Years after her rebooted New 52 series debuted, the Bat Signal illuminates the iconic hero Batgirl more brightly than ever before in a retooled title written by Cameron Stewart and Brenden Fletcher, drawn by Babs Tarr (from layouts by Stewart) and colored by Maris Wicks. A stark, dramatic departure from the decidedly dour tone of previous issue, the new book introduced Barbara Gordon's new life in the newly created and decidedly hip Burnside neighborhood of Gotham, where she makes time for crime fighting in between her graduate studies and hanging out with her new supporting cast. Vividly youthful, funny, cute, action-packed and even sexy, the new Batgirl of Burnside sparked interest amongst existing fans, lapsed Batgirl readers and curious newbies (and inspired criticism from people who just hate fun). Crucially, cosplayers immediately started replicating Barbara's new self-designed Bat-digs while the Batgirl of Burnside Tumblr debuted with daily boosts of fan art inspired by the hero's new look.
With the new run's inaugural issue, Batgirl #35, flying off the shelves and Batgirl of Burnside cosplayers running, jumping and otherwise posing all around the Javitz Convention Center, Barbara Gordon was the It Girl of last month's New York Comic Con, where we sat down with the series creators to talk about fashion, boys, and Batgirl's new villains, the Jawbreakers -- a gang of cosplaying bikers making their debut in this week's issue #36.
The last of 2014's five superhero movies based on Marvel properties arrived in North American theaters this past weekend, and it was unlike anything we've ever seen from the Marvel stable before. Big Hero 6, from directors Don Hall and Chris Williams, is computer animated, aimed at kids, and stars a cast of characters that could leave even people who knew the Guardians Of The Galaxy a year ago scratching their heads and saying, "who?" And it's different in large part because Walt Disney Animation, not Marvel, was the studio behind it.
If you've seen the movie, join Comics Alliance for this spoiler-filled "post-view" look at what worked, what didn't, and why Big Hero 6 might just change the world. If you haven't seen the movie, avoid the spoilers, go see it, and come back.
Fans of Captain Marvel probably won't tire of being reminded that their hero is getting her own movie, scheduled for a July 6th 2018 release. There's no director, no writer, and no star attached, but the movie has a title and a date, and that alone is progress. Superhero fans have been waiting a long time for a Marvel Studios movie with a female lead.
The Captain Marvel movie is due to come out thirteen months after a planned 2017 Wonder Woman movie from Warner Bros, and those two pictures could help usher in a new age for female heroes, if the studios follow through.
The Wonder Woman movie was a long time coming, but she's an obvious choice for Warner Bros; she's the definitive female hero, a brand, and an icon, with more than seventy years of history. By contrast, Captain Marvel has been around in her current incarnation for two years. But there are good reasons why she's Marvel's pick for a leading lady.
One of the lesser explored stanchions of the Western genre is the fairly consistent notion of the dominant invading culture moving into indigenous lands and, over time, brutally removing said peoples from that land. Usually our focus is so narrow within the genre that we rarely realize that this is exactly what is happening. The dreaded “Indian raids” of many a John Ford classic are lensed so thoroughly through the perspective of the white-faced hero or anti-hero that an audience can’t help but miss the absurdity of maligning sovereign nations responding to mass invasions by another sovereign nation. Go try and start a mass migration into Putin’s Russia and see how that goes for you.
I bring this up because Sergio Toppi’s The Collector is acutely focused on this precise issue. The collection of stories which make up this stunning tome from Archaia all occur on the knife’s edge of colonialism and western expansion -- and almost without fail, Toppi’s Collector sides with the invaded side rather than with colonizers the way his forebears -- and, really, antecedents -- might.
Is she a being of love adrift in darkness, as portrayed by Brian Azzarello and Cliff Chiang in their recently ended run? A dowdy wallflower, eternally at war with her own glamorous alter ego for Steve Trevor’s affection? George Pérez’s goddess of truth? Robert Kanigher’s wannabe wife? Greg Rucka’s diplomat? Gail Simone’s savior? Robert Valley's hot rod heroine? The Justice League’s secretary? Superman’s girlfriend? Batman’s girlfriend? Lynda Carter in satin tights? William Moulton Marston’s herald of benevolent matriarchy or the sexed-up uberbabe I met as a comics-curious child? Or, in the most macro sense—the one that most of the public operates on, when it comes to Wonder Woman—is she merely the century’s most generic t-shirt symbol of girl power?
Next month Boom Studios releases the first issue of Escape From New York, the latest title from the publisher to present a sequel to one of John Carpenter's cult-classic '80s movies -- following on the heels of the popular Big Trouble In Little China series.
