Longform

Most anime is adapted from manga, often produced by the manga publisher to raise awareness and sell it overseas. But what about the anime shows or films that go the other way, adapted from the screen to the page? How do those works hold up, and what changes or stays the same? That’s what Screen & Page aims to explore. Today, we're talking about the most successful anime of the 2000s which wears its messy heart on its sleeve: Code Geass!

Q: What should differentiate the Green Lanterns as Green Lanterns? — @jtlevy A: How legacy works, and how different iterations of the same idea have to be made distinct and interesting on their own, is a fascinating topic in the context of the DC Universe. But when it comes to building in distinct traits that differentiate legacy heroes, the Green Lantern franchise has been doing that job from the start.

In just over a decade, Boom Studios has established itself as one of the most important publishers in comics, and key to its success is the all-ages Kaboom imprint, headed up by editor Shannon Watters. A former Tokyopop copy editor and assistant editor on titles like Irredeemable and Elric, Watters has been a part of Boom from the ground up, and even with licenses for some of the biggest properties on the planet, Watters and the creators under her have consistently traced their own path, to the delight and benefit of critics and readers.

In the final day of our fantasy draft, our writers pick a spy, a magician, a feminist icon, and another Green Lantern, and they move away from Marvel and DC to pick some great heroes from beyond the Big Two to round out their teams.

We're looking back at the long and weird history of superhero comics by picking our favorite heroes from each decade in our latest fantasy draft. Each team must include one character who debuted before 1950, one character that debuted in each decade from the '50s to the '90s, and one character that debuted in 2000 or beyond, plus two wildcard picks from before and after 1980, for a total team of nine characters. Our writers have each picked five characters so far. Today they pick another member of the Batfamily, a romance heroine, a handful of X-women, and one of the Green Lanterns. But which one?

Civil War II completely overwhelmed the Marvel Universe over most of the year, but thankfully all your favorite titles are now free from its clutches and we’re finally at the last issue. With Iron Man and Captain Marvel ready to duke it out one last time, and with Spider-Man caught in the middle, let’s get together for one last Civil War Correspondence and see how the world has changed forever... this time around.

We're looking back at the long and weird history of superhero comics by picking our favorite heroes from each decade in our latest fantasy draft. Each team must include one character who debuted before 1950, one character that debuted in each decade from the '50s to the '90s, and one character that debuted in 2000 or beyond, plus two wildcard picks from before and after 1980, for a total team of nine characters. Today our writers pick a Doom Patroller, a dog, an extreme teen, a latter-day Stan Lee creation, and some of the most popular heroes of the 21st century

As we contemplate the world of comics (and the world at large) in 2016, and the unfortunately inevitable controversies to come, it seems appropriate to be concerned about the recent events surrounding the cancellation of Legend of Wonder Woman, and the environment that's created when those making comics are afraid to express concerns for fear of losing their jobs. It's troubling enough that very few comics creators have job security or benefits, but expecting them to watch what they say at all times for fear of unemployment can only make that lack of security feel that much worse.

Tom King and Gabriel Hernandez Walta's The Vision features a lot of quotation and repetition. Dialogue and scenes are reprised a few pages or issues later; objects that make a quick appearance in issue #1 play a vital role in the climax; dialogue is lifted directly from comics published nearly 50 years ago, and from plays published more than four centuries ago. These aren’t unusual techniques. They’re just examples of structurally sound storytelling, of how to make a book feel like an extension of the histories, real and fictional, of the world that it exists within.

After nearly two months without a Civil War Correspondence, we're back to recap the events of Civil War II #6 and 7, as things head towards their inevitable conclusion and the stakes get higher but more personal.