The CW's Arrow closed out Season 3 this past week with the surprisingly final "My Name is Oliver Queen," but for many a creeping sense of indirection has permeated the emerald archer's arc this year. Now, we attempt to pinpoint where Arrow went astray, including a character absence that may surprise you, and what hope we might find for Season 4.
Longform - Page 2
ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: This looks like a(nother) job for Superman.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at Lois Lane.
Over the course of seventeen real years and three webcomics set in the same locale, John Allison has taken his breakout character Shelley Winters through various incarnations. She’s a hot, saucy dame made up by some strange man on the internet, but is she really as naughty as all that? Join us as we track a lusty life in webcomics; the life of Shelley Winters.
We have to believe victims of harassment, even in conditions that we’ve been taught should excuse us from giving a damn: what the victim was wearing, what they’d done with the harasser previously, whether we even like the victim personally, and, perhaps most importantly, who the harasser is.
We want an excuse not to believe, because it would release us from the unpleasant matter of figuring out what to do next. This is an especially thorny problem online, where we act as if we only have two options: join the angry mob with pitchforks, hounding the guilty party out of our spaces and off the web (or out of the industry) entirely, or… do nothing.
ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: Superman returns (but not Superman Returns).
Girls need role models. This is an old canard, though it’s tempting to see its genesis in 1990s girl power — it’s just that it hasn’t always meant warmed-over Gloria Steinem quotes and the Spice Girls. June Cleaver was a Good Role Model for Girls. The Virgin Mary is a Good Role Model for Girls. Their ranks have swelled with Buffys, Lara Crofts, and Wonder Women, but they stand, toned of arm and glossed of lip, beneath the same banner.
In response to a dearth of women, mainstream comics now turns to the Good Role Model for Girls as a panacea. Spider-Gwen! Spider Woman! Batgirl! Hawkeye! Black Widow! All the women in X-Men! She-Hulk! Even Suzie in Sex Criminals! And oh, how the little girl marooned in 90s comic dungeons within me sang! It’s a new age, I thought; a turning point. The first issues fly by, and I purchase every single one.
And I am bored.
ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: The Dynamic Duo return, in decidedly less than dynamic fashion.
Whatever Marvel is doing with Secret Wars, one established fact stands out to me: they’re bringing back British, hijabi superhero, and personal favorite, Faiza Hussain, to the printed page. My heart swells.
Faiza Hussain debuted in 2008, in Paul Cornell and Leonard Kirk’s Captain Britain & MI:13. I adored this book, and I immediately adored her; Faiza’s debut was both the introduction of a vibrant, individual human character and a tight superhero origin story. She's a necessary part of the Marvel Universe, not just because she represents modern Britain, but because there was already a seat laid for her at the Round Table.
After selecting the best sci-fi movies of the last 25 years and the best comedies of the last 25 years, ScreenCrush decided the only logical way to wrap up the #CountdownToUltron and Avengers 2 was to choose the best superhero movies of the last 25 years as well. Initially, this was just supposed to be a brief essay. But on an innocent field trip to the world’s most advanced genetics lab, this blog post was bitten by a radioactive list and transformed into the gargantuan piece you see before you. On that day, we all learned a valuable lesson: That with great power must come great listicles.