Courtesy of Marvel, ComicsAlliance brings you an advance look at new periodical comic books, collected editions and graphic novels going on sale in December 2014 (and in some cases beyond) from the publisher’s mainline Marvel Universe titles, Ultimate Comics, the mature readers MAX imprint and the creator-owned label Icon. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy.
The change of seasons has brought a chill to the air and widely available apple cider once again, but those are merely a prelude to something better: The new issue of The Devastator, our favorite comedy magazine. In previous issues, Devastator's mix of comics, text pieces, graphs and the occasional board game has taken on topics like hipsters, spies, crossovers and even the apocalypse, but this time, the quarterly mag is taking on anime, manga, and even a few video games in the newest Otaku-themed edition. And yes: The graphs are back, in the form of a pretty amazing flow chart helping you to answer the question of "Is This Hentai?"
Contributions to The Devastator: Otaku include a cover by All New Ghost Rider writer and Peepo Choo creator Felipe Smith, a new installment of The Anime Club by Gunshow and Back creator K.C. Green, and a series of ads for an anime sex pillow dating service featuring Brooklyn Nine Nine's Joe Lo Truglio. Seriously. Check out a preview below!
Tony Millionaire's Sock Monkey stories are a superb example of the unparalleled story-telling that only the medium of comics can offer, so the announcement of a new book featuring Uncle Gabby, Mr. Crow, and Inches the doll is exciting news. For those unfamiliar with Sock Monkey, it's a strange but satisfying amalgamation of traditional, old school children's books (particularly in terms of narrative style), ostensibly following the escapades of a monkey made from a a sock, a stuffed crow, and a creepy porcelain doll, but crossing into darker themes and horror, as the eccentric, superficial innocence of the set-up meets a very human realism.
Written in collaboration with animation director Matt Danners, Into The Woods finds the toys convinced that their human owner, Ann-Louise, has been kidnapped by a vicious monster dubbed the Amarok, and so they embark on a mission into the Haunted Woods to rescue her and bring her home.
If you spent a lot of time watching Cartoon Network when you were a kid (or when you were, you know, in your twenties, no judgment here), then one thing you probably wanted to see more than anything else was a gigantic crossover between all of their original programming. Who didn't want to see Professor Utonium and Dexter swap scientific notes, or find out what would happen if the Powerpuff Girls took on Aku from Samurai Jack?
Well, in case you weren't already aware, that's actually happening right now, in the form of IDW's Super Secret Crisis War, and next week, it hits Foster's Home For Imaginary Friends, courtesy of writer Ivan Cohen and artist Paulina Ganucheau, in a story about Pixel, shape-shifting robot that can duplicate any of the imaginary residents.
About a decade after the formation of the Comics Code Authority in 1954 effectively killed off EC Comics' popular line of horror comics, Warren Publishing aimed to bring back some of that malevolent magic. The result was the anthology series Creepy (and later, its sister book, Eerie). Published as a black-and-white magazine, the series didn't have to adhere to the Comics Code's strict content standards, and as such, was able to push the envelope in ways comics in the mid-1960s generally couldn't.
Now, the book's current publisher, Dark Horse, is celebrating the magazine's 50th anniversary with a big, blowout issue featuring work by Fred Van Lente, Corinna Bechko, Dustin Nguyen, Peter Bagge, Alison Sampson, and Art Baltazar, among others.
In my experience, the best comics are the ones that answer questions that you didn't even know you were asking until you saw them, and Wild's End #1 does that pretty beautifully. The question: Wouldn't War of The Worlds have been better if it was about a sleepy English hamlet populated entirely by friendly anthropomorphic animals? The answer: Yes. Yes it would be.
As weird as that premise sounds, it's not that shocking that the book would turn out great. It's the product of writer Dan Abnett (Guardians of the Galaxy) and artist INJ Culbard (Brass Sun), and if there's one thing I've learned from previous experience with those creators, it's that they're more than capable of taking strange sci-fi premises and running with them to create something incredible -- which is exactly what they've done here.
Hawkeye is building ever closer to its apparent end (next month's issue is "The Finale Part 1"), and from the looks of the issue coming out this week, things are building to a head.
Hawkeye Kate Bishop, who took off to start her own private investigation firm in L.A. a few issues back, is looking for a way back to New York in issue #20 to help out also-Hawkeye Clint Barton, who readers last saw in the jam of all jams, and trying to assemble all the help he could get. But, of course, it isn't going to be easy. She's got cops breathing down her neck and one very angry supervillain in a mask attempting to bring her down.
Check out four pages (plus a recap) from the issue by Matt Fraction, Annie Wu and Matt Hollingsworth, plus a cover by David Aja, below.
Here's the thing about Boulet: As amazing as that guy's comics are, and stories like "The Long Journey" and "Darkness," the most incredible thing about them is how suddenly they appear. You're just minding your own business one day and then boom, there's a new forty-page Boulet masterpiece out there, and whatever you thought you were going to do that day becomes "read this new Boulet comic and then probably also all the others that I've already read." They're that good.
And that, my friends, is exactly what happened this week when the French cartoonist dropped "Kingdom Lost," a story that starts out with classic high fantasy and turns into something completely different.
Originally published as a set of odd, ominous webcomic stories, cartoonist Wes Craig's Blackhand Comics will see print in October as a graphic novel collection from Image.
Three stories make up the volume: "The Gravedigger's Union," "Circus Day," and "The Seed." From the looks of them, they're going to be great additions to any horror lover's spooky comics collection, and excellent Halloween reads.
Few publishers have been willing to take risks and expand their slate like Archie Comics has over the last several years. Once famous for old fashioned Americana, Archie has increased the diversity of its character roster, launched a number of well-received cross-promotions like its series with the band Kiss, welcomed real-world guest stars like Sarah Palin and Barack Obama to Riverdale, revived its line of superhero titles, and most surprisingly (and successfully), branched out into no-holds-barred horror with the smash hit mature-readers zombie title, Afterlife With Archie.
This October, Archie's banking on lightning striking twice when it debuts The Chilling Adventures Of Sabrina, a series that places the company's famous "teenage witch" in a world of deep psychological occult horror.
We sat down with the series' creative team of writer Roberto Aguirre-Sacasa and artist Robert Hack to ask some questions about their goals for Sabrina and to talk about how one undertakes such a radical re-envisioning of an established character.