If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile Top Ten Lists of everything you could ever want to know about comics.
It's over. Original Sin, by Jason Aaron, Mike Deodato, and Frank Martin, is finished. Everyone go home and hug your children.
But not before one last pulse-pounding Original Spin recap -- the only comic event recap that digs through the trash and uses the really long lens to find out what's really going on the comics.
Previously: The Watcher died; a truth bomb detonated; Nick Fury picked out random entries from the Official Handbook to investigate; they investigated; they found out Nick Fury killed a lot of E.T. dudes. Now: Everyone is on the moon, which sounds like a party, but it's seriously lacking in atmosphere. (Um, actually, it's well-established that the Blue Area of the Moon has its own atmosphere in Marvel comics continuity, thankyou.) This report exclusive to ComicsAlliance. Spoilers follow.
Hawkeye is building ever closer to its apparent end (next month's issue is "The Finale Part 1"), and from the looks of the issue coming out this week, things are building to a head.
Hawkeye Kate Bishop, who took off to start her own private investigation firm in L.A. a few issues back, is looking for a way back to New York in issue #20 to help out also-Hawkeye Clint Barton, who readers last saw in the jam of all jams, and trying to assemble all the help he could get. But, of course, it isn't going to be easy. She's got cops breathing down her neck and one very angry supervillain in a mask attempting to bring her down.
Check out four pages (plus a recap) from the issue by Matt Fraction, Annie Wu and Matt Hollingsworth, plus a cover by David Aja, below.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, it's a Cyclops solo story! What have I done to deserve this?
Chip Zdarsky is clearly his own man. While other comic creators took their places behind their tables at Toronto's Fan Expo comic convention this past weekend, the co-creator of Sex Criminals set up his own independent 'Zdarscon' in a park across the street -- in the shadow of the CN Tower and a short distance from the Blue Jays baseball game at the Rogers Centre. Even his co-author Matt Fraction wasn't invited.
The day started with torrential rain, followed by blazing heat, but Zdarsky was attended at all times by Alex Hoffman, the life model who provides the likeness for his Sex Criminal character Jon. ComicsAlliance found Zdarsky seated on a sun-baked armchair on a wheeled platform, with his recently won Eisner Award bolted to a table. We grabbed five minutes with the writer/artist to ask... why, Chip? Why?
Welcome back to Rachel and Miles X-Plain the X-Men, a weekly podcast in which X-Perts Rachel Edidin and Miles Stokes explore the ins, outs, and retcons of fifty years of Marvel’s greatest superhero soap opera!
This week: Rachel and Miles celebrate an anniversary with a retrospective of one of the great romances of the Marvel universe; the Summers/Grey family tree is more of a transdimensional strawberry patch; the X-Men play some football; Professor Xavier is not a jerk; and Scott Summers and Jean Grey are the power couple of existentialism.
Superhero comics have always come down pretty hard against bullying, whether it's Superman sticking up for the little guy in 1938 or Marvel's more direct approach to having nerdy weaklings suddenly turn into super-strong crime-fighters who turn the tables and beat the living crap out of the bad guys. Captain America, Spider-Man and the Hulk all follow that classic formula, and heck, the X-Men are an entire school made up of an oppressed minority that spends most of their time fighting robots made of racism.
So yeah, Marvel is, historically speaking, pretty dead set against bullying. That's why it's no surprise that they're teaming up with the STOMP Out Bullying organization next month for a series of variant covers designed to raise awareness of bullying and help prevent it. The results are some pretty great covers that range from charming to genuinely hilarious.
Marvel has announced plans to publish a Miracleman Annual this New Year's Eve that feature the publisher's first original Miracleman story, by the X-Statix team of Peter Milligan and Mike Allred, and a long-lost Johnny Bates story by Grant Morrison, illustrated by Joe Quesada. The book also features a cover by Gabriele Dell'Otto and a variant cover by Bone's Jeff Smith.
Miracleman, originally called Marvelman, was created by Mick Anglo in 1954 as a British analog of Fawcett's Captain Marvel (now Shazam). The character was revived in the early 1980s by Alan Moore as part of the era's deconstruction of the superhero motif, but ownership of the character later fell into a protracted dispute.
While cosplayers are present at virtually every major convention celebrating comics, gaming, fantasy and science fiction, it’s Atlanta’s Dragon*Con that has become a a kind of Mecca to which most of the scene’s most dedicated hobbyists and professionals pilgrimage every year. The cosplay phenomenon can be compared to that of b-boying, where the primary inspiration is expressing creativity, performing and earning props from other people like themselves. You can see what we mean in this gallery of fabulous photography by Pat Loika -- convention photo maestro and host of the popular Loikamania podcast -- whose shots from Dragon*Con express just how much fun cosplayers are having without us.
When it was first announced that Disney was purchasing Marvel, the minds of many fans leapt immediately to the possibility of a Disney-Pixar animated Marvel movie. We're sorta getting that in November with 'Big Hero 6' but as that movie approaches, it's become very clear that it's not really much of Marvel movie at all, other than being loosely based on the obscure 90s comic. What fans really want to know is if we'll ever see a Disney or Pixar animated movie in the Marvel Cinematic Universe. John Lasseter, who runs both Disney Animation and Pixar, has your answer: no.