Our critical rundown of the All-New All-Different Marvel line moves on to the seven Avengers (or Avengers-adjacent) team titles, which includes three teams with Avengers in the name, plus A-Force, the mighty Ultimates, a bunch of villains stealing an old Avengers-related name, and the Squadron Supreme, who aren't really Avengers at all, but we don't have a Justice League section.
Marvel - Page 2
Marvel formally unveiled its post-Secret Wars 'All New, All Different' line up on Wednesday, featuring a Marvel Universe reconfigured by the experiences of Battleworld, and an eight month time jump that allows the publisher to set up a new status quo for many of its characters. Marvel has never had a better opportunity to shake up its line, so readers had high expectations for a bold, diverse, inventive new direction. With that in mind, we're going to share the new titles with you, alongside some observations on how the new Marvel Universe is shaping up, starting with the X-Men.
A lot of fans weren't sure there would still be an X-Men line coming out of Secret Wars, or that it would still share space with the rest of the main Marvel Universe, given that Fox's control of various licensing rights has led Marvel to step back from heavily promoting these characters. But the X-Men still sell comics, and Marvel is in that business, so the X-Men haven't entirely gone away, though the line is down to only six titles, with just three team books and three solo books.
There’s been plenty of debate over what role The Punisher will take in Daredevil Season 2, whether Jon Bernthal’s Frank Castle will act as an opposing vigilante, or perhaps Matt Murdock’s new big bad altogether, but might Marvel point the way? The actor has shared a few Punisher comics as part of his research, which might also reveal The Kingpin’s role in Daredevil’s 2016 return.
Given Agent Carter’s January airdate, this time last year had news of Peggy’s first season somewhat hard to come by. Compounding that mystery box for Season 2 is Agent Carter’s relocation to the West Coast, but fear not, shippers of all sides, James D’Arcy’s Jarvis and Enver Gjokaj’s Daniel Sousa will indeed join Peggy once again next year.
We’ve got two new Ant-Man bits to share today. First is the above clip, which features Paul Rudd’s Scott Lang using his super-shrinking power for the first time — in a bathtub, of all places. The second piece of news pertains to the possibility of a sequel, which director Peyton Reed says he’s open to directing.
Tomb of Dracula came out of Marvel between 1972 and 1979: start date, one year after the CCA let up on vampires. This was a year after Hammer’s increasingly psychological Karnstein Trilogy wrapped up with Twins of Evil, and the same year (obviously) that the studio released Dracula AD 1972. While Christopher Lee grew ever more dissatisfied with what he saw as his Dracula’s creep towards absurdity, Gene Colan and Marv Wolfman (along with Gerry Conway, Archie Goodwin and Gardner Fox) created a Gothic masterpiece in the comics; a soap opera that doubled as a perfect and precise character study. Dracula’s got problems, and he’s at the root of every one.
When Marvel announced the Black Panther film slated for a 2018 release, with Chadwick Boseman playing the titular character, a lot of fans lost their cool. Black Panther, an Avengers alum since 1967, represents more than the Marvel Studios movie machine’s first foray into a leading super hero of color.
Hailing from the fictional African nation of Wakanda, Black Panther and his scientifically superior homeland are an example of a sub-genre of fiction in which Africans (and African Americans) display a prowess and understanding of technological and scientific advancement. Some called this Black Sci-Fi, but this fiction is perhaps more commonly called Afrofuturism.
We're nowhere to be found in the Star Trek movies, or the Star Wars movies, or Jurassic Park, or The Fast & The Furious. To the best of my knowledge we're not in Mission: Impossible, or Planet of the Apes, or Die Hard, or The Dark Knight, or Transformers. We're not in Lord of the Rings, despite how it may seem, and we're not obviously in Harry Potter, though the author says we're there. We're not in Spider-Man, and somehow we're not even in the X-Men movies, though they are at least partly about us. We might be in The Hunger Games.
We are in James Bond. Of all the big movie franchises, that's the one that's really taken the time to present a handful of gay or bisexual characters in its fifty year history; but as damaged killers, and as uniquely challenging romantic conquests. And we're definitely not in the Marvel movies. Based on recent comments by Marvel Studios president Kevin Feige, we may not turn up there any time soon. You see, Feige isn't going to force it; he'll find an "organic" way to introduce LGBTQ characters to his fictional world.
In what must be one of the last official announcements to come out of Marvel ahead of Wednesday's reveal of the full All-New, All-Different line-up, Marvel has unveiled the new flagship X-Men roster from the creative team of writer Jeff Lemire and artist Humberto Ramos, with colors by Edgar Delgado. Extraordinary X-Men introduces yet another adjective to the X-Men's arsenal, and brings together a team of Storm, Nightcrawler, Colossus, and Magik, plus the present version of Iceman, a past version of Jean Grey, and a future version of Wolverine.
A lot of Marvel fans were a little concerned about the age (both actual and perceived) of new Spider-Man actor Tom Holland. Let’s face it, he has a baby face, and with that came a lot of detractors who said, “it’s Spider-Man not Spider-Boy.” This logic is highly flawed (Spider-Man was 15-years-old when bitten by the radioactive spider, four years younger than Holland), but Marvel president Kevin Feige has explained the choice to go young with Spider-Man saying they were very much influenced by John Hughes’ films.