A little over a decade ago, when Marvel's Ultimate Universe was really coming into its own, the creative teams behind the Ultimate books established a distinct storytelling style that seemed to serve as a contrast to the mainstream books being published at the time. The pacing was deliberate, with a lot of time spent on character conversations. The art was big, bold and filmic, with an emphasis on realism. Iconic characters had long arcs.
All-New Ultimates #1 by writer Michel Fiffe, artist Amilcar Pinna and colorist Nolan Woodard doesn't do any of that (other than perhaps the art being bold). It's lightning-fast, takes place in a very heightened reality and, Spider-Man aside, revels in its focus on characters you're unlikely to see starring in a movie anytime soon. In many ways, it's a rejection of the established Ultimate style, a very Ultimate idea, indeed.
He couldn't reveal much on Jimmy Kimmel Live! last Friday night, but Avengers: Age of Ultron star Paul Bettany was able to tease some information about his transition from voicing Tony Stark's AI Jarvis in the Iron Man movies to going full-fledged Vision on May 1, 2015.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animatedseries. This week, Nightcrawler shows up and Wolverine finds Jesus. Not even kidding.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.c
Marvel Studios has released four new images from the Guardians of the Galaxy movie, two of which are official stills and two of which go behind the scenes.
The most interesting of the bunch is a shot of Chris Pratt's Star-Lord running along the terrain of an alien planet, with the wall behind him just a flat wall of blue. It's not all that different from an old Star Trek set. It just goes to show how much post-production work goes into making movie look as polished as the final screenshots presented here look.
In an interview with Entertainment Weekly, Days of Future Past director Bryan Singer revealed that the movie, as one might assume, will at least partially be based on the "Age of Apocalypse" storyline from the mid-1990s, though " won’t necessarily create an alternate universe."
Q: Why is Doctor Doom the gold standard of supervillains? -- @franzferdinand2
A: In case you missed it a few weeks back, I wrote a column about the differences between Lex Luthor and the Joker, and mentioned that while those are two characters I like an awful lot, Dr. Doom is far and away the gold standard of supervillainy. He's compelling, he's sinister, he's got a great design that's lasted, virtually unchanged, for 50 years, and he can be dropped into almost any type of story and work beautifully. In short, he's the single greatest villain in superhero comics history.
Well, unless you count Bob Kane, but that's a whole other thing.
So you remember Be Kind Rewind, where Jack Black and Mos Def made homemade versions of popular movies like RoboCop, a sentence that sounds like the rantings of a madman until you remember that it's an actual movie? Well, it seems that the fine folks over at CineFix's Homemade Movies have taken a page out of that book, only they're doing it one better.
Using costumes, action figures and a whole lot of cardboard, Homemade Movies has done a pretty incredible shot-for-shot recreation of the trailer for TheAmazing Spider-Man 2.
I have pretty strong feelings about Peter Parker's parents. To put them succinctly, I don't think they should matter. Peter's parents are dead, and that's that. Uncle Ben and Aunt May raised him, and they're the ones we should care about.
I say that to explain upfront that Amazing Spider-Man: FamilyBusiness, the new graphic novel by Mark Waid, James Robinson, Gabrielle Dell'Otto and Werther Dell'Ederawas fighting an uphill battle with me from about the fifth page in. The story hinges quite a bit on Peter's family history, specifically on his parents' history as spies in the CIA. In the end, the team's charming mix of spies and Spidey mostly won me over, though not everything completely gels.
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