There has been an awakening. Have you felt it? Across toy and bookstore shelves, Disney is gearing up for Star Wars: The Force Awakens, and Marvel's doing their part to make sure there's a good amount of Star Wars comics in preparation for the blockbuster. Part of their initiative involves the release of "remastered" hardcover versions of Marvel's original comics adaptations with updated coloring by SotoColor.
The first volume, an updating of the 1977 Roy Thomas/Howard Chaykin adaptation of A New Hope, came out in April, and this week sees the debut of the adaptation of 1980's The Empire Strikes Back, written by Archie Goodwin and penciled by Al Williamson and Carlos Garzón.
Q: Does Jason Todd/Red Hood belong in the Batman family? Should he be wearing a Bat symbol on his chest? -- @Doubting_Tom
A: I doubt it's going to surprise anyone reading this to find out that I have some pretty complicated feelings about pretty much everyone who has ever been called "Robin," and Jason Todd's no exception. Really, though, there's a pretty simple answer to this one: No, I don't think he should be part of the Batman family --- the active Batman family, anyway --- because Jason Todd oughtta be dead. If nothing else, we didn't collectively dial those 1-900 numbers ten thousand times to make that happen just for some retcon to come along twenty years later and bilk us out of fifty cents a call.
If, however, Jason Todd has to be alive, and it's become pretty clear over the past decade that somebody definitely thinks he does, well... that's where things start to get complicated.
Here’s the thing about this Fantastic Four movie: it was supposed to be horrible. This movie has been riding an almost unprecedented level of bad buzz since earlier this year. Strangely, it seems to have started over literally nothing. Fans were upset they hadn’t seen anything official from the movie and began to suspect it stunk. Then, depending on who you talk to, the director was fired, the actors were upset and the script was a mess. But, the days of speculation are over and none of that bad buzz matters any more; there’s an actual film that can be judged on its own merits. Sadly, Fantastic Four, on its own merits, is still horrible.
Many of comics’ most popular heroes have been around for decades, and in the case of the big names from the publisher now known as DC Comics, some have been around for a sizable chunk of a century. As these characters passed through the different historical eras known in comics as the Golden Age (the late 1930s through the early 1950s), the Silver Age (the mid 1950s through the late 1960s), the Bronze Age (the early 1970s through the mid 1980s) and on into modern times, they have experienced considerable changes in tone and portrayal that reflect the zeitgeist of the time.
With this feature we’ll help you navigate the very best stories of DC Comics’ most beloved characters decade by decade. This week, we’re taking a look at the best Lex Luthor comics.
Hi, I’m Charlotte Finn. I’m a lifelong comics fan and, last year, I admitted to myself that I am transgender.
Coming out as transgender means reassessing a lot about your life, your place in the world, and what that world's been telling you about yourself before you even realized who you really were. In this occasional series, I’m going to be applying that reassessment to comics that feature people like me, or close to being like me, and look them over with a fresh set of eyes, starting with Rat Queens Special #1: Braga, by Kurtis J. Wiebe and Tess Fowler.
The mythological demigod Hercules is bisexual. How you feel about that fact doesn't change the fact; the myths of antiquity have told us that Hercules loved women and men alike. Lustfulness is at the core of his character, and Hercules' appetites aren't limited by gender.
Like many ancient myths, and like much of history, Hercules' stories have been bowdlerized by those who think same-sex relationships are sinful. Audiences introduced to the character through the Disney cartoon, the Kevin Sorbo TV show, the Dwayne Johnson movie, or the Marvel comics have good reason to think the character is heterosexual, because that's all they've ever seen. But that doesn't make it true. Hercules is bisexual. To deny that fact is to participate in the erasure of same-sex relationships on the grounds of a narrow and prescriptive morality.
Q: Can you explain how Lex Luthor was elected President? Donald Trump might need some pointers. -- @ASaltzberg
A: President Lex! Now there's a story that I haven't thought about in a while - and just for context, I'm someone who thinks about Harold, the hunchbacked mechanic that Batman used to keep in his basement to fix up the Batmobile, at least once a week. Looking back, it seems like a very weird story, an ultimately forgettable new direction for a villain that never really went anywhere, but at the time, it definitely felt like it was a big deal.
There’s an anecdote told in a trade for DC’s weekly series 52. In an issue halfway through the run, Phil Jimenez was given a page breakdown from Keith Giffen that asked him to draw seven statues of fallen members of the JLA as part of the background, as a visual reminder of all that the team had lost over the years.
Jimenez, taking a look at this breakdown, presumably nodded to himself that this was a good idea, and included every single deceased member of the JLA who had ever existed in the scene instead.
Brian K. Vaughan’s newest series, We Stand On Guard with artist Steve Skroce, returns the writer to the realm of political allegory in the blunt tradition of George Orwell’s greatest novels. Here Vaughan and Skroce are addressing the 2003 Invasion of Iraq through a science fiction narrative. We Stand On Guard takes place about 100 years in the future when the United States invades Canada after the White House is bombed in a drone strike from an unknown source. The story jumps from the initial invasion to 12 years in the future when the United States occupies Canada and only small bands of freedom fighters struggle against the American troops.
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