A new production company formed by film director/producer Sridhar Reddy and Z2 Comics publisher Josh Frankel has announced plans to adapt comics by Ian McGinty and Paul Pope for the screen. Called Modern Prometheus, the company's plan is to bring the upcoming Welcome to Showside by McGinty to television as an animated series, with a film version of Pope's The One Trick Rip-Off to follow.
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Steven Universe is a show about a lot of things, including sharing donuts with friends and learning to dance and falling in love with someone you were never supposed to fall in love with. It’s warm and wonderful and it is a joy to watch unfold. To celebrate the show, we've compiled this gallery — a small, but significant sample of the fan community’s passion for the silly little hero who, with the help of his friends and a cheeseburger backpack, might just save the universe.
It’s not surprising that Ant-Man originally had a different ending, given how much footage is shot for each Marvel film, with the studio often mandating longer production schedules to ensure they have room to change things if needed. As detailed by director Peyton Reed, the Ant-Man alternate ending wasn’t that much different from the one we ended up getting, but it did tie up one particular loose end.
Since their first tiles appeared on comic-shop shelves in 2012, the resurrected Valiant Comics has established themselves as a force to be reckoned with. Their new take on the characters and mythology of the original 1990s Valiant line, their pursuit of top-shelf creators, their focus on storytelling and world-building, and their gift for unorthodox marketing and promotion has drawn praise from both fans and press, led to a film development deal with Sony, and won scores of industry awards (and award nominations). They've proven themselves to be not just cashing in on past glories, but a company that's capable of pushing their stable of characters in new and exciting directions while remaining true to their roots.
I’ve been eagerly anticipating the graphic novel Wonder Woman: Earth One by Grant Morrison and Yanick Paquette ever since it was announced back in January 2014 (as Wonder Woman: The Trial of Diana Prince). Now, with new details emerging in an interview with Morrison (who has just been named editor-in-chief of Heavy Metal) at Nerdist, the excitement is only building.
Recently, Marvel Studios head Kevin Feige has been talking up the Spider-Man reboot, comparing the intended tone to something along the lines of John Hughes’ teen movies in the ‘80s. Have Marvel and Sony found the right writers to deliver that promise? The studios are eyeing the writers of another upcoming reboot to help reshape the web-slinger’s franchise.
Though the release of Batman: Arkham Knight went rather smoothly for Rocksteady Studios on console platforms, the PC release has been an absolute hot mess since last month. The good news is Rocksteady has taken up the reins from Iron Galaxy, the studio who handled the PC port, to fix up all the issues the computer version has had since it dropped. The bad news is those fixes are likely still months away.
According to a leaked email from EB Games Australia (obtained by Kotaku AU), Warner Bros. has informed the retailer that a patch won't be ready until spring. At first that sounds incredibly damning, but Australian spring begins in September, which means we're looking at six to eight weeks for the update to arrive at the earliest. Given how much work needs to be done, expecting that patch to arrive at 12:01AM on Sept. 1 might be a tad unrealistic.
Oscar Isaac? Is that you?
Yes, apparently it is. Isaac plays the title villain in the upcoming X-Men sequel, X-Men: Apocalypse. The character, an immortal mutant from ancient Egypt, is typically portrayed with an extremely elaborate harness, weird wire lips, and crazy blue and chalk-white skin. You had to wonder if director Bryan Singer would go another direction with Apocalypse to make Isaac more recognizable to viewers.
Marvel is releasing "Hip-Hop Variant” covers for its books in October, paying tribute to classic rap album covers using the heroes of the Marvel Universe. Mark Brooks takes on Notorious B.I.G.’s classic Ready to Die for his Ant-Man cover, while Mike Del Mundo pays tribute to both Wu-Tang Clan's Enter the Wu-Tang: 36 Chambers for Squadron Supreme #1, and A Tribe Called Quest’s Midnight Marauders for Amazing Spider-Man #1.
On July 13, comics creators Shing Yin Kor and Taneka Stotts awarded the first Harpy Agenda Microgrant to J.A. Micheline for her sharp critique of the controversial first issue of the Boom Studios miniseries Strange Fruit by Mark Waid and J.G. Jones III. Kor took a moment to answer a few questions about the new initiative.