If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of five or ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile lists of everything you could ever want to know about comics.
This week, we're heading away from the Big Two for a look at some of the scariest bad guys from the world of indie comics. The catch? We're also staying away from horror comics, just to make things a little more interesting!
Comic readers are often annoyed by the outdated assertion, “but comic books are for kids!” As those of us within this culture know, comics today are usually made for and marketed to adults, especially single issues and superhero comics. However, comics, as a medium, should and can serve a vast variety of demographics. Publishers simply need to be ready to create the books that readers will read.
Most comic readers can point to some great comics for kids, including Smile, Bone, My Little Pony: Friendship is Magic, and Adventure Time -- but for many parents and young readers, there is a huge void in the comics that exist today. There are very few high-quality, positive, superhero comics for kids.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: Team Arrow goes on a trip, Laurel deals with her seething rage and two different women get beaten up by men on screen. Oh, also, Ollie shoots a bunch of guys. Let's get started.
The fifth episode of Agents of SHIELD's second season is in a sense the episode some fans have been waiting for since the show began; it's the first episode to ever introduce a fully fledged comic book superhero into the cinematic universe. If you've somehow avoided spoilers until now, I'll avoid saying more until we're safely inside the recap.
That big event aside, 'A Hen In The Wolf House' by director Holly Dale and writer Brent Fletcher, is an oddly uneven episode. It's so preoccupied with the show's big mysteries that it lacks the focus that has made this season so much stronger than last. But it still has some great moments, as we'll uncover in our SHLEID recap.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Spike Trotman is probably best known for her webcomic Templar, Arizona which she creates entirely herself, and the sex-positive Smut Peddler anthologies she's published through crowdfunding on Kickstarter.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn't and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Flash.
This week, we’re looking at the third episode episode of the first season, which finds The Flash squaring off against a man who can turn into a cloud. You will believe a man can cloud in this week’s episode, “Things You Can’t Outrun”!
When DC Comics announced the new lineup of Batman Family titles a few months back, Arkham Manor was the only one that actually gave me a "wait what" moment. Dick Grayson as a super-spy traveling across the world dealing with stuff like a dude who had his eyes replaced with guns? Sure, makes perfect sense. Hipster Batgirl fighting crime with the power of Snapchat? All for it. Teens running around a creepy boarding school in the one place in the DC Universe where no one in their right mind would send unsupervised children? It's the book I've been waiting for all my life.
But Arkham Manor stuck out. Right from the concept, it's this weird variation on familiar themes, trying to twist them into something new. That makes it an inherently interesting idea, even if it's one that I'm approaching with caution as a reader. I want to know what's going on here, and with the first issue out, it lives up to that. More than anything else, Arkham Manor #1 is intriguing.
Welcome to the latest episode of ComicsAlliance Presents “Kate or Die,” a series of exclusive comic strips created by one of our favorite cartoonists, Kate Leth! In this episode, Kate anticipates some truly terrifying Halloween horrors.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, it's the return of Apocalypse and Fabian Cortez, so if you want to stop reading now, I'll understand.
Maybe Marvel is trying to do something about climate change.
That's one possible explanation for why the publisher is recycling the titles of half a dozen, and probably more, of its events from over the years. In the past week, Marvel has announced events titled Planet Hulk and Armor Wars, and before that we found out about Civil War, Age of Ultron vs. Marvel Zombies, Secret Wars, and the slightly retitled Years of Future Past.
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