Wonder Woman #2 is the first chapter of "Year One" by Greg Rucka and Nicola Scott, with colors Romulo Fajardo Jr. The whole issue alternates between scenes of a young Diana living on Themyscira and a young Steve Trevor in the military, leading up to the famous moment when they meet. But we learn a lot more about their lives before we get there, and that's led to a particularly strong fan reaction to Diana's life among the Amazons.
Opinion - Page 2
In case you've been off the grid lately, Pokemon Go came out in the US and some other countries exactly one week ago today! And what a week it's been. Nintendo's stocks have shot sky-high, millions of gamers are discovering the concept of physical exercise, and CA's own Chris Sims was last seen roaming the Great Smoky Mountains armed only with a portable generator and wifi signal booster in pursuit of the legendary Ho-Oh.
In honor of our new national pastime, this week we're recounting the time eternal ten-year old Ash Ketchum and his best buddy Pikachu fought God in Pokemon: Arceus & The Jewel of Life!
Marvel's next big line launch was formally unveiled this week via a special edition of Marvel Previews, including new #1s for Avengers, Venom, Captain Marvel, and Star-Lord, new launches for Champions, Jessica Jones, Kingpin, Bullseye, Slapstick, and Solo, and new concepts in Occupy Avengers, Iron Fists, Mosaic, Infamous Iron Man, and Unstoppable Wasp.
Following our roundtable discussion of DC Rebirth, the ComicsAlliance team got together to break down the highs and lows of the new Marvel NOW. Join Elle Collins, James Leask, Katie Schenkel, Kieran Shiach, and Andrew Wheeler as they pick out the books they're most excited about and the books they're concerned about, and discuss Marvel's approach to legacy heroes and the state of diversity at Marvel today.
Welcome to Give ‘Em Elle, a weekly column that hopes to bridge the gap between old school comics fandom and the progressive edge of comics culture. This week, like a lot of us, I’m thinking about spoilers and how they related to comics. I don’t have any big answers, or any axes to grind, but as usual I do have some thoughts.
We're three issues into Civil War II now and the stakes have raised dramatically. There have been major deaths and lines crossed as the heroes contend with the predictive information provided by the Inhuman named Ulysses. With Civil War Correspondence, I'm recapping the story so far and providing offering a personal assessment of where I stand in the conflict. I reserve the right to flip-flop at will. This time around we're looking at the second and third issues of Civil War II, and the death of an Avenger --- at the hands of another Avenger.
Shortly after the debut of Smallville, but long before comic book superhero TV shows were as commonplace as they are today, the WB launched a live-action Birds of Prey TV series that lasted just one 13-episode season, and seems little mourned today. In an effort to determine just what went wrong with the seemingly before-its-time show, our Bird Watching team of Meredith Tomeo and Caleb Mozzocco are watching and dissecting every episode. You can watch along with us on DVD or digitally on iTunes or Amazon.
In this episode, the Birds face a new metahuman adversary with extraordinary powers, Barbara and Helena learn more about their new ally Dinah, the pair continue their halting flirtations with the men in their lives, and we get both a shower scene and a sauna scene. "Slick" originally aired on October 16 of 2002, and was written by series creator Laeta Kalogridis and Melissa Rosenberg, and directed by Michael Katleman.
As someone who thought she was a dude in the late 1990s, Preacher was the comic I looked forward to every month more than any other. As someone who knows she isn’t a dude in the mid-2010s, I’m looking back on this series and examining what still works, what doesn’t work, and what its lasting legacy is.
This week, we look at the stories collected in the third volume, Proud Americans, courtesy of writer Garth Ennis and artist Steve Dillon, colorist Matt Hollingsworth, letterer Clem Robbins, and editor Axel Alonso, with covers by Glenn Fabry. These stories are all thematically tied together by reconciling what seems to be with the way things are --- the myth versus the reality --- although in one case, we may not know it yet…
This week’s “He Gone” depicts an attempt at a nice dinner gone awry, a meeting between Jesse and Quincannon that goes awry, and a flashback that, well, it goes awry. The episode was directed by Michael Morris from a script by Mary Laws.
Welcome to Cast Party, the feature that imagines a world with even more live action comic book adaptations than we currently have, and comes up with arguably the best casting suggestions you’re ever going to find for the movies and shows we wish could exist. This week I'm looking back to a classic of the '90s: Starman, the story of reluctant legacy hero Jack Knight, as told by James Robinson, Tony Harris, and Peter Snejbjerg.
I love music, and I often find myself thinking about how it relates to comics; which characters would listen to which artists, and so forth. But what's the best way to get around the medium's limitations when it comes to stories about music and musicians? It's a question that's especially relevant to some of my favorite recent titles.
The classic way to visualize music in comics is just to put the lyrics in a word balloon with some musical notes scattered around to convey singing. I’m going to be honest; I hate this approach, and in this day and age, I’m sure I’m not the only one. I find it impossible to read the lyrics as a song instead of a tuneless poem. There are better ways, as seen in books like Jem And The Holograms and Black Canary.