The publisher has hand-picked an excellent creative team to follow in the film's footsteps and put Snake Plissken through his post-apocalyptic paces, in the form of Eisner-nominated High Crimes writer Christopher Sebela and acclaimed Irredeemable artist Diego Barreto. ComicsAlliance spoke to Sebela about his plans for the book, his affinity for the source material, and the experience of adapting such a well-loved property to the comics medium.
Jillian Tamaki’s work is a triumph of contradiction. It is lush, yet spare. Emotional, yet understated. Detailed, yet intriguingly simple. It is, at all times, astonishingly good. While reading This One Summer, which she created with her cousin, writer Mariko Tamaki, I found myself regularly putting the book down to better absorb the power of her pen. “Look at this!” I said, thrusting the book at nearby friends. “Look at that ocean! Look at those hands! Look at this part, where she does that flowy thing with the hair!” And my friends would look, and nod, and ask where I’d bought my copy so they could get one too.
As I strolled the aisles of the 2014 Small Press Expo, talk of Tamaki’s work was everywhere. Other creators I interviewed name-dropped This One Summer. Fans referenced Super Mutant Magic Academy, her soon-to-be-print-published webcomic, as a favorite. Aspiring artists called her an inspiration. She became, over the course of the weekend, an Ignatz Award winner. In the midst of this well-earned celebration, ComicsAlliance sat down with her to talk success, adolescence, and what’s coming next.
Archie Comics is on the move. Afterlife with Archie, the horror take on the Riverdale gang, garners acclaim wherever it goes -- after an initial “wait, the comics they sell at Stop N’ Shop?” double take, of course. Its sister book, Chilling Adventures of Sabrina, promises to take the teen witch to the heights of 1960s-style psychological horror. Lena Dunham, fresh off her book tour, will pen a series for Archie in 2015. The publisher's new imprint, Dark Circle, will revive classic superheroes. Even dear old Riverdale is getting a shakeup, from Archie’s recent death in the Life With Archie series to a recently announced TV show.
Though the gang’s teen shenanigans endure in every checkout line, their universe stretches far beyond the confines of Pep and Pals n’ Gals. As the publisher’s future grows ever more crowded with plans and announcements, ComicsAlliance sat down with CEO Jon Goldwater and chief creative officer Roberto Aguirre-Sacasa to discuss how they plan to honor their past while building a bold new future.
Gwen Stacy was meant to stay dead. Her death back in 1973 in Amazing Spider-Man #121, by Gerry Conway and Gil Kane, was a mark of maturation for the genre, a sign that superhero comics were ready to embrace more sophisticated storytelling. Her death became as defining to Spider-Man's story as that of his Uncle Ben. It could never be undone.
But there's no such thing as "never" in superhero fiction. Gwen Stacy is back -- sort of. The character's debut as another reality's Spider-Woman in Edge of Spider-Verse #2 by writer Jason Latour, artist Robbi Rodriguez, and colorist Rico Renzi was so well received that the character will spin off into her own ongoing series, Spider-Gwen -- created by the same team, and set in a world where Peter Parker is just as dead as Gwen Stacy is in the main Marvel Universe. ComicsAlliance spoke to Latour, Rodriguez, and Renzi, to find out more about their plans -- and their response to Spider-Gwen's new-found popularity.
Teased for years and finally launched in 2014, The Multiversity is a universe-jumping series of DC Comics one-shots tracking the cosmic monitor Nix Uotan and an assemblage of star-crossed heroes as they attempt to save 52 universes and beyond from a trippy cosmic existential threat that, like much of Morrison’s best work, represents something far more mundane and relatable. Tying back into the very first Multiverse story in DC’s history, the heroes of these universes become aware of this threat by reading about it in comic books… comic books that, it turns out, take place in neighboring universes. Indeed, writer Grant Morrison continues his streak of highly metatextual DC cosmic epics with this eight-issue mega-series (plus one Tolkienesque guidebook).
Described by Morrison as “the ultimate statement of what DC is”, The Multiversity naturally offers the reader much beyond the surface level adventure, and that means annotations. Rather than merely filling out checklists of references, my hope with this feature is to slowly unearth and extrapolate a narrative model for Morrison and his collaborators’ work on The Multiversity; an interconnecting web of themes and cause and effect that works both on literal and symbolic levels.
We’ll be focusing here on the third issue of the maxiseries, The Just, written by Morrison with artwork by Ben Oliver and color assistance from Dan Brown (the excellent colorist, not the literary hack).
It appears that you already have an account created within our VIP network of sites on .
To keep your personal information safe, we need to verify that it's really you.
To activate your account, please confirm your password.
When you have confirmed your password, you will be able to log in through Facebook on both sites.
It appears that you already have an account on this site associated with . To connect your existing account just click on the account activation button below. You will maintain your existing VIP profile. After you do this, you will be able to always log in to http://comicsalliance.com using your original account information.