The main character of this show, the one who goes by John Constantine, is an impostor. I know John Constantine, sir, and you are no John Constantine.
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The Legend of Korra has been about many things—generational divides, anarchy, teen romance—but mostly, it’s been about power. Where Korra saw divine talent, Amon saw an underclass maintained by the caprice of nature. Where Korra saw vengeful dark spirits, Unalaq saw a grave imbalance that had pained the world for thousands of years. Where Korra saw an inept, but inevitable monarchy, Zaheer saw a tyrant whose willful ignorance kept her people destitute. Where Korra was absent, Kuvira, in her own words, “stepped up.” Where Korra sees status quo, others see the cruelty of those in power—and the opportunity for change.
In October, DC launched Klarion, Ann Nocenti and Trevor McCarthy's new series re-imagining Jack Kirby's cult-favorite "witch boy". Klarion, in this incarnation, is a magical being from a parallel earth who lands in New York City and proceeds to act in the manner one might expect from a hyper-powered juvenile with a taste for chaos.
Nocenti and McCarthy have big plans for their strange little boy. CpmicsAlliance caught up with the creative team at New York Comic-Con to talk about decoding Kirby, planting secret messages in art, and letting the character lead the weirdness.
Here's something that you already know: Batman: The Animated Series is arguably the single best representation of Batman in the Dark Knight's 75-year history. It boiled down the character to his essentials, creating a beautiful and thrilling version of Batman that was acessible to fans of all ages and still holds up as a high point over twenty years later. Now here's something you might not know: The comic book that was created to go along with the show, The Batman Adventures, was every bit as good as the show.
This week, DC Comics released a collection of the first ten issues by Kelly Puckett, Mike Parobeck, Ty Templeton, Brad Rader, Martin Pasko and Rick Burchett, and that means this is a great time to talk about how that comic is about as close to being perfect, and how it's essential for anyone who wants to read some of the greatest Batman comics ever printed -- including the single best Riddler story ever.
Since the first issue hit stands earlier this year, Joe Keatinge and Leila del Duca's Shutter has established itself as one of Image's most popular new titles. The tale of Kate Kristopher, a world-famous ex-explorer who gets embroiled in all manner of mystery and adventure, it's been winning over readers with its idiosyncratic blend of science fiction, urban fantasy, and good old-fashioned derring do.
With the first paperback collection released this week, ComicsAlliance sat down with the series' creators to talk about developing the world's characters, the story so far, and pushing the limits of their self-created reality.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Funky Flashman, aka The Flash.
We had a skip week! I missed you so much! You look great! Did you do something new with your hair? Well, it is working, let me tell you. This week, we’re looking at the fifth episode episode of the first season of The Flash, featuring a woman who is literally the bomb, more than two disastrous heart-to-heart chats, and the wonder that is Clancy Brown. So let’s light the fuse on this week’s episode, “Plastique.”
Years after her rebooted New 52 series debuted, the Bat Signal illuminates the iconic hero Batgirl more brightly than ever before in a retooled title written by Cameron Stewart and Brenden Fletcher, drawn by Babs Tarr (from layouts by Stewart) and colored by Maris Wicks. A stark, dramatic departure from the decidedly dour tone of previous issue, the new book introduced Barbara Gordon's new life in the newly created and decidedly hip Burnside neighborhood of Gotham, where she makes time for crime fighting in between her graduate studies and hanging out with her new supporting cast. Vividly youthful, funny, cute, action-packed and even sexy, the new Batgirl of Burnside sparked interest amongst existing fans, lapsed Batgirl readers and curious newbies (and inspired criticism from people who just hate fun). Crucially, cosplayers immediately started replicating Barbara's new self-designed Bat-digs while the Batgirl of Burnside Tumblr debuted with daily boosts of fan art inspired by the hero's new look.
With the new run's inaugural issue, Batgirl #35, flying off the shelves and Batgirl of Burnside cosplayers running, jumping and otherwise posing all around the Javitz Convention Center, Barbara Gordon was the It Girl of last month's New York Comic Con, where we sat down with the series creators to talk about fashion, boys, and Batgirl's new villains, the Jawbreakers -- a gang of cosplaying bikers making their debut in this week's issue #36.
The last of 2014's five superhero movies based on Marvel properties arrived in North American theaters this past weekend, and it was unlike anything we've ever seen from the Marvel stable before. Big Hero 6, from directors Don Hall and Chris Williams, is computer animated, aimed at kids, and stars a cast of characters that could leave even people who knew the Guardians Of The Galaxy a year ago scratching their heads and saying, "who?" And it's different in large part because Walt Disney Animation, not Marvel, was the studio behind it.
If you've seen the movie, join Comics Alliance for this spoiler-filled "post-view" look at what worked, what didn't, and why Big Hero 6 might just change the world. If you haven't seen the movie, avoid the spoilers, go see it, and come back.
Fans of Captain Marvel probably won't tire of being reminded that their hero is getting her own movie, scheduled for a July 6th 2018 release. There's no director, no writer, and no star attached, but the movie has a title and a date, and that alone is progress. Superhero fans have been waiting a long time for a Marvel Studios movie with a female lead.
The Captain Marvel movie is due to come out thirteen months after a planned 2017 Wonder Woman movie from Warner Bros, and those two pictures could help usher in a new age for female heroes, if the studios follow through.
The Wonder Woman movie was a long time coming, but she's an obvious choice for Warner Bros; she's the definitive female hero, a brand, and an icon, with more than seventy years of history. By contrast, Captain Marvel has been around in her current incarnation for two years. But there are good reasons why she's Marvel's pick for a leading lady.
One of the lesser explored stanchions of the Western genre is the fairly consistent notion of the dominant invading culture moving into indigenous lands and, over time, brutally removing said peoples from that land. Usually our focus is so narrow within the genre that we rarely realize that this is exactly what is happening. The dreaded “Indian raids” of many a John Ford classic are lensed so thoroughly through the perspective of the white-faced hero or anti-hero that an audience can’t help but miss the absurdity of maligning sovereign nations responding to mass invasions by another sovereign nation. Go try and start a mass migration into Putin’s Russia and see how that goes for you.
I bring this up because Sergio Toppi’s The Collector is acutely focused on this precise issue. The collection of stories which make up this stunning tome from Archaia all occur on the knife’s edge of colonialism and western expansion -- and almost without fail, Toppi’s Collector sides with the invaded side rather than with colonizers the way his forebears -- and, really, antecedents -- might.