The success of Jurassic World means that superhero movies are over! Forever! Why, we wouldn't be surprised if Fantastic Four and Ant-Man went straight to DVD and studios pulled the plug on the dozens of superhero movies already in production. Dinosaurs are the new superheroes, and in the future we expect all big-budget, would-be blockbuster films to be dinosaur movies.
Does this mean that comic books and graphic novels will lose their coveted place as the breeding ground for Hollywood's favorite source material? Not at all; there are plenty of dinosaur comics, ripe for film adaptation. Let's take a look at some of the more popular ones, and how likely it is that they may be coming to a theater near you... instead of Wonder Woman, Doctor Strange, or Justice League.
Airboy is a four-issue miniseries written by James Robinson and illustrated by Greg Hinkle, and published by Image Comics. Its premise is that Robinson and Hinkle, portrayed as fictionalized versions of themselves, are tapped to revamp an obscure Golden Age character. Robinson suffers writer's block, which hanging out with Hinkle doesn't help; the two of them wind up injecting, inhaling and eating the equivalent of a small pharmacy and go on a bender. When they awaken, they find that the creation they were tasked to revamp, Airboy, has sprung to four-color life, and he sees much wrong with the world – possibly rightly, possibly wrongly.
So far, so good. It's metafiction, but speaking as someone whose shelves groan under the weight of Grant Morrison and Terry Pratchett, there's nothing wrong with a good metafiction that blurs the line between creation and creator. But there's a dark side to blurring that line, and that dark side is that it makes it difficult to tell where the fictional character ends and the real person's opinions begin – and that's lent an odious air when the opinions ventured in the narrative are wrongheaded and harmful.
Our round-up of the All-New All-Different Marvel titles concludes with the books that don't quite fit anywhere else. This is the catch-all category that Marvel tends to call things like 'Marvel Universe', or 'Marvel Knights', or 'Marvel Heroes'. That makes this sound like a clearing house, and the presence of Agents of SHIELD supports that case, but you'll also find some of Marvel's most important titles here; titles that just don't quite fit elsewhere.
Our rundown of the All-New All-Diffrent Marvel books moves into outer space with a look at the cosmic corner of the Marvel Universe, where we find all the Guardians of the Galaxy books (all three of them, four if you still count Angela), and all the Inhumans books (both of them, not counting Kamala). Is the universe expanding or contracting?
We've covered six X-Men titles, seven Avengers (and related) team titles, and eight of the many Avengers solo titles, so it's time to look at the nine Spider-Man books coming your way in October, featuring Peter Parker, Miles Morales, Gwen Stacy, a couple of symbiotes, and more! There are so many Spider-people now! How is one of them not also a Wolverine?
We've covered the X-Men, and the Avengers teams. Now we're into potentially the biggest group, the Avengers solo titles, which includes some heroes getting their own ongoing books for the first time. In fact, this group is so sprawling, we've held a couple of characters who are technically Avengers for a later post. Everyone is an Avenger now. Jonathan Hickman made it unwieldy. So here are just eight of the infinite solo Avengers titles.
Our critical rundown of the All-New All-Different Marvel line moves on to the seven Avengers (or Avengers-adjacent) team titles, which includes three teams with Avengers in the name, plus A-Force, the mighty Ultimates, a bunch of villains stealing an old Avengers-related name, and the Squadron Supreme, who aren't really Avengers at all, but we don't have a Justice League section.
Marvel formally unveiled its post-Secret Wars 'All New, All Different' line up on Wednesday, featuring a Marvel Universe reconfigured by the experiences of Battleworld, and an eight month time jump that allows the publisher to set up a new status quo for many of its characters. Marvel has never had a better opportunity to shake up its line, so readers had high expectations for a bold, diverse, inventive new direction. With that in mind, we're going to share the new titles with you, alongside some observations on how the new Marvel Universe is shaping up, starting with the X-Men.
A lot of fans weren't sure there would still be an X-Men line coming out of Secret Wars, or that it would still share space with the rest of the main Marvel Universe, given that Fox's control of various licensing rights has led Marvel to step back from heavily promoting these characters. But the X-Men still sell comics, and Marvel is in that business, so the X-Men haven't entirely gone away, though the line is down to only six titles, with just three team books and three solo books.
Tomb of Dracula came out of Marvel between 1972 and 1979: start date, one year after the CCA let up on vampires. This was a year after Hammer’s increasingly psychological Karnstein Trilogy wrapped up with Twins of Evil, and the same year (obviously) that the studio released Dracula AD 1972. While Christopher Lee grew ever more dissatisfied with what he saw as his Dracula’s creep towards absurdity, Gene Colan and Marv Wolfman (along with Gerry Conway, Archie Goodwin and Gardner Fox) created a Gothic masterpiece in the comics; a soap opera that doubled as a perfect and precise character study. Dracula’s got problems, and he’s at the root of every one.
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