertigo's new quarterly anthology series Vertigo SFX sees writers and artists take inspiration from the world of comic book sound effects to tell short stories, starting with the granddaddy of SFX; 'pop'. The first issue is available this Wednesday, April 29th, so we reached out to some of the creators to get a preview of their stories, and to invite them to take our special SFX Q&A.
Today we talk to Nathan Fox, Jim Zub, and Clay Chapman and Szymon Kudranski about the ideas behind their three stories, 'Ekoh', 'Little Medals', and 'Earwing Out', and to find out the sounds they like to wake up to, work to, and relax to. Check back tomorrow when we talk to David Winnick, David Hahn, Robin Furth and Rosemary Valero-O'Connell!
Writer/artist Jamal Igle has had a busy few years in comics. Fresh off an exclusive at DC Comics where he became known as probably the defining Supergirl artist, he's joined Action Lab Comics, become a lecturer on comics issues, and --- oh yes --- created Molly Danger. The first volume of his series proved a knockout success on Kickstarter when it launched, raising over $50,000 from fans and acclaim from readers.
This year Igle is returning to Kickstarter for Book Two of the series, which is currently proposed to run for four volumes --- and things are really starting to get interesting for the young superhero. She's gained new allies, new enemies, and a whole load of new complications in her life. We spoke to Igle about his hero, and his plans for book two of the series.
It was Grant Morrison's favorite comic of 2013, my favourite comic of the 21st century, and it delighted even the most stone-hearted of comic critics. Ballistic, a five-issue series from Black Mask by filmmaker Adam Egypt Mortimer and blockbuster artist Darick Robertson, last hit the streets in 2014. Now it's back --- collected, polished, buffed to a shine for your delectation. It's on your shop shelves now people! So what better excuse to look back on the career of Darick Robertson, and Ballistic in particular, with the man himself?
Asaf Hanuka is an Israeli illustrator and cartoonist whose award-winning webcomic The Realist began as an account of his adventures in house-hunting, but quickly transformed into a much more ambitious and inspirational exploration of his life as an artist, husband, and father as he tries to make sense of politics, technology, and his daily anxieties. Combining visual flourish, moments of fantasy, and startling use of color, Hanuka is brilliantly effective at putting his inner thoughts and fears on the page.
Archaia has collected Hanuka's strips in English for the first time, including some that have never been collected before. We spoke to Hanuka to find out why he started cataloging his life in this way, how fatherhood and technology have shaped him, and what inspires him to make such effective use of color.
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