In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cecil Castellucci is a creator of comics, novels, music and film who's probably best known to ComicsAlliance readers for her work with Jim Rugg on The PLAIN Janes graphic novels. Commissioned by DC Comics for its young adult comics line Minx, Castellucci's work earned her the Joe Shuster award for Outstanding Canadian Comic Book Writer. She collaborated with March artist Nate Powell on The Year Of The Beasts, a hybrid prose/graphic novel; her book Odd Duck, with Sara Varon, was nominated for an Eisner award for Best Publication for Early Readers; and is a contributor to DC's new Wonder Woman anthology, Sensation Comics.
It's over. Original Sin, by Jason Aaron, Mike Deodato, and Frank Martin, is finished. Everyone go home and hug your children.
But not before one last pulse-pounding Original Spin recap -- the only comic event recap that digs through the trash and uses the really long lens to find out what's really going on the comics.
Previously: The Watcher died; a truth bomb detonated; Nick Fury picked out random entries from the Official Handbook to investigate; they investigated; they found out Nick Fury killed a lot of E.T. dudes. Now: Everyone is on the moon, which sounds like a party, but it's seriously lacking in atmosphere. (Um, actually, it's well-established that the Blue Area of the Moon has its own atmosphere in Marvel comics continuity, thankyou.) This report exclusive to ComicsAlliance. Spoilers follow.
In my experience, the best comics are the ones that answer questions that you didn't even know you were asking until you saw them, and Wild's End #1 does that pretty beautifully. The question: Wouldn't War of The Worlds have been better if it was about a sleepy English hamlet populated entirely by friendly anthropomorphic animals? The answer: Yes. Yes it would be.
As weird as that premise sounds, it's not that shocking that the book would turn out great. It's the product of writer Dan Abnett (Guardians of the Galaxy) and artist INJ Culbard (Brass Sun), and if there's one thing I've learned from previous experience with those creators, it's that they're more than capable of taking strange sci-fi premises and running with them to create something incredible -- which is exactly what they've done here.
The early ’90s were spoiled for choice when it came to comic book adaptations. Not only was Batman: The Animated Series on the air, but X-Men led Marvel’s push to get on the small screen, diving right into the often convoluted continuity of everyone’s favorite mutants, luring in a generation of fans, and paving the way for cartoons to follow. That’s why we’ve set out to review every single episode of the ’90s X-Men animated series.
This week, it's a Cyclops solo story! What have I done to deserve this?
Here's the thing about Boulet: As amazing as that guy's comics are, and stories like "The Long Journey" and "Darkness," the most incredible thing about them is how suddenly they appear. You're just minding your own business one day and then boom, there's a new forty-page Boulet masterpiece out there, and whatever you thought you were going to do that day becomes "read this new Boulet comic and then probably also all the others that I've already read." They're that good.
And that, my friends, is exactly what happened this week when the French cartoonist dropped "Kingdom Lost," a story that starts out with classic high fantasy and turns into something completely different.
Q: Given all that could have gone wrong, what about the concept and execution makes Batman Beyond work so well? -- @caseyjustice
A: Something must be going around these days, because I've seen a lot of conversations about Batman Beyond popping up recently. I even got into a little discussion with Jordans Gibson and Witt about a few places where -- at least in my opinion -- the flaws in the show, which I otherwise love, became too big to ignore. That's actually one of the things that made me want to answer this question for this week's column. The other was how you phrased it.
See, I've never considered the premise of Batman Beyond to be something that could've easily gone wrong, but you're absolutely right in classifying it as such. To me, it's always been more about how they built that show by taking the two best ideas in superhero comics and putting them together.
The thing is, that should've been a pretty difficult marriage -- and most of those flaws that I was talking about show up for that exact reason.
Welcome back to Rachel and Miles X-Plain the X-Men, a weekly podcast in which X-Perts Rachel Edidin and Miles Stokes explore the ins, outs, and retcons of fifty years of Marvel’s greatest superhero soap opera!
This week: Rachel and Miles celebrate an anniversary with a retrospective of one of the great romances of the Marvel universe; the Summers/Grey family tree is more of a transdimensional strawberry patch; the X-Men play some football; Professor Xavier is not a jerk; and Scott Summers and Jean Grey are the power couple of existentialism.
If there's one thing we've learned from our years on the Internet, it's that there's no aspect of comics that can't be broken down an quantified into a single definitive list, preferably in amounts of ten. And since there's no more definitive authority than ComicsAlliance, we're taking it upon ourselves to compile Top Ten Lists of everything you could ever want to know about comics.
This week, we're kicking it off with The Top Ten Underrated Batman Villains! The Dark Knight has an awful lot of notable foes, but there are plenty of also-rans, C-listers and one-shot villains who deserve better than being punched out and thrown into Blackgate, never to be seen again. So from the obscure to the unappreciated, here they are!
If there's a Hall of Fame for comic book titles, then Giant-Size Kung Fu Bible Stories deserves its own wing. You put those words in that order on the cover of a comic book, and I'm going to buy it, no questions asked, and I'm pretty sure I'm not exactly alone in that way of thinking. To be honest, though, I will admit to being just a little bit disappointed that it's not an accurate description of the contents. I mean, is there anyone who wouldn't want to read a treasury-sized extravaganza about Shadrach, Meshach and Abednego busting out forbidden martial arts techniques in order to fight their way out of the oven? I would.
That said, what we actually have -- an extra-sized $20 tome edited by Bruce Timm and Erik Larsen -- is still pretty amazing; an anthology of stories from fantastic creators that accomplishes that rare feat of being an anthology book where every single story is highly entertaining, even if they're not about Esau mastering poison styles to take his ultimate revenge on Jacob.
I'll be honest, folks: I have very little interest in Future's End as a line-wide crossover. DC Comics' tactic of derailing their books into weird tangents every September, a tradition that goes back to the relaunch of the "New 52" universe, never quite works as well as I want it to, and when you throw in the fact that we're peering into the dim and distant future of a world that we've only actually had for three years, and, well, no thanks, I'm good. What really had me worried, though, was Grayson.
I've really been enjoying what Tom King, Tim Seeley and Stephen Mooney have been doing with this book over the first few issues, but as I think we all know, there's no faster way to derail a brand new comic's momentum than to drop it into a crossover after two months. I almost didn't bother to read it, but I'm glad I did. It turns out that King, Seeley and Mooney have taken their Future's End tie-in as an opportunity to produce one of the most enjoyable single issues I've read in a long while.
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