All right, look. I've been pretty late on getting around to reading the considerable library of titles that Osamu Tezuka produced over the course of his forty-year career in manga. Much as I've enjoyed going back through Astro Boy, and as much as I'm looking forward to continuing it when Dark Horse's line of omnibus editions drop this fall, I still haven't read Black Jack or Buddha or any of his other major works, despite knowing that I really should. But folks, I am doing my best, which is why I really hope you head over to Kickstarter and throw a few bucks towards DMP's project to bring Tezuka's Alabaster to America.
Manga - Page 3
Good news for fans of robots who have jet-boots, rocket fists and machine guns that pop out of their butts: This October, Dark Horse is releasing an oversized omnibus of Osamu Tezuka's legendary Astro Boy, a welcome change since the original digest-sized versions from a few years back have been out of print for quite some time.
Good news, manga fans who prefer Comixology over all other digital comics platforms: it's now easier to get your VIZ Media manga fix. This seems to be part of VIZ's ongoing dedication to diversifying the platforms their digital manga is available on, which leaders at the company reported as important over a year ago. As of this week, VIZ has added 650 volumes - over 65 total series - to the Comixology library. These titles are from those originally published by Shogakukan in Japan. This brings the grand total of VIZ offerings up on Comixology to 190 series and 1,100 volumes. Plus, to celebrate this occasion, there's a sale on a few VIZ bundles to get your collection started or to continue building your collection.
Every February, my thoughts turn to the world of romance comics, and every February, I am reminded that romance comics are a terrifying world of choking sobs and brutal heartbreak. But not this year, friends, for Cupid has landed his arrow soundly in my heart, and I am madly in love... with Kazune Kawahara and Aruko's My Love Story!!.
Not to be confused with the '60s comic of the same name (minus those crucial exclamation points), Kawahara and Aruko's amazing and hilarious romantic comedy manga tells the story of Takeo, a gigantic, super-ripped and reasonably terrifying high school student who falls in love constantly only to be turned down in favor of his beautiful pal Sunakawa, who seems to have very little interest in girls, or anything else for that matter, and how he finally found someone to like him back. And seriously, it might be the best romance story in comics.
Death Note, Tsugumi Ohba and Takeshi Obata’s wildly popular tale of good, evil, and perfectly mussed hair, has been adapted into an anime, three live action movies, a prose novel, and various video games. In my foolishness, I’d thought we were done. I'd thought the consumption of 2007 anime clubs everywhere was enough to sate Death Note's ravenous appetite. But I was wrong—and, believe it or not, happily so. From April 6th to the 29th, Death Note The Musical will run at Tokyo’s Nissay Theater. Further performances have been scheduled in Osaka, Nagoya, and South Korea.
Although cosplay has been present for decades within the comics, anime, and sci-fi/fantasy fandoms, social media has played an integral role in the thriving communities of costuming that exist, such as Cosplay.com and the Superhero Costuming Forum. Over the years, the cosplay community has evolved into a creative outlet for many fans to establish and showcase some impressive feats of homemade disguise, craftsmanship, and sartorial superheroics at conventions.
In honor of the caped crusaders of the convention scene, ComicsAlliance has created Best Cosplay Ever (This Week), an ongoing collection of some of the most impeccable, creative, and clever costumes that we’ve discovered and assembled into a super-showcase of pure fan-devoted talent.
Hosted every year in France, the Angoulême International Comics Festival is the biggest comic con in the world, surpassing even San Diego’s mighty Comic-Con International by tens of thousands of attendees. But like the San Diego show and its Will Eisner Comic Industry Awards, Angoulême comes with its own venerable awards celebrating sequential art from around the world, the most auspicious of which is the Angoulême Grand Prix, given every year to a living comics creator as a kind of lifetime achievement award. This year’s went to a most deserving artist indeed: Katsuhiro Otomo, creator of one of the medium's undisputed masterworks, Akira.
I've mentioned before that I got burned out on manga in my early 20s, but one of the things I don't talk about nearly as much as I should is what brought me back. Books like Detroit Metal City and Yotsuba&! were what hooked me, but there was nothing that I looked forward to as much as Eiji Otsuka and Hosui Yamazaki's The Kurosagi Corpse Delivery Service. Violent, gory, frequently terrifying and incredibly well-constructed, it's one of the best spooky comics on the stands.
Today, with 11 volumes on the stands, Dark Horse announced that it's getting the prestige treatment with the release of the first Kurosagi Corpse Delivery Service Omnibus Edition, an oversized collection of over 640 pages.
Like a lot of kids who grew up in the '90s, I loved Nintendo's monthly magazine Nintendo Power with a passion, and one of my favorite things about it was reading the comic version of The Legend of Zelda: A Link to the Past. I loved that series largely because it made the weird adventure of the video game even weirder. It wasn't until I was an adult that I realized the story was written and drawn by legendary manga creator Shotaro Ishinomori -- you know, the guy who created Kamen Rider and the Super Sentai franchise, among other things -- and realized just why it was so good.
Sadly, the story has been out of print for several years, but now it's coming back: Viz Media announced over Twitter today that they will publish a new collection of Ishinomori's Zelda comic, set for release on May 5.
I only watch anime involving moon princesses and the "Legendary Silver Crystal," but I've been to enough conventions over the past couple of years to be vaguely aware of Attack On Titan, Hajime Isayama's wildly popular story about teens in half jackets fighting weird skinless giants that eat people pretty much all the time. The manga and anime have been hugely successful, to the point where there is now a theme park attraction in Osaka's Universal Studios Japan, where visitors can experience the thrill of being eaten by monsters themselves.
As revealed in a video from the debut of the attraction, you can check out a 49-foot statue of two Titans engaged in battle, as well as have your own picture taken as you're cheerfully devoured by a drooling giant. You know, fun for the whole family!