The main character of this show, the one who goes by John Constantine, is an impostor. I know John Constantine, sir, and you are no John Constantine.
Opinion - Page 5
Q: What are your thoughts on Catwoman and how her role has evolved over time? It's unique, isn't it? -- @spudsfan
A: Here's a warning that you're about to read way too many words on what looks like a simple question: Yes and no.
It's not going to surprise anyone when i say that I love Catwoman as a character, and a lot of that comes from how adaptable she is. In her long history, she's been one of the few characters who's been able to transition from villain to hero and back again, and she has a relationship with Batman that has allowed for both characters to grow in ways that no other character has, or even could. But at the same time, she's probably the single most successful example of a cliché that bugs me to no end: The Villainous Love Interest.
If you've played one of the previous two LEGO Batman games, or really any of developer Traveller's Tales LEGO games, there's a certain degree of knowing what you're getting into with LEGO Batman 3: Beyond Gotham. Though it certainly has a new coat of paint on it, so to speak, many of the mechanics and gameplay objectives are the same as they've always been.
The developers make up for that by giving players more of everything: playable characters, levels, collectibles, power-ups, costumes side quests, Easter eggs and locations. Mix that more-is-more mentality with an enduring charm and sense of humor, and you've got a pretty compelling package, albeit one that tends to bring out some of my worst tendencies as a player.
Here's something that you already know: Batman: The Animated Series is arguably the single best representation of Batman in the Dark Knight's 75-year history. It boiled down the character to his essentials, creating a beautiful and thrilling version of Batman that was acessible to fans of all ages and still holds up as a high point over twenty years later. Now here's something you might not know: The comic book that was created to go along with the show, The Batman Adventures, was every bit as good as the show.
This week, DC Comics released a collection of the first ten issues by Kelly Puckett, Mike Parobeck, Ty Templeton, Brad Rader, Martin Pasko and Rick Burchett, and that means this is a great time to talk about how that comic is about as close to being perfect, and how it's essential for anyone who wants to read some of the greatest Batman comics ever printed -- including the single best Riddler story ever.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: Sidekicks fight back, Wildcat reveals his vigilante past, and another red herring in the season's big murder plot.
Most comics tend to have a high-concept fueling them; some twist which reveals the characters live in a heightened world where readers can’t predict what will happen next. The rules keep changing, and that’s how we define the characters we read. The cast of Fables could have anything happen to them in each issue – their capacity to endure the fantastical is one of their central traits. By contrast, the first issue of Vertigo's new eight-part miniseries The Kitchen is set in a totally real, unfiltered world, where the characters and setting feel authentic and full. The central trait of this series is that is starts from such a relatively unremarkable premise and does so much with it.
From Ollie Masters, Ming Doyle, and Jordie Bellaire, The Kitchen surprises from the concept on. This is kitchen-sink drama, the type Michael Gambon and Julie Walters might’ve appeared in twenty years ago, but with an updated, contemporary sense of space and character. Rather than the typical angry young man, here we have three very angry women. Set in the wilds of Hell’s Kitchen in the 1970s, the ice in their hearts and fire in their fists promises that something's eventually going to crack.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Funky Flashman, aka The Flash.
We had a skip week! I missed you so much! You look great! Did you do something new with your hair? Well, it is working, let me tell you. This week, we’re looking at the fifth episode episode of the first season of The Flash, featuring a woman who is literally the bomb, more than two disastrous heart-to-heart chats, and the wonder that is Clancy Brown. So let’s light the fuse on this week’s episode, “Plastique.”
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Longtime ComicsAlliance fave Marguerite Sauvage had already established herself as a fashion and commercial illustrator with work for companies as varied as Marie Claire, Playstation, and Louis Vuitton, not to mention animation art and writing and drawing comics for the French market. It was only recently that Sauvage made waves in the US with her celebrated work in Sensation Comics, where she reimagined Wonder Woman as a contemporary feminist rock star. Just this week, Sauvage was announced as the artist of a new Thor story to be written by Lumberjanes co-creator Noelle Stevenson.
After a one-week hiatus, Agents of SHIELD returns with an episode about math. And look, I'm not trying to be mean here, but I understand that an hour earlier in the night, the Flash stripped down to his underoos over on his TV show Shoe. (They use the Arrow naming convention, right?) So Agents of SHIELD really needs to step up its game if it wants to be competitive in the increasingly crowded superhero TV market. Lance Hunter in a Speedo, at the very least.
This week's episode, 'The Writing On The Wall', was directed by Vincent Misiano and written by Craig Titley, and guest stars both Cougar Town's Brian Van Holt and The 4400's Joel Gretsch, who are two handsome grizzled blond men that you probably thought were the same person until this exact moment. Psych. Here's our uniquely formulated "SHLEID" recap.
The last of 2014's five superhero movies based on Marvel properties arrived in North American theaters this past weekend, and it was unlike anything we've ever seen from the Marvel stable before. Big Hero 6, from directors Don Hall and Chris Williams, is computer animated, aimed at kids, and stars a cast of characters that could leave even people who knew the Guardians Of The Galaxy a year ago scratching their heads and saying, "who?" And it's different in large part because Walt Disney Animation, not Marvel, was the studio behind it.
If you've seen the movie, join Comics Alliance for this spoiler-filled "post-view" look at what worked, what didn't, and why Big Hero 6 might just change the world. If you haven't seen the movie, avoid the spoilers, go see it, and come back.