Welcome back to All For the Wookiee, where we take a look at the recent Star Wars universe offerings from Marvel and pick the most Star Wars-ish moments to share with you, dear reader. We’re back in black with the second issue of Kieron Gillen and Salvador Larroca‘s new ongoing series about everybody's favorite Sith Lord, Darth Vader.
In Rafael Albuquerque and Mike Johnson's Ei8ht, a time-traveler named Joshua crash-lands in the Meld, an illogical place where past, present, and future seem to collide. With frequent jumps back and forth, messages from the past, and flashbacks to the future, it could be very difficult for readers to know when they are, if not for Albuquerque's ingenious use of color.
The sixth issue of the series, Guidebook, while certainly the D&D-style sourcebook of the event and a guide to Morrison's vision of the DC multiverse, is also a necessary section of the overall story, answering many questions and asking others, as well as providing the introduction of the Empty Hand, the series' true villain and master of the monstrous Gentry.
It's structured as stories within stories --- Marcus To draws a segment with Li'l Batman and Atomic Batman on Earth-42, while Paulo Siqueira illustrates the New Gods, Kamandi and the history of the DC Multiverse in an intercut sequence taking place on Earth-51. Both of these stories intersect with pages from the Guidebook itself, designed by Rian Hughes with illustrations by a large number of artists.
This week marks the release of Prince Valiant #1, and with it, the final building block in the foundation of Dynamite's increasingly weird "King" universe. Built around the King Features characters that are best known as newspaper strips --- and in the case of The Phantom, a Billy Zane movie that invited viewers to 'slam evil!' --- the line got its start in the Kings Watch crossover in 2013. While Flash Gordon has stuck around and been pretty fantastic, it's only in the last month that the rest of the characters have rolled out into their own books to flesh out the world.
Now, with everything in place, the King line has pulpy sci-fi, mystic adventure, superhero action and swords and sorcery from the days of King Arthur all jockeying for position and trying to come together as a cohesive unit. And to be honest, it's actually pretty awesome to see.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we’re officially dubbing Pointed Commentary.
This week: Both Queen siblings play out their death wishes, Nyssa al Ghul gets cagey, and a certain legally-distinct-from-Iron-Man flying suit of armor makes an appearance.
In Ryan Ferrier and Devaki Neogi's Curb Stomp, a gang of five women called the Fever protect their home turf from outside crews, stemming the flow of guns and drugs into Old Beach. When two rival gangs make a deal to push them out of their home, leader Machete Betty makes a decision that she regrets, pushing the Fever into a war they wanted nothing to do with. Comparisons with The Warriors are inevitable, but Curb Stomp stands on its own as a story that transcends the exploitation genre.
In the first issue of Cindy Moon’s ongoing series, it's artist Stacey Lee who makes this clear throughout, establishing boundaries in every aspect of the hero's life that mark her separation from a world that she's trying to reintegrate herself into, in a story that offers our first real look at how the character weaves her own web.
I like to think I do a pretty good job keeping up with what's out on the stands, but somehow, some way, I managed to completely miss IDW's Ragnarok from Walt Simonson, Laura Martin, and John Workman, until just this week --- and believe me, I'm kicking myself for it. Ragnarok offers action-packed high adventure and sweeping storytelling from some of my favorite creators in comics, with a story that hooked me from the first page.
Of course, the bright side to coming late to the book is that I managed to catch up on the first three issues all at once rather than wait, and with how much I loved it, I'm pretty sure the bimonthly schedule that the book seems to be on would've been a nightmare. If you've been on the fence about picking up Ragnarok, here's five good reasons to give it a shot.
Welcome back to All For the Wookiee, where we take a look at the recent Star Wars universe offerings from Marvel and pick the most Star Wars-ish moments to share with you, dear reader. Today we're ready to take on the Dark Lord of the Sith himself in the first issue of Kieron Gillen and Salvador Larocca's new ongoing series, Darth Vader.
I've written before about how one of the best things about Batman is how adaptable he is as a character. Owing largely to the fact that he descends from pulp vigilantes but was refined for the world of superheroes, he can work in almost any kind of story, from gritty, street-level crime to world-traveling adventure, and even the occasional trip to space alongside the Justice League. But the one thing that you very rarely see from Batman is a story where he has to deal with the supernatural.
I think there's a good reason for that, and it has a lot to do with his origin. Ghosts and demons and other assorted haints are, after all, an indication of an afterlife, and the more you remind readers that, in comics at least, death is a transitional inconvenience rather than a permanent state of being, the more they start to wonder just why this guy is so mad about a couple of murders. But that said, it has been done on occasion, and it has never, ever been done as well as it was in Peter Milligan, Kieron Dwyer, Dennis Janke and Mike Mignola's Dark Knight, Dark City, which is out this week in a new paperback.
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