Welcome back to Original Spin, the unofficial recap of the Marvel comic event Original Sin, by Jason Aaron and Mike Deodato -- which probably feeds in to the Marvel comic event AXIS, and somewhere in all that we'll get a lady Thor and a black Cap, and that will be very exciting. Black Captain America!
In the meantime it's still dude Thor and white and surprisingly Irish Captain America, and you have to read all these other comics that aren't the ones they're talking about in USA Today. Ugh, comics are dumb. So, to catch you up; the Watcher got shot and someone did it, and black Captain America isn't in this comic but we're desperate for attention.
This week, Chris and Matt talk about how Robin Rises Omega #1 by Peter Tomasi and Andy Kubert should be great, but falls short, possibly because it's a victim of its own marketing. Then, we talk about how Life With Archie #36 by Paul Kupperberg and Pat & Tim Kennedy is really enjoyable despite some weird tics. Then, we discuss the cool new sci-fi anthology, 2299, edited by Dylan Todd.
Q: I'm interested in Hitman as a character in the larger DCU, and "the area of Gotham so bad that Batman doesn't go there," because Batman is a dude that has paid multiple visits to a planet literally called Apokolips. -- @kingimpulse
A: For those of you who haven't been following the War Rocket Ajax podcast, Matt and I have been spending the entirety of 2014 ranking every single comic book story ever on a master list from the best (Amazing Spider-Man #33) to the worst (Identity Crisis). Last week, we finally got around to Hitman, and while it eventually fell between The Dark Knight Returns and Impulse #3, the conversation that we had about it involved me mentioning that Tommy Monaghan lived in a section of Gotham called "the Cauldron," which was so thoroughly lawless that they didn't even really notice when No Man's Land swept through.
There's a pretty obvious reason why it went down that way, of course, but the more I thought about your question, the more I realized that it's the core of Hitman's complicated relationship with the universe where it's set, which is one of the best things about that comic.
The Marvel Unlimited app is a gigantic, messy cache of awesome and terrible old comic books: a library of 13,000 or so back issues of Marvel titles, available on demand for subscribers with tablets or mobile phones. Like any good back-room longbox, it’s disorganized and riddled with gaps, but it’s also full of forgotten and overlooked jewels, as well as a few stone classics. In Marvel Unlimited Edition, Eisner-winning critic Douglas Wolk dives into the Unlimited archive to find its best, oddest and most intriguing comics.
Steve Gerber died in 2008, but his work is still casting a shadow over contemporary comics -- it's a good bet that Guardians of the Galaxy and The Defenders wouldn't be what they are now without him, for instance, and the biting, off-kilter tone of his writing has found its way into the central stream of superhero comics. Here are a couple of ingenious variations on projects he co-created, as well as a posthumously published jewel.
Months before it even came out, this week's Teen Titans #1 was off to a pretty rough start. Not only did it have the stigma of being one of the few "New 52" comics to be canceled and relaunched in the three years since DC's line-wide superhero reboot, alongside last week's New Suicide Squad, but criticism over Kenneth Rocafort's cover sparked a controversy that would've drowned out the actual content no matter what the content of the issue was. And really, that's kind of a shame.
Teen Titans #1 isn't perfect by any stretch of the imagination, but it is a solid story of teenage superheroics, and like so many of the recent launches from DC, it feels like the type of thing that the New 52 should've been doing all along. If it just didn't look like it does, it'd be great.
On Tuesday morning Whoopi Goldberg and the hosts of The View announced that Marvel will relaunch Thor this October with a 'worthy' woman brandishing the hammer. Marvel followed that announcement with two more high profile switcheroos on Wednesday night as Entertainment Weekly revealed a new-ish and possibly superior Iron Man, and Marvel Chief Creative Officer Joe Quesada joined comedian Stephen Colbert on The Colbert Report to announce that a new guy will take up Captain America's shield.
That in itself isn't much of a surprise -- original Cap Steve Rogers has passed on his mantle a few times, before eventually yanking it back. After spending some time in Dimension Z and fighting the Iron Nail and whatnot, he's now too old to Avenge from the front lines. The big reveal is that the new Captain America will be Sam Wilson, the African-American superhero currently known as Falcon.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, Chris takes a look at one of his favorite characters: Mario, the high-jumping, kart racing, princess-rescuing plumber from Nintendo's enduringly popular Super Mario Bros. games and spinoffs. ! He loves that guy, and odds are pretty good that you do too. But why? And how much of a character does Mario really have?
Bryan Lee O'Malley's first graphic novel since he concluded the Scott Pilgrim series in 2010, Seconds is a book about second thoughts, second chances and second helpings. It's also the book in which O'Malley is setting up his second act as a cartoonist. The first Scott Pilgrim book came out almost exactly ten years ago; six volumes and a movie later, that franchise has defined O'Malley's public image. That kind of early, extended success can be a trap for an artist, especially when it's with a project as self-consciously game-changing as Scott Pilgrim. The bigger the audience, the more it demands more of the same.
Seconds is unmistakably the work of O'Malley's singular voice: it's a romantic comedy with magical elements and some witty fourth-wall breaking, drawn in a manga-derived style with big-headed chibi characters. But it's also a very different sort of book than he's drawn before: not a bildungsroman like Scott Pilgrim (or his earlier Lost at Sea), but a fable about a woman who's pretty much got her life together already, trying to undo her mature errors. It's virtuosic in a lot of ways, but one of its many charms is how casual and low-key it seems.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Writer Erica Schultz has worked on her creator-owned crime comic, M3, as well as The Unauthorized Biography of Winston Churchill: A Documentary with previous Hire This Woman featured artist Claire Connelly. Next up she has Revenge: The Secret Origin of Emily Thorne coming out for Marvel and ABC Studios, which readers can see a preview of at San Diego Comic-Con next week.
This week's issue of Entertainment Weekly goes behind the scenes on the set of the Avengers movie sequel Age of Ultron, directed by Joss Whedon -- and the cover offers a first glimpse of the movie version of the tin-plated villain who'll be giving the Avengers so much trouble. Or, technically, versions.
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