The way things are going, it's won't be much longer before we start referring to Image Comics as "that European sci-fi publisher.... but American." Over the last few years, Image has been host to a string of challenging and offbeat titles with strong Euro SF influences, and so far they've all been exceptional. With the combined comics goodness of Saga, Prophet, Nowhere Men, Black Science, and Starlight, stylish science fiction is trending upwards, and with Ivan Brandon and Nic Klein's forthcoming Drifter, the trend continues.
In advance of the November release of Drifter #1 (final order cutoff is next week, for you pre-orderers and retailers), Image has provided ComicsAlliance with an advance copy of the book, and boy, is it purdy.
Q: What major superhero can be most effectively dropped into a horror plot without causing it to stop being horror? -- @KaosExMachina
A: Y'know, I don't wanna make any of the other 215 people who have Asked Chris feel bad or anything, but this is easily one of my favorite questions that I've ever gotten. It's probably obvious by now, but I have a lot of fun thinking about different genre conventions and how they work, and this is the sort of thing that you can play around with forever, and that you can ask your friends and get all sorts of different answers and justifications, something that I actually did while I was getting ready to write this article. But it's also a really difficult one to answer.
It's like you said: When you add superheroes to horror stories, they tend to stop being horror stories.
If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of five or ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile lists of everything you could ever want to know about comics.
This week, we're taking a look at the House of Ideas and the people who dedicate their superheroic careers to battling against the supernatural as we bring you Marvel's Top Five Horror Heroes!
If there's one thing I've learned in a lifetime of reading, selling, making and writing about comics, it's that people who like comic books also tend to have a pretty healthy interest in breakfast foods. That, I assume, is why the people at General Mills decided to spice up their annual revival of the Monster Cereals -- Boo Berry, Franken Berry and the immortal Count Chocula -- with a set of redesigns for their principal characters, courtesy of artists Jim Lee, Dave Johnson and Terry and Rachel Dodson. In other words, your breakfast just got a New 52 reboot.
The whole thing is even marketed as a co-production between General Mills and DC, with the former presumably handling the cereal while the latter concentrated on art. Obviously, this means that these cereals are technically an edible DC Comics title, so with Halloween creeping up on us like a restless spirit, I have taken it upon myself to examine the new look for the spoooookiest of breakfast cereals to find out just how these new designs hold up to the originals.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: Team Arrow investigates the murder of a friend, people sit around solemnly a whole lot, and a villain is revealed to be completely inconsequential. The old Arrow is back, everybody!
Now that six additional episodes of the crime drama Gotham have been ordered by Fox, we’re looking toward a full 22-episode first season. Although ratings have dropped since the pilot (Sleepy Hollow, also on Fox, was one of only three shows ranked below Gotham Monday night), the series about Batman’s beginnings has managed to hold a firm grip on at least 75% of its audience.
One problem cited by critics familiar with the Batman mythos is Gotham’s inclusion of too many characters (with forced relationships) at the onset. Like an all-you-can-eat buffet, the overstocked spread leaves us inexplicably unsatisfied. On the other hand, whiffs of treats about the city itself – its cavernous sewer system, detached outskirts, and now, the Arkham District – keep us lingering around for something savory.
The fourth season of Agents of SHIELD's second season will probably be remembered mostly for its fightin' -- both because the fightin' was memorable and because the rest of the episode wasn't especially. But that doesn't mean the show's regressed to season one levels, even in spite of so many season one plots stinking up the place.
So what was good, what was bad, and what wonderful new treats from the Marvel Universe did the show throw at us this week? (Prepare to be disappointed on that front.) ComicsAlliance has all the answers in our patent-pending SHLEID recap of 'Face My Enemy', directed by Kevin Tancharoen and written by Drew Z. Greenberg.
Welcome back to Up To Speed, home of the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn't, and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Flash. This week, we’re looking at the second episode of the inaugural season, titled “The Fastest Man Alive.” How does it stack up against last week’s (pretty good, actually) pilot? Read on and see Flash…natics?
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cartoonist Jessica Garvey writes, pencils, inks, and colors her own work, which includes her autobiographical comic It Did Happen as well as the webcomic Pink/Blue. She is also a recent graduate of Oklahoma City University with a degree in Studio Art and English.
Image Comics' Southern Bastards has a lot to offer people who enjoy a good crime/revenge comic like I do. There's palpable tension, a sense of some serious wrongs that need to be righted, and people fighting each other with bats (one of them the remnant of a tree that grew out of a grave and was struck by lightning) in the middle of the street.
But, you might say, there are lots of crime comics out there. Heck, Jason Aaron, the writer of Southern Bastards, has penned a good many himself. Scalped and his Punisher run, to name a couple. Southern Bastards is something really special, though, because of the way Aaron and artist Jason Latour embrace its setting so deeply and wholeheartedly.
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