Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
We are only a few weeks away from the premiere of Gotham, the Batman-adjacent television show focusing on a young Jim Gordon's early days as a cop in Gotham City, and that means that it's time for Fox and DC Comics parent Warner Bros. to ramp up the PR machine to get viewers interested in seeing what the Riddler was up to before he became the Riddler (he was talking about riddles a lot).
But while I may not have been too thrilled with the actual show, there's one pretty awesome thing to come out of it. For a promo, the producers got comics artist Jock (of Judge Dredd, The Losers and Batman: The Black Mirror fame) to recreate key scenes from the pilot episode to use in advertising -- which is a surprisingly rare thing in media based on comics.
Sergio Aragones was born in Spain in 1937, moved to Mexico with his family in the early 1940s, and after attending the University Of Mexico, settled in the United States in 1962. His cartoons first appeared in Mad Magazine at the end of that year, and he quickly became one of the publication's most popular contributors. In the years since, he's become well-known to comic readers as the co-creator and writer of DC Comics' western hero Bat Lash and a contributor to countless other titles (including Plop!, Fanboy, The Mighty Magnor, The Simpsons, and Actions Speak); he's continued his association with Mad (appearing in 452 of the 453 issues published since his debut); he's produced a number of bestselling paperback books; and, of course, he continues to produce comics telling the stories of his best-known creation, the bumbling barbarian with a weakness for cheese dip, the inimitable Groo The Wanderer.
To mark the occasion of his birthday (September 6), we've reached out to a few of our favorite modern-day creators to join us in paying tribute to Sergio and celebrating his life and work.
The new superhero comic from Autism at Face Value, an advocacy group aimed at promoting autism awareness, is really making a splash.
Face Value Comics, the first issue of which is currently available in comic shops, has completely sold out, according to a blog post from the organization. Autism at Face Value attributes much of the comic's success to a segment on NBC Nightly News that highlighted the comic and its protagonist, Michael, who creators Dave Kot, Angela Kot, and Sky Owens tout as comics' first-ever autistic superhero.
Toys: Funko just keeps on cranking out great stuff. These classic X-Men toys are super cool.
Television: The newest trailer for the CW's The Flash series is Very Dramatic. With capital letters.
The CW has announced that Australian actor and former rugby player Matthew Nable, who American audiences may know best as Boss Johns from the movie Riddick, will play Ra's al Ghul in the upcoming third season of Arrow, starting with the fourth episode, "The Magician."
Superhero comics have always come down pretty hard against bullying, whether it's Superman sticking up for the little guy in 1938 or Marvel's more direct approach to having nerdy weaklings suddenly turn into super-strong crime-fighters who turn the tables and beat the living crap out of the bad guys. Captain America, Spider-Man and the Hulk all follow that classic formula, and heck, the X-Men are an entire school made up of an oppressed minority that spends most of their time fighting robots made of racism.
So yeah, Marvel is, historically speaking, pretty dead set against bullying. That's why it's no surprise that they're teaming up with the STOMP Out Bullying organization next month for a series of variant covers designed to raise awareness of bullying and help prevent it. The results are some pretty great covers that range from charming to genuinely hilarious.
Originally published as a set of odd, ominous webcomic stories, cartoonist Wes Craig's Blackhand Comics will see print in October as a graphic novel collection from Image.
Three stories make up the volume: "The Gravedigger's Union," "Circus Day," and "The Seed." From the looks of them, they're going to be great additions to any horror lover's spooky comics collection, and excellent Halloween reads.
Marvel has announced plans to publish a Miracleman Annual this New Year's Eve that feature the publisher's first original Miracleman story, by the X-Statix team of Peter Milligan and Mike Allred, and a long-lost Johnny Bates story by Grant Morrison, illustrated by Joe Quesada. The book also features a cover by Gabriele Dell'Otto and a variant cover by Bone's Jeff Smith.
Miracleman, originally called Marvelman, was created by Mick Anglo in 1954 as a British analog of Fawcett's Captain Marvel (now Shazam). The character was revived in the early 1980s by Alan Moore as part of the era's deconstruction of the superhero motif, but ownership of the character later fell into a protracted dispute.
Few publishers have been willing to take risks and expand their slate like Archie Comics has over the last several years. Once famous for old fashioned Americana, Archie has increased the diversity of its character roster, launched a number of well-received cross-promotions like its series with the band Kiss, welcomed real-world guest stars like Sarah Palin and Barack Obama to Riverdale, revived its line of superhero titles, and most surprisingly (and successfully), branched out into no-holds-barred horror with the smash hit mature-readers zombie title, Afterlife With Archie.
This October, Archie's banking on lightning striking twice when it debuts The Chilling Adventures Of Sabrina, a series that places the company's famous "teenage witch" in a world of deep psychological occult horror.
We sat down with the series' creative team of writer Roberto Aguirre-Sacasa and artist Robert Hack to ask some questions about their goals for Sabrina and to talk about how one undertakes such a radical re-envisioning of an established character.