Rumors abounded last week about just who is going to be the bad guy in Marvel's upcoming Ant-Man movie, the one that stars Paul Rudd and up until about a month ago, was to be directed by Edgar Wright. (Peyton Reed is the new director.)
We've pulled together the scuttlebutt, which you can read all about after the jump. Be warned: There may be spoilers, if this stuff is true.
Launched in late 1988 by the B.D. Fox agency -– who had also handled the campaigns for E.T.: The Extra-Terrestrial, the one true Robocop movie, and mankind’s crowning cinematic achievement, Bill & Ted’s Excellent Adventure – with a poster designed by the film’s production designer Anton Furst, the Batman campaign is a classic example of doing more with less. It’s sexy, sleek, mysterious and new. It’s regarded as one of the best movie campaigns ever, and for good reason. On the occasion of the film's 25th anniversary, let’s talk about why the campaign was so good.
I'm not really here to spoil your weekend with The Hard Questions, but I think there's an interesting debate you can have about whether advertising can truly be art. Like, we all have movie posters that we love, but does the idea of trying to sell you something change the nature of art? Does turning an aesthetic into a commodity cheapen it, and if so, what about all the Renaissance art that was commissioned from working artists in order to do just that? Is the Sistine Chapel really any different from Drew Struzan's Indiana Jones posters?
Folks, I don't know. I do, however, know that you can take existing advertisements and transform them into something that's fun and engaging.
That's exactly what artist Jon Burgerman has done with a series of photos called "Head Shots," where he takes the standard action movie poster to its logically violent conclusion while traveling through the subway. It's a pretty fantastic use of the stuff that's already out in public, and you can check out a few of the best ones below
If a rumor from The Wrap reporter Jeff Snider is to be believed, Marvel Studios and DC Entertainment could soon have competing, craggy-faced, evil space gods appearing in their films very soon.
Thanos has already made one appearance in a Marvel film, and his voice actor for Guardians of the Galaxy, Josh Brolin has been announced. Now, Snider reports that none other than Darkseid, the seeker of Anti-Life and the villain that simply "is," will be the big bad of the planned Justice League film, which is said to be coming out in May 2017.
We all know that Marvel Studios has its movies planned out through 2028 (not an exaggeration, a real date 14 years in the future), but what about DC Entertainment? All we've heard so far is a set date for Batman V Superman: Dawn of Justice (May 2016, pushed back from summer 2015) and some nebulous stuff about a Justice League movie, a Justice League Dark movie and some other projects.
Well, according to entertainment reporter Nikki Finke's website, things may get a whole lot clearer at Comic-Con International in San Diego. Finke has was she says is DC and Warner Bros.' movie schedule (though "a lot is in flux") through May 2018.
As much as I might not like Tim Burton's Batman movies, I will always kind of love Michael Keaton. I mean, I saw Multiplicity in the theater. Twice. That's how much I love that dude. And as a result, I could not possibly be more interested in Birdman, a new film by Alejandro González Iñárritu starring Keaton as an actor best known for playing a superhero, a role that cast a shadow over his career and may be destroying his mental health.
Also, the Hulk, Gwen Stacy and Snow Job are in it.It's pretty exciting.
Jessica Alba, Powers Boothe, Josh Brolin, Rosario Dawson, Joseph Gordon-Levitt, Eva Green, Dennis Haysbert, Stacy Keach, Jaime King, Ray Liotta, Christopher Meloni, Jeremy Piven, Mickey Rourke, Juno Temple, Bruce Willis and Lady F*cking Gaga star in Sin City: A Dame To Kill For, the new Robert Rodriguez and Frank Miller film coming out nine years after the pair first collaborated on a filmed adaptation of Miller's award winning Dark Horse graphic novels.
The phrase you often here in connection with the production is is "what took so long?" Based on the latest theatrical trailer, the more common remark is going to be "better late than never."
An unnamed "insider" has told Radar Online that 20th Century Fox is not very comfortable with the idea of X-Men: Days of Future Past director Bryan Singer, who is facing a $75,000 lawsuit claiming he sexually abused a minor, returning to direct the follow-up, X-Men: Apocalypse.
The source said Singer's attorneys are furious because a deal for him to direct the film, an adaptation of the "Age of Apocalypse" storyline from the X-Men comics, was inked months ago.
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