The comic book, animation, illustration, pinup, mashup, fan art and design communities are generating amazing artwork of myriad styles and tastes, all of which ends up on the Internet and filtered into ComicsAlliance’s Best Art Ever (This Week). These images convey senses of mood and character — not to mention artistic skill — but comic books are specifically a medium of sequential narratives, and great sequential art has to be both beautiful (totally subjective!) and clear in its storytelling (not so subjective!). The words and the pictures need to work together to tell the story and create whatever tone, emotion and indeed world the story requires. The contributions of every person on a creative team, from the writer to the artist(s) to the letterers, are necessary to achieving a great page of sequential storytelling.
It is the special nature of comic books that we’re celebrating in this recurring feature: Best Sequential Art Ever (This Week).
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Afua Richardson has worked in comics for years including at Marvel, DC, and Image under her own name and pseudonyms Lakota Sioux and Docta Foo. Her comic Genius with writers Marc Bernardin and Adam Freeman won Top Cow's 2007 Pilot Season and will be published this year as a miniseries.
While promoting what's surely a startlingly insightful drama about richly textured character portraits trapped on a CGI plane with Liam Neeson and a bomb or something, director Jaume Collett-Serra stopped talking about Non-Stop long enough to remark that his next project might be the on-again, off-again, on-again, off-again, on-again, off-again live-action adaptation of AKIRA. The director hopes to expand a whitewashed version of the story into a trilogy despite the fact that he doesn't actually like the characters at the heart of the most iconic Japanese comic book and animated film to ever be released in the United States, or believe that strong characters are even to be found in Japanese culture.
After the success of their previous Star Wars collections, Australian fashion brand Black Milk Clothing has launched their first comics-inspired collection with a number of likened Batman items. Taking a cue from the popularity of their limited Harley Quinn-inspired leggings, Black Milk Clothing designed a collection in collaboration with DC Comics and Warner Bros. that combines their signature spandex apparel with Gotham's Finest -- artists, that is, with clothing designed around images created by fan favorites including Jock, Brian Bolland, Terry Dodson, Neal Adams and Andy Kubert. The Black Milk Clothing x Batman collection combines comics, cosplay, and style with a trompe-l'oeil Batman swimsuit (detachable cape included), a Stephanie Brown-inspired bodysuit, a Killing Joke bomber jacket and more.
In what will doubtlessly prove to be a very good move on DC Comics' part, the publisher has named Mark Doyle as the new Group Editor of its bestselling Batman line. Replacing Mike Marts, who announced a move to Marvel as Senior Editor earlier this month, Doyle will oversee the Dark Knight through the character's 75th anniversary and comes to the Bat books from Vertigo, DC's mature readers line, where he worked -- and will continue to work -- on such favorites as The Wake, American Vampire and Trillium.
James Baldwin once described America as a "country devoted to the death of the paradox." He was right, of course. We're more comfortable seeing things in extremes, in black and white. A person from one culture or background can be instantly labeled as an upstanding citizen, exemplifying everything good about "real America." Superman is from Kansas, not San Francisco.
But if you're from another background, you can be instantly labeled as something else entirely: lazy, entitled, a thug, "Un-American." To many, there are those who fit into a certain label based on where they grew up, what school they went to, what church they attend. To think otherwise, to consider that there is more to us than blanket, largely basely assumptions, isn't as easy. And for many, it's too uncomfortable. It's too much work.
Ms. Marvel #1 stands in stark contrast to that sentiment. Written by G. Willow Wilson and illustrated by Adrian Alphona, each major character introduced in this first issue is a celebration and exploration of the paradox. It is a book full of characters who remind you of people you know, or people you knew. It's a book that's unique, but nonetheless familiar. It is also, by almost any measure, one of the best first issues of a superhero comic in years. And, if we're being honest, it probably needed to be.
On sale March 5, Day Men #3 will be the first issue of the BOOM! Studios vampire noir to be released since December. The reason for the delay is of course the uncommonly intricate nature of Brian Stelfreeze's artwork, which is rarely seen in serial projects at all, much less in an ongoing series. Co-writer and BOOM! Editor in Chief Matt Gagnon has referenced the "insane amount of effort" Stelfreeze brings to each issue, some of which is certainly apparent in these Day Men #3 images you're seeing here for the very first time.
Season four of The Walking Dead, AMC’s television adaptation of the Eisner Award-winning Image Comics series created by Robert Kirkman and Tony Moore and drawn by Charlie Adlard, has returned from its mid-season break. ComicsAlliance’s John Parker is back again to see who lives, who dies, and who has a cathartic moment where they turn to the camera and say "Don't you get it? We are the walking dead. We are the walking dead."
With The Governor dead, the prison overrun, and the survivors scattered to the wind, Rick and Carl butt heads over their roles while Michonne gets used to being on her own again.
Shortly after Greg Rucka was informed that he would no longer be continuing his absorbing run on The Punisher, he gave a scathing interview to Mark Millar's CLiNT magazine, in which he lamented the "Hollywoodization of the two main companies." In the case of Marvel's number one sociopath, that statement might turn out to be eerily accurate. The All-New Marvel NOW Punisher series from writer Nathan Edmondson and artist Mitch Geradsrelocates Frank Castle from the grimy streets and cluttered skylines of New York City to balmy, colon-cleansed Los Angeles. Does the setting make for an interesting new beginning for the Punisher, or is it bad location scouting?
It appears that you already have an account created within our VIP network of sites on . To keep your points and personal information safe, we need to verify that it's really you. To activate your account, please confirm your password. When you have confirmed your password, you will be able to log in through Facebook on both sites.
It appears that you already have an account on this site associated with . To connect your existing account with your Facebook account, just click on the account activation button below. You will maintain your existing profile and VIP program points. After you do this, you will be able to always log in to http://comicsalliance.com using your Facebook account.