GLAAD, the media monitoring group for lesbian, gay, bisexual, and transgender representation, has announced the nominees for its annual Media Awards celebrating positive LGBT representation in mainstream media, including the five comic book series that it believes provided outstanding examples of fair, inclusive, original and impactful LGBT characters in 2014.
This year's awards include first-time nominations for two publishers, Image Comics and Boom Studios. DC Comics is conspicuously absent this year, despite being nominated at least once every year seemingly for as long as GLAAD has recognized comics. Archie Comics is also absent for the first time since the debut of Kevin Keller in 2010.
A film adaptation of beloved comic book series ‘Fables’ has been in the works for some time now, with director Nikolaj Arcel (‘A Royal Affair’) attached to bring the dark fantasy story to the big screen. There’s been little word on development of the project recently, but that just changed with the hiring of ‘X-Men: First Class’ screenwriter (and Matthew Vaughn collaborator) Jane Goldman.
This fall, DC Collectibles' Batman: The Animated Series line will continue to expand its roster of rogues with the additions of Roxy Rocket and Scarecrow. While Roxy has her own appeal, it's The New Adventures of Batman version of Scarecrow -- as the first deluxe figure of the collection -- that will by far give you way more nightmares.
Based on his appearance in 'Never Fear', the Scarecrow is the first figure from the anticipated fifth wave of B:TAS figures. Though that episode is decent, it's no match for 'Over the Edge' (the one where Batgirl has a fevered dream about what'd happen if she died in the line of duty), which came just five episodes later. Still, the most important thing is the incredibly terrifying Scarecrow design that's being brought to life. The original Scarecrow design was brilliant, if a bit too Wizard of Oz, but this version... this is a Scarecrow you actually believed might inspire fear.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions, graphic novels, toys, statues and other collectibles going on sale in April 2014 (and in some cases beyond) from the publisher’s New 52 superhero line; the mature readers Vertigo imprint; the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles; and the limited edition products from DC Collectibles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
Everything changes and nothing will ever be the same again. At a live filmed announcement at Midtown Comics in Manhattan on Thursday afternoon, Marvel editor-in-chief Axel Alonso and executive editor Tom Brevoort announced a new status quo for the Marvel Universe, with worlds colliding to form a mish-mash of continuities that will be the setting for all Marvel comics from May 2015 onwards.
Most of what Alonso and Brevoort announced was already known or guessed at; Secret Wars, an eight-issue series by Jonathan Hickman and Esad Ribic, marks the culmination of the incursion story that Hickman began at the outset of Marvel NOW with Avengers #1 and New Avengers #1 back in late 2012, and will brings together multiple continuities and alternative universes in a single "Battleworld". What's new in all this is the confirmation that this event reshapes -- some might say 'reboots' -- the Marvel Universe for the (foreseeable) future.
Marvel publisher Dan Buckley gave a three-part interview with comic industry blog ICv2 this week in which he discussed the company's performance in 2014 and its strategies for the year ahead. The interview ranged across digital sales, graphic novel sales, and the impact of the Marvel movies on the comics -- but of particular interest to ComicsAlliance were Buckley's comments on reaching a more diverse audience of new comics customers.
While acknowledging that Marvel and the industry at large has never done much consumer research, Buckley said the company has been "aggressive in trying a lot of diverse product over the last two years," as part of an initiative spearheaded by Editor-in-Chief Axel Alonso. According to Buckley, the results of that outreach have been very positive.
The post-credits scene for Guardians Of The Galaxy featured a rather unexpected comic book character, which inspired fan speculation over whether or not this particular character would make another appearance in the Marvel Cinematic Universe. While we won’t see him on the big screen again anytime soon, he is getting his very own comic book sequel to help explain how he ended up in Guardians of the Galaxy.
I think it's safe to say that we've all gotten used to the idea of webcomics making the transition into print, whether it's through a Kickstarter campaign or being picked up by a publisher. It happens all the time, but it's a whole lot more rare to see it go the other way around, with a printed comic going up on the web -- which is exactly what's happening this week with Brian Clevinger and Scott Wegener's Atomic Robo.
After seven years of science adventures across multiple eras, Atomic Robo is transitioning to a full-time webcomic at Atomic-Robo.com on Wednesday, January 21, The whole series will be online for free, building up to the debut of the tenth volume, Atomic Robo and the Ring of Fire, this Summer.
Followers of ComicsAlliance's Best Art Ever (This Week) feature are doubtlessly familiar with the work of Killian Eng, but for those who aren't, get ready to meet your new favorite artist. Based in Stockholm and also known as DW Design, Eng has cultivated a loyal audience of illustration and commercial art aficionados for his imaginative synthesis of science fiction, surrealism, film design, architecture, and a liberal dose of vintage prog-rock album art. His work stands out even among the mighty roster of outfits like Mondo, for whom Eng has created posters for films like Heavy Metal, The Matrix, Starship Troopers and Ghost in the Shell. But because of the exclusivity of those products, it's relatively difficult to take Eng home with you. Thankfully, Floating World has made it easier with a long awaited reissue of the out-of-print Object 5, collecting Eng's early work.
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