Love Machines #4 is interested in romance and time and ideas; the black and white comic anthology is devoted to “love stories about technology with an eye to the past.” Written and published by Josh Trujillo through his Lost Key Comics line, Love Machines is, essentially, about relationships between people and objects through time.
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Over the past few weeks, Comixology has done a pretty amazing job of staying on top of DC's Convergence event with a string of sales based on the different eras that were brought into Bottleworld to fight it out. This week marks the end of Convergence and, along with it, the end of this particular set of sales, but they've decided to go out with a bang. In addition to some classic Bronze Age Justice League and fun, continuity-bending Booster Gold, they're shining the spotlight onto one of the greatest --- and most underrated --- DC books of the 21st Century: Kyle Baker's Plastic Man.
On April 29th, writer Kurtis Wiebe marked his return to horror comics with Pisces, a brand-new series from Image Comics with artist Johnnie Christmas and colors by Tamara Bonvillain. Although I’ve loved all of Wiebe’s work, it was Green Wake, his noir murder-mystery gothic drama with Riley Rossmo, that persuaded me that he was a writer with a natural gift for spinning scary stories, and I’d always hoped he would return to the genre.
After just one issue, it’s clear that Wiebe’s talents for building a terrifying world have grown immensely, and for readers who love surreal, nonlinear narratives, this title should be added to pull lists immediately.
Mad Max: Fury Road takes place in a world so full of detail and imagination that it shouldn’t come as a surprise to learn that director George Miller has a backstory for just about everything on screen. In the finished film, everything feels like it has a history. Every corner of every frame is alive.
Rather than confine this information to his imagination, Miller has put it in a comic book.
I've never liked the Transformers. The franchise didn't get its hooks into me as a kid, and while I've tried to give it a shot as an adult, it never really clicked. But now, with a recommendation from almost everyone I know and a well-timed Humble Bundle sale that left me with three years worth (and counting) of IDW's More Than Meets The Eye and Robots In Disguise comics, I'm going on a quest to see if these comics can turn me from someone who has never cared at all about Optimus Prime into someone who uses words like "Cybertron" and "alt-mode" with alarming regularity. And Primus help me, it's working.
This week, Orion Pax is back in action and back in time!
A-Force is an alternate reality limited series that's a part of the current Marvel Comics crossover event, Secret Wars. Written by G. Willow Wilson and Marguerite Bennett and drawn by Jorge Molina, it's been greatly anticipated due to its pile-up of Marvel's best and lesser-known female superheroes, leading many to believe that it would be an all-women adventure.
At first it seems like an island full of women, and then it seems like an island full of superheroes. It’s neither. It’s not. This is no Themyscira.
Noelle Stevenson's Nimona is not your typical fantasy comic heroine. I say that not because of her style, which includes a partially shaved head, with dyed hair and piercings; and not because of the way she dresses, which is in practical chain mail and leather adventuring gear; and not because of her build, which is short and stocky, in sharp contrast to the tall willowy male characters.
No, Nimona is not your typical fantasy comic heroine because Nimona is not a hero period. She's a villain.
At least, that's what she keeps telling the reader, and herself, and anyone who will listen in Stevenson's Nimona, the Lumberjanes co-creator's webcomic, which has recently been collected and published as an extremely charming, remarkably cerebral graphic novel.
John Allison and Lissa Treiman's Giant Days is a lot of things: fun, entertaining, silly, cute... but it also offers some interesting commentary on the world of the internet in issue 3. The gang at the center of Giant Days (Esther, Daisy, and Susan) encounter some crappy times with the internet that are all too reminiscent of real women's dealings with internet creeps. The story is handled with just enough humor and sincerity to make it thoughtful without being preachy. Spoilers ahead!
The Avengers are very famous indeed. After the success of their second movie as a team — and the tenth movie to feature any of the members — the Marvel heroes have a presence and profile in our culture like never before. It's a strange new reality to adjust to for those of us who remembers when co-workers, cousins and schoolmates had no knowledge of Iron Man or Black Widow, and perhaps only the vaguest idea about Captain America, and they thought of the Hulk as a sad man named David with flared trousers and a haunting piano theme.
Now millions know these characters and could probably pick them out of a line-up. But the non-comics audience knows slightly different versions of the characters than the ones we might be used to. Sometimes the changes made from page to screen are for the better, sometimes for the worse, and sometimes they're... just different. In the best cases, the movies offer brilliant new takes on the characters that inform and refresh their comic book counterparts. So with that in mind, where does Avengers: Age of Ultron leave the best-known versions of these heroes?
This article contains extensive spoilers for Avengers: Age of Ultron. It's been out for almost two weeks; you should have seen it by now.
I’ve never liked the Transformers. The franchise never really got its hooks into me when I was a kid, and while I’ve tried to give it a shot as an adult, it’s never really clicked. But now, with the recommendations of almost everyone I know and a well-timed Humble Bundle sale, I’ve found myself in possession of three years worth (and counting) of IDW’s More Than Meets The Eye and Robots In Disguise comics. I’m working my way through a story arc every week, and if I have to read about these robots, you’re coming with me.
This week, the Decepticons have a time machine. So, you know. That's not good.