Inés Estrada's psychedelic science-fiction epic, Lapsos is releasing next month in a collected, English language edition and it's something that should be on your radar. Published by Swedish imprint, C'est Bon Kultur, and debuting at the Helsinki Comics Festival, the new hardback edition is limited to 1000 copies, and includes the original series in addition to 40 pages of new content. Lapsos follows the adventures of two friends who discover the existence of various dimensions between their home city in Mexico, and the gradual realisation that everything is connected, it's marked with Estrada's signature gross-but-touching humour and vivid characterisation.
Twenty five years ago, in 1989, there was nothing bigger than Tim Burton's Batman. The movie was a box-office smash, and was accompanied by an unprecedented merchandising blitz. Bat-trading cards, Bat-shirts, Bat-soundtracks, Bat-toys, Bat-meals, Bat-hats, Bat-candy, Bat-books – the logo and likenesses were everywhere you looked. And the film's impact is still being felt today. It was a big-budget production with proper movie stars that changed the way the world thought about comic book movies evermore.
Earlier this summer, ComicsAlliance published a series of pieces reflecting on the importance of Batman '89 – and now, as the summer of 2014 winds to a close, we spoke to screenwriter Sam Hamm about his work on the landmark film and his thoughts on its legacy as a perfect postscript to our 25th anniversary Bat-celebration.
When the New 52 launched back in 2011, one of the interesting things about the lineup of titles was the presence of a lot of books that attempted to break out of the standard superhero genre, at least a little. There were horror, fantasy and war comics, but the most creatively and commercially successful by far was DC Comics' All Star Western, featuring Jonah Hex. Now, however, All Star Western is coming to an end after three years with a story where Jonah Hex is faced with what may be his toughest foe yet: Jonah Hex.
This issue marks a pretty notable conclusion for a few reasons, most notably being that, if you count the Jonah Hex series that launched back in 2006 before rebooting as All Star Western, writers Jimmy Palmiotti and Justin Gray are two of DC's longest tenured creators, having written over a hundred issues about Jonah Hex, the disfigured old west era bounty hunter originally created by John Albano and Tony DeZuniga in the early 1970s.
The second is that the issue marks the auspicious return of award-winning artist Darwyn Cooke to the character for his final adventure.
An eBay auction for a so-called "pristine" copy of 1938's Action Comics #1 -- the 1938 issue in which Superman made his very first appearance -- ended Sunday afternoon, and the winning bidder snagged the issue for a cool $3.2 million. That's the most anyone has ever paid for a comic book, by a pretty wide margin. The previous record was $2.16 million, for a different copy of Action #1.
Hello, my name is Thanos and I live on a rock in space. I own a chair. I’d like to own the Infinity Stones. There are six of them. They are all I think about, really. I don’t own any though. lol.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
If you weren't already sold on writer Jason Latour (Southern Bastards) and artist Robbi Rodriguez (FBP) doing a re-imagining of Gwen Stacy in which she is a new version of Spider-Woman in Edge of Spider-Verse #2, what if I offered you this to sweeten the deal: Gwen is the drummer in a band, they're called the Mary Janes, and they have a song that ruminates on Mary Jane Watson's classic "Face it tiger, you just hit the jackpot" line from Amazing Spider-Man #42.
Wait, you thought Gwen Stacy was dead, right? Edge of Spider-Verse is a prelude to Marvel's Spider-Verse event, which brings in "every Spider-Man ever," including versions from alternate universes, to fight a common threat. This version of Gwen Stacy is one of those alternate universe characters. Possessing her own spider-powers and a rad costume, she's already been a hit with Spidey fans based on the few images seen so far.
In her review of the first two issues of Natasha Allegri's Bee and Puppycat comic, ComicsAlliance's own Juliet Kahn declared it to be the product of "a creator raised on Jim Davis and CLAMP," and really, that's the best way you could possibly describe the aesthetic heritage of this project: a perennially unemployed twenty-something magical girl and her strange, eternally scowling and space-faring pet of indeterminate species going on adventures in an equally uncertain but nevertheless compellingly cute universe of weirdness and wonder.
For the third issue of BOOM! Studios' comic book version of the Cartoon Hangover animated series, Allegri hands her creation over to cartoonists and storyboard artists Tait Howard, Aubrey Aiese, Madeline Flores, Ian McGinty, Fred Stressing and Anissa Espinosa for a quartet of new stories. For their chapter, Howard and Aiese pit Bee and Puppycat against an apartment in desperate need of cleaning, and shows just what they're willing to do to get out of washing dishes. I think we can all relate.
Back in March, I spoke with Kelly Sue DeConnick about the unorthodox creative process behind Dark Horse's new Prometheus/Alien/Predator comics. Essentially, DeConnick and four other writers -- Paul Tobin, Chris Roberson, Christopher Sebela and Joshua Williamson -- got in a room together and hammered out one big story that will be told in a collection of miniseries. DeConnick had a huge notebook in which she collected a sort of series bible.
Now, those comics are about to be released into the world, starting with Prometheus: Fire and Stone by Tobin and artist Juan Ferreyra on Sept. 10. Dark Horse has released a trailer that digs into the process a bit and reveals a little about one of the characters who will appear throughout the series, Angela Foster.
If there's one thing we've learned from our series of in-depth reviews and interviews about Batman: Zero Year, it's that the creative team of Scott Snyder, Greg Capullo, Danny Miki and FCO Plascencia set out to do a lot more than just re-tell Batman's origin for a modern audience. That might've been the stated goal, but along the way, it became clear that the team wanted to use that bombastic superhero background to tell a story that was incredibly personal, using the trauma that made Bruce Wayne a hero to explore feelings of isolation, fear and, eventually, triumph.
In our final Zero Year interview, Snyder tells us about the interactions with other Batman creators while it was coming out, how he identifies with both Batman and the Riddler, and how much of the story was inspired by his own very personal experiences with overcoming panic and despair.