Late last week, word started to trickle out that Aquaman – who is all but confirmed to be played by Jason Momoa in ‘Batman v Superman: Dawn of Justice’ – made a cameo in ‘Man of Steel,’ but you just didn’t realize it because he was never on camera. Remember those whales that we see after Superman saves the people on the oil rig? Apparently, Aquaman sent those whales to help out.
It's Celebrate Bisexuality Day today, also called Bisexual Visibility Day -- a day to celebrate and promote recognition of those who are sexually attracted to people of more than one gender. The day exists because people with non-monosexual queer identities face unusual challenges in being recognized by both mainstream and queer cultures, yet visibility helps break down barriers and encourage acceptance.
In superhero comics, the problem of bisexual invisibility is as ingrained as anywhere; the medium struggles to acknowledge the existence of anything that didn't exist in The Honeymooners or The Andy Griffith Show, unless it's a space god, a shapeshifter, or a parasitic psychic monster. Having a character say, "I'm bisexual" is apparently more implausible than any of those things. There are signs that the industry is changing in this regard -- but slowly, and rather half-heartedly.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Writer Giulie Speziani has worked on a few different projects, including By The Slice and Golden Age with artist Cecilia Latella. You can see her in person this weekend at Long Beach Comic-Con on the Hire This Woman panel at 3:30pm on Sunday, September 28th, along with other past and future featured creators!
This week marks the premiere of Gotham, the new Fox television show focusing on Jim Gordon's first year as a cop in Batman's hometown, and the origins of young Bruce Wayne and the people who will one day become the greatest enemies of his war on crime. That the show exists at all is a testament to how strong Jim Gordon and the rest of the Gotham city Police Department are as heroes in their own rights.
So if Gotham has you in the mood to read about Gordon, Harvey Bullock and the rest of the GCPD -- or if you just want to dive into some solid Batman comics where the spotlight isn't entirely on the Dark Knight -- then I've got some suggestions for great comics about Gotham's top cops!
“If the harassment is so bad, why don’t women just report it?”
“I want to believe these women, but if they’re not willing to come forth and put their name to these accusations, I just can’t.”
“These claims of harassment are all so overblown. I never see it happening.”
I have been a woman in the comics industry for a few months now. It has been wonderful. It has also been terrifying.
Terrifying in a way I’m used to, though. When you grow up enveloped in the miasma of “tits or GTFO,” “attention whore,” and “fake geek girl,” fear becomes the price you pay to enjoy your hobbies. You don’t even think of it as fear most of the time. Sometimes you join in the fear mongering yourself, enjoying the a**hole glamour of not being too pussy to call another girl a slut. Sometimes you hide in woman-heavy spaces, which go maligned elsewhere (“Tumblrinas!”) but do a pretty solid job of keeping you safe. The fear comes back eventually, though, as a slew of graphic rape threats or a simple joke about “feminazis” you are expected to chuckle along with. It might be in response to a screed worthy of Andrea Dworkin—or maybe you just tweeted something about disliking Guardians of the Galaxy. What matters is that you were a woman with an opinion on the internet, and now you must be punished. You must be made to fear.
Meka took me by surprise. Admittedly, this state of affairs was, in significant part, was derived from the previous JD Morvan/Bengal collaboration I'd read: Naja, and a blurb that pitched it as "giant robot vehicle crashes in war-zone leaving human pilots stranded and fighting for survival," causing my expectations of this title to veer from "very excited" to "considerably neutral." And to a point, that's an accurate summation, but a superficial one, a starting point, because what Meka essentially is, is a thoughtful treatise on the "in-between" of war, lifted into exceptional territory by the sheer, stunning power of Bengal's art.
If you spend as much time thinking about comics as I do, you probably find yourself creating hypothetical-based thought experiments about super-team line-ups and such. Usually I only share them with Chris Sims, who then goes on to turn them into an Ask Chris and get paid for my idea. [cough]
But a few weeks ago, I took to Twitter to ask people who they would recruit for an all-female, seven-member Justice League. The response at the time was great, with lots of interesting variation in potential team rosters, but then the idea got a bump again when artists started posting drawings of their ideal Justice Ladies teams on Twitter and Tumblr.
I've collected nine such line-ups, including my own, which kicked everything off, but you can check my Twitter feed to see all the responses I received.
If you were to pull a random sampling of professionals from across the comics industry and poll them on their favorite modern-day creators, Mike Mignola's name would doubtlessly rank near the top. Since he burst on the scene at Marvel in the early 1980s, pencilling an obscure limited series about a talking space raccoon, he's matured brilliantly – from his seminal work at DC Comics (pencilling books including World Of Krypton, Cosmic Odyssey, and Batman: Gotham By Gaslight), to his work at Topps, Marvel, and other companies in the early '90s (on Ironwolf, Bram Stoker's Dracula, various X-books, and many other titles), to his move into creator-owned comics with the mighty Hellboy, he's maintained a unique voice and an immediately recognizable art style, bettering himself with each successive project, evolving and refining his voice at every opportunity.
Whether it's baby Hellboy eating a forbidden breakfast, a snake and a magician flying kites, or a robotic super-spy with a detachable head in the employ of President Lincoln, there's a dry-yet-absurd tone to Mignola stories that drips with the glee of innovation and possibility, yet manages to keep it all contained within straight-faced third-person storytelling. And so, today, a few days after his 54th birthday, we're excited to celebrate Mike Mignola's career with a few fellow fans (who also happen to be notable comic-makers in their own right).
We'll be focusing here on the second issue of the maxiseries, the unwieldily titled The Multiversity: The Society of Super-Heroes: Conquerors of the Counter-World, written by Grant Morrison with pencils by Tom Strong's Chris Sprouse, inks by Karl Story and Walden Wong, and gorgeous colors by Dave McCaig.
I'll admit here from the beginning that while I can talk about this series' relationship to the DC Universe and Morrison's oeuvre, I'm close to clueless about the vagaries of early 20th century pulp fiction and would be incredibly interested in hearing from more learned readers whatever I've missed from that angle. That said, there's still a great deal of meat to dig into in this issue, which serves as a sort of conceptual counterpoint to Final Crisis's opening scene, showing us the end of Anthro and Vandal Savage's 40,000-year feud.
So, with no further ado...
Q: What's the deal with Batman's non-Catwoman, non-justice love interests? Vicki Vale, Zatanna, Wonder Woman, etc? -- @superseth64
A: Just a few days ago, I was talking to Greg Rucka and he mentioned Denny O'Neil's rule about Batman not sleeping with anyone, because if he does, then he sleeps with everyone. It's an interesting way to put that, and I'm inclined to agree with O'Neil on that point, but you can't deny that over the past 75 years, the Caped Crusader has had plenty of romantic entanglements, almost all of which, as you might expect, have ended in a spectacularly awful fashion.
But the thing is, as much as they don't work from a romantic perspective, which is the nature of dramatic tension, they don't really work from a storytelling perspective, either.