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Going Behind the ‘Age of Miracles’ With Scarlet Witch and Quicksilver on the ‘Avengers 2’ Set

avengers-2-set-quicksilver-scarlet-witch

We presume you know all about Ultron by now. He's big and shiny and angry. But, what of Quicksilver and Scarlet Witch? In the trailers and posters we see them fighting alongside both Ultron and The Avengers. Are they good? Bad? Who are these guys?

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The Complete History of Comic-Book Movies, Chapter 7: ‘Superman’ (1948)

Superman Serial 4
Columbia

ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: Faster than a speeding bullet, the Man of Steel arrives on the big screen.

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The Complete History of Comic-Book Movies, Chapter 6: ‘The Vigilante’

The Vigilante 1
Columbia

ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: A “Prairie Troubador” gets into trouble in Hollywood.

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The Multiversity Annotations, Part 7: Mastermen – “You Can Ram Your Siegfried Where The Sun Don’t Shine.”

mastermen2 (1)

The seventh issue of Grant Morrison's Multiversity, Mastermen, chronicles the story of Earth-10 (the pre-Crisis Earth-X), a world where the Nazis conquered America and won World War II and the Endless Reich is ruled by Overman, who's built a utopia on Hitler's massacres and doesn't feel very good about that fact.

We first met this version of the character in Final Crisis: Superman Beyond, when he was one of the Supermen on the Ultima Thule who traveled with Superman, Ultraman, Earth-5's Captain Marvel and the rest of the gang to try to stop Mandrakk/Dax Novu from destroying the multiverse, and all of the Monitors.

This issue is drawn by DC co-publisher Jim Lee, with inks by Scott Williams (and an assisting crew), and colors by Alex Sinclair (with assistance from Jeromy Cox).

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The Complete History of Comic-Book Movies, Chapter 5: ‘Hop Harrigan’

Hop Harrigan 2
Columbia

ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: A forgotten hero flies again.

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‘Avengers 2’ — Chris Hemsworth Says ‘Age of Ultron’ Is an ‘Onslaught’ That Will Not Stop

thor-fi

We're on the set of Avengers: Age of Ultron, inside the new Avengers Tower; formerly Stark Tower and now converted to a de facto headquarters for the Earth’s mightiest heroes. It’s all very sleek and shiny and pretty much exactly what you'd expect from a place Tony Stark calls home. Except now, it's a complete disaster. There's broken glass scattered across the floor. Furniture is destroyed. There are giant gashes in the wall. There's a production assistant dramatically swinging a giant cape around (the actors film their fight scenes without the cape, and the cape is added later in post-production).

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A Boy Named Sue: Father-Son Relationships in the Comics of Jason Aaron

bastards

You don't have to look too hard to see the prevalence of difficult father-son relationships in the work of Jason Aaron. In Scalped with R.M. Guera, Dashiell Bad Horse was adrift in a sea of father figures, unable to choose his own path and incapable of avoiding the same fates that befell the father who left him. In 2014, Aaron launched Southern Bastards with Jason Latour, about a conflicted man who returns to the home of his dead father, a legendary lawman; and Men of Wrath with Ron Garney, is about a father-to-be on the run from his own dad, a hired killer.

Despite the prevalence of the topic in comics, Aaron has carved out his own niche when it comes to father-son relationships, with an unflinching perspective that rings truer than most.

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The Multiversity Annotations, Part 6: The Guidebook – ‘What Great Hand Casts the Lightning and Remakes the World?’

CA_Multiversity-guidebook

The sixth issue of the series, Guidebook, while certainly the D&D-style sourcebook of the event and a guide to Morrison's vision of the DC multiverse, is also a necessary section of the overall story, answering many questions and asking others, as well as providing the introduction of the Empty Hand, the series' true villain and master of the monstrous Gentry.

It's structured as stories within stories --- Marcus To draws a segment with Li'l Batman and Atomic Batman on Earth-42, while Paulo Siqueira illustrates the New Gods, Kamandi and the history of the DC Multiverse in an intercut sequence taking place on Earth-51. Both of these stories intersect with pages from the Guidebook itself, designed by Rian Hughes with illustrations by a large number of artists.

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Ask Chris #233: Making Sense of The Martian Manhunter

Ask Chris art by Erica Henderson

Q: What are the qualities that allow a character to sustain a solo book, and why doesn't Martian Manhunter have any of them? -- @RichBurlew

A: I gotta tell you, Rich, this is a very interesting question, and I hope you'll forgive me if I completely ignore the first half so that I can talk about the second. I mean, let's be real with each other here, if I knew what qualities made for a successful solo character, I would probably be writing that comic instead of this column, and between the two of us, you're the one who's been doing a successful and beloved character-driven story for the past decade. If anything, I should probably be asking you.

The Martian Manhunter, however, has always been a really interesting character to me, if only because in terms of being a solo character, he's the definition of an also-ran. He's been around forever, but he's never quite clicked, and I think the simple reason for that is that there's nothing he does that isn't already done better by someone else.

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The Complete History of Comic-Book Movies, Chapter 4: ‘Captain America’

Captain America serial 1
Republic Pictures

ScreenCrush editor, comic-book lover, and undiagnosed masochist Matt Singer is systematically watching every single (American) comic-book movie ever made in the order in which they were released. This week in The Complete History of Comic-Book Movies: Welcome to the prehistoric Marvel Cinematic Universe.

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