If you were reading Marvel Comics in 1999, you read Fastlane. For four solid months, it was absolutely unavoidable, aneight-page anti-marijuana insert that would pop up right in the middle of every single Marvel Comic to let you know about the dangers of weed, a drug that was glorified in the media and would lead users to a dangerous world of addiction and deadly hallucinations that was so over the top even the producers of Dragnet thought that maybe they should tone it down a little. And if you're a certain kind of person who was reading Marvel Comics in the '90s, you actually kind of love it.
I mean, I do. And that's why, with 4/20 and all its attendant celebrations coming up this weekend, it's time for a look back on what might actually be the highest circulating (and most bizarre) Marvel Comic of all time with a Complete Oral History of Fastlane, from artist Gregg Schigiel, Editor Steve Behling, Head of Marvel Creative Services Mike Thomas, and Senior Vice President for Strategic Promotions and Advertising John Fraser.
“I think this woman is wrong about something on the Internet. Clearly my best course of action is to threaten her with rape.”
That’s crazy talk, right? So why does it happen all the time?
Honest question, dudes.
That women are harassed online is not news. That women in comics and the broader fandom cultures are harassed online is not news. That these women are routinely transmitted anonymous messages describing graphic sexual violence perpetrated upon them for transgressions as grave as not liking a thing… that is actually news to me, and it’s probably news to a lot of you guys reading this.
The best Superman comic book currently published is about to get even better this coming Monday with the addition ofSteve Rude, arguably one of today’s best living American comic book artists, and Jerry Ordway, one of the key Superman storytellers of the '80s and '90s, and a brilliant and influential artist in his own right. The pair have collaborated on a Superman story starring OMAC, a cult favorite creation of Rude’s own hero, Jack Kirby, for an Adventures of Superman digital short that they describe as " a lost Max Fleischer Superman cartoon."
ComicsAlliance spoke with Ordway and Rude to learn more about the 10-page adventure, their impressions of Superman in this day and age, the digital comics revolution, and how these accomplished but very distinctive creators worked together on the story.
Q: Why is Doctor Doom the gold standard of supervillains? -- @franzferdinand2
A: In case you missed it a few weeks back, I wrote a column about the differences between Lex Luthor and the Joker, and mentioned that while those are two characters I like an awful lot, Dr. Doom is far and away the gold standard of supervillainy. He's compelling, he's sinister, he's got a great design that's lasted, virtually unchanged, for 50 years, and he can be dropped into almost any type of story and work beautifully. In short, he's the single greatest villain in superhero comics history.
Well, unless you count Bob Kane, but that's a whole other thing.
Broadcasting Wednesday at 6:30pm (5:30pm CST) on Cartoon Network, Batman: Strange Days is the first all-new Dark Knight project authored principally by Bruce Timm in years and years. The latest of the DC Nation Shorts, the piece was conceived, written, storyboarded, designed and directed by Timm himself as a tribute to the original Batman comics by Bob Kane, Bill Finger and Jerry Robinson on the occasion of the character's 75th anniversary. And as Timm told ComicsAlliance in this exclusive interview, Strange Days is the Batman story that he would create if he was "boss of the world."
Q: Supposedly it takes three pages to hook a reader before they drop off, so what are the best opening three pages in a comic? -- @shutupadiran
A: Huh. I don't think it's going to surprise anyone to find out that I'm a dude who thinks a lot about how comic books are structured and what you can do within that structure, but I've never heard that bit about the first three pages being where you have to hook the reader. It makes sense, though -- when you look at it, those first three pages, along with the cover, form a distinct storytelling unit, and it's the first thing you see when you pick up and pop open a comic.
Thinking back on comics that I love, there's a really distinct pattern there. I like stuff that builds to a big last page just fine, but the ones that I tend to rave about when those first issues hit always open up strong. It's like the first five seconds of a song. Some of them might build to a crescendo as they go along, but when you have something like the famous beat from "Be My Baby" or the opening harmonics from "I Get Around," you know instantly that you've got something.
True Detective creator Nic Pizzolatto has claimed that Alan Moore Moore and Grant Morrison were the first writers to excite him about the possibilities of storytelling.
With everyone looking to solve the many remaining mysteries of True Detective, it’s tempting to ask: are comic books the key? Pizzolatto’s spectacular Moore crib aside, I’d go with with a big no. Ain’t nothing going to settle the debate around Carcosa let alone Marty Hart’s hot dating skills, but comics do represent a largely unexplored and appropriately strange route into the show. So without further ado here’s our by no means exhaustive guide to True Detective and weird comic books.
SPOILER WARNING: The following contains major spoilers for True Detective, Top 10, From Hell and some of The Invisibles.
We are currently living in the middle of a renaissance of interest in the 1966 Batman TV show. With licensing deals that have taken decades to work out falling into place, we've got action figures, clothes, and DVDs are finally on the way, and at the leading edge of it all is DC's digital-first Batman '66comic, written by Jeff Parker with art by Jonathan Case, Ty Templeton, Joe Quinones, Sandy Jarrell, Ruben Procopio and Colleen Coover.
This week, the first hardcover collection of the series is out in print, and to mark the occasion, I sat down at Portland, Oregon's Periscope Studio to talk to Parker (and special guest Colleen Coover) about their work on the series. In the first half of the interview, we'll discuss the competitive relationship between Batman and his villains, the addition of big stunts to the show, and why Parker doesn't think it's necessary to be a fan to write a good comic.
Dark Horse Comics is bringing back its Alien comics franchise in a big way this year with a set of four mini-series set immediately after the most recent movie, Prometheus. The company has revealed the names of the four series writers: Aliens will be by Chris Roberson, Predators will be written by Joshua Williamson, Paul Tobin will write thePrometheus series, and Aliens vs. Predatorwill be by Christopher Sebela.
The company's been teasing a "fifth writer" on the franchise, and she's actually holding down the position you might call head writer: Kelly Sue DeConnick. DeConnick will be writing a double-sized "wrap-up" issue to close out the initial run of books, and she oversaw a lot of the goings-on in the writers' room as the series were being put together. We chatted with her by phone to find out how that experience was different from other comics writing jobs, and just what readers can expect from the first full-on Aliens/Predator/Prometheus comics crossover.
Listen, I realize that I'm a little late to the party when it comes to Echiro Oda's One Piece. It's literally the best-selling manga of all time, but I've only just gotten into it over the past few months, on the recommendation of former CA writer David Brothers. I was hooked right away -- the book's signature mix of action, character, slapstick comedy and insanely over-the-top violence was fantastic right from the start, blending in a way that I find completely irresistible.
Then I got to volume 10, and the characters arrived in Arlong Park for a single fight scene that literally lasted for over 250 pages. And as someone who loves fight comics, I can say pretty confidently that it is quite possibly the best fight scene I have ever seen in comics. Not in manga, in all of comics. And believe me, I've seen a lot of 'em.
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