The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, we dive into Jubilee's Erotic Friend Fiction, and everything is different and none of it makes sense.
This is a post three years in the making. Way back in 2011, David Wolkin and I attempted to deconstruct the madness of Batman: Odyssey, an incomprehensible masterwork by legendary Batman artist (and legendarily terrible Skateman writer) Neal Adams that quickly established itself as the most insane comic we have ever read. When the series was renewed for a glorious second volume, we completed four additional reviews -- but stopped just short of the last two issues.
Our recaps were gratifyingly well-received, inspiring fan art, live readings and even cantankerous comments from Neal Adams himself (or so we choose to believe). And for the last three years, people have been tweeting at us, e-mailing us and asking us at conventions when we would finally complete our coverage of Batman: Odyssey.
Ramona Fradon is one of the great living legends of comics, a creator with an instantly recognizable style who has worked on some of DC Comics' best-loved series -- and co-created a few classic characters along the way. Her crisp, lyrical line has elevated every book she's touched over her six-and-a-half decades in the business, and her work continues to influence and inspire creators to this day.
Fradon graduated from Parsons School Of Design in 1950, and began working at DC almost immediately, pencilling the Shining Knight backup story in Adventure Comics #165 – and when that feature was replaced by Aquaman two issues later, Fradon found her first signature character.
The premiere episode of The Legend of Korra’s fourth and final season finds the Earth Kingdom navigating choppy waters. In the three years since season 3’s finale, Kuvira has gone from the seemingly content captain of Su Yin’s guard to the “Great Uniter” of a fractured world. She has 90% of the Earth Kingdom under her thumb and, as we learn over the course of the episode, has accomplished this through a campaign of forced labor, manipulation of resources, and a burgeoning cult of personality.
We watch as the governor of Yi, initially committed to independence, is brought to heel by the lawless reality of his state and the temptations of Kuvira’s “generous proposal” of takeover. Idealists like Bolin and Baatar Jr. have joined her cause, as have opportunists like Varrick. Figures of murkily extrajudicial power, like Kai and Opal, urge caution in the face of her might, but by the end of the episode, that’s all they can do—urge caution.
Q: The new Klarion series started this week, and aside from Seven Soldiers and Batman: the Animated Series, I know little about him. What's his deal? -- @T_Lawson
A: Huh. Well this one oughtta be pretty easy, T: He's a Witch Boy. He's a Boy who is also a Witch. That's pretty much all there is to it; Kirby wasn't really all that into subtlety. Now who wants to go get lunch?
[Editor's Note: Chris, we've talked about this.]
Okay, fine. There actually is a little more to it than that, but to be honest, Klarion is less interesting to me on his own than he is in the context of Kirby's other work. He's a Witch Boy, a strange and sinister creature rooted completely in horror, happily existing in a world built for superheroes, and that's actually pretty cool.
If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down and quantified in a single definitive list, preferably in amounts of ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile Top Five lists of everything you could ever want to know about comics.
This week, October's horrifying fun continues with another frightening five: The greatest comic book stories starring the Lord of the Vampires, Count Dracula!
When it comes to Gotham, two things are clear. One, the Fox crime drama purported to portray the origins of Batman and his criminal counterparts isn’t committed to much precision around the 75-year old mythos. Second, rather than tell the story of the unique and complex process of becoming Batman — a progressive evolution wherein a fearful, inexperienced but persistent youngster is shaped into an unlikely superhero — the show shortcuts to a nearly fully-formed Bruce Wayne in the body of an 11-year old kid.
Collecting police files. Testing endurance. Sneaking up on people. Unless we’re to believe the first three episodes take place in Bruce’s imagination as some part of a posttraumatic delusion, these are hardly behaviors we’d expect to see in a young boy immediately following parental loss — even for one who will grow up to be Batman. The only things missing are his cape and cowl. So for those who get a giggle out of watching a kid play detective and refuse psychotherapy, Gotham delivers. When it comes to villains, classic and original, the show has much more to offer.
I'm not saying that it's easy to succeed with an oddball idea in the world of comics, but I have to imagine that it's a heck of a lot harder to do it twice in a row with very similar ideas -- which is exactly what Archie Comcis and writer Roberto Aguirre-Sacasa are trying to do in the pages of this week's Chilling Adventures Of Sabrina #1. A year after Aguirre-Sacasa teamed up with artist Francesco Francavilla and found critical and commercial success with Afterlife With Archie, where the familiar teenagers of Riverdale found themselves contending with the zombie apocalypse, he's joining artist Robert Hack to try to strike gold a second time -- not with a spinoff of Afterlife, but by expanding the horror line with an entirely new title, taking the same characters and twisting them around again.
The result is a comic that dives headling into a world of horror, witchcraft and high school drama, and while it might not have the immediate eyebrow-raising hook of seeing Archie beat his zombified father to death with a baseball bat, it's definitely a pretty amazing comic that's hitting at exactly the right time.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we're officially dubbing Pointed Commentary.
This week: Smoak and Oliver try going on a date (with explosive results), Dig becomes a dad, and Peter Stormare barely says one intelligible word.
To understand what I’m about to tell you, you need to do something first. You need to believe that I have merely a basic working knowledge of the character of the Flash, The Fastest Man Alive and the star of the CW’s latest small-screen superhero adaptation. But for some reason, when ComicsAlliance Editor In Chief Andy Khouri was looking for volunteers to recap The Flash, my hand shot up. Maybe it’s because I had a huge fondness for the 1990, John Wesley Shipp-fronted live action series. Maybe it’s because I just like the character of the Flash in the (realtively) few instances I’ve read his comics or seen him on the Justice League cartoons. Maybe it’s just because in every promo image of the lead character I’d seen, the dude was smiling. Maybe it’s all of those things. Maybe it’s some other reason entirely.
My name is Dylan Todd. I’m the Flashest Recapper Alive. Welcome to the inaugural installment of our weekly Flash recaps, titled Up To Speed. (Get it? Because he runs fast and also we catch you up on what happened in the show.) Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: The Flash.
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