The Netflix Daredevil panel took place at New York Comic-Con on Saturday evening, and the biggest revelation is that Rosario Dawson is not playing any of the characters anyone guessed she might be playing. In fact she's playing a relatively obscure supporting character from the Luke Cage comics of the 1970s, Claire Temple.
Those lucky enough to attend the panel were treated to a preview clip that showed Temple, a nurse, tending to a wounded Matt Murdock (Charlie Cox). Other clips showed Daredevil rescuing Karen Page (Deborah Ann Woll) from a mugger, Vincent D'Onofrio as the Kingpin, and first glimpse inside the law offices of Nelson & Murdock. Following the panel, Marvel released images showing the first official glimpses of Daredevil, both in an early costume and in his civilian identity.
Marvel Television has released the first teaser for its forthcoming Guardians Of The Galaxy animated series, set to air next year on the Disney XD channel. The clip introduces viewers to two of the animated cast -- Rocket Raccoon in gun-toting action, and Star-Lord offering up a taste of his best cocky swag -- and provides a taste of the show's fast-moving, neon-heavy animation style.
The animated series was "announced" at New York Comic-Con on Friday (it's been announced at least twice previously, including at San Diego Comic-Con, but people have short memories for things they haven't see). No official launch date has been given, as the series is still in production.
The premiere episode of The Legend of Korra’s fourth and final season finds the Earth Kingdom navigating choppy waters. In the three years since season 3’s finale, Kuvira has gone from the seemingly content captain of Su Yin’s guard to the “Great Uniter” of a fractured world. She has 90% of the Earth Kingdom under her thumb and, as we learn over the course of the episode, has accomplished this through a campaign of forced labor, manipulation of resources, and a burgeoning cult of personality.
We watch as the governor of Yi, initially committed to independence, is brought to heel by the lawless reality of his state and the temptations of Kuvira’s “generous proposal” of takeover. Idealists like Bolin and Baatar Jr. have joined her cause, as have opportunists like Varrick. Figures of murkily extrajudicial power, like Kai and Opal, urge caution in the face of her might, but by the end of the episode, that’s all they can do—urge caution.
When it comes to Gotham, two things are clear. One, the Fox crime drama purported to portray the origins of Batman and his criminal counterparts isn’t committed to much precision around the 75-year old mythos. Second, rather than tell the story of the unique and complex process of becoming Batman — a progressive evolution wherein a fearful, inexperienced but persistent youngster is shaped into an unlikely superhero — the show shortcuts to a nearly fully-formed Bruce Wayne in the body of an 11-year old kid.
Collecting police files. Testing endurance. Sneaking up on people. Unless we’re to believe the first three episodes take place in Bruce’s imagination as some part of a posttraumatic delusion, these are hardly behaviors we’d expect to see in a young boy immediately following parental loss — even for one who will grow up to be Batman. The only things missing are his cape and cowl. So for those who get a giggle out of watching a kid play detective and refuse psychotherapy, Gotham delivers. When it comes to villains, classic and original, the show has much more to offer.
The CW’s superhero series Arrow re-imagines Green Arrow for a TV audience as a tough, often ruthless vigilante bent on setting things right in his home of Starling City by punishing the wicked. ComicsAlliance’s Matt Wilson is back for the third season of the popular series in our recap feature we're officially dubbing Pointed Commentary.
This week: Smoak and Oliver try going on a date (with explosive results), Dig becomes a dad, and Peter Stormare barely says one intelligible word.
To understand what I’m about to tell you, you need to do something first. You need to believe that I have merely a basic working knowledge of the character of the Flash, The Fastest Man Alive and the star of the CW’s latest small-screen superhero adaptation. But for some reason, when ComicsAlliance Editor In Chief Andy Khouri was looking for volunteers to recap The Flash, my hand shot up. Maybe it’s because I had a huge fondness for the 1990, John Wesley Shipp-fronted live action series. Maybe it’s because I just like the character of the Flash in the (realtively) few instances I’ve read his comics or seen him on the Justice League cartoons. Maybe it’s just because in every promo image of the lead character I’d seen, the dude was smiling. Maybe it’s all of those things. Maybe it’s some other reason entirely.
My name is Dylan Todd. I’m the Flashest Recapper Alive. Welcome to the inaugural installment of our weekly Flash recaps, titled Up To Speed. (Get it? Because he runs fast and also we catch you up on what happened in the show.) Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn’t and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: The Flash.
We live in thrilling times, friend; a miraculous age where Agents of SHIELD isn't awful and I don't dread recapping it. Yes, the show continues its second season renaissance with an episode that uses the characters, the villains, and the SHIELD versus HYDRA dynamic to good effect.
'Making Friends And Influencing People', directed by Bobby Roth and written by Monica Owusu-Breen, reveals what Agent Simmons has been doing this whole time when she hasn't been Tyler Durden-ing Fitz. She's been working for HYDRA! OMG! Plus, the return of a nearly-villain from season one.
Oh, Gotham. You’re a show about the city that created Batman. The city that raised Poison Ivy, Catwoman, and the Penguin. With so much about these characters’ behavioral profiles already established by DC Comics, don’t you have at least a basic responsibility to teach us something about the development, manifestation and course of psychopathology? We’re watching because we want to know what led these characters down such crooked paths, and how Bruce Wayne rose out of his trauma to create the formidable crime-fighter we know as the Dark Knight. We already know the future’s end, so tell us something worthwhile about the beginnings. It’s the least you can do.
Last week, Agents of SHIELD came back strong, and not, "oh, it's better than it was" strong, but "oh, it might actually be good" strong, with the new ragtag outsider premise making for much more interesting dynamic -- and the use of the Absorbing Man pushing all the right nerd buttons.
This week's episode, 'Heavy Is The Head', directed by Jesse Bochco and written by Paul Zbyszewski, picks up where last week's ended -- but can it keep up the pace, the energy, and the quality? Has Agents of SHIELD ever had two good episodes in a row? Could this be that blessed day? Find out, thanks to our ComicsAlliance-exclusive S.H.L.E.I.D. recap system.
Since the launch of the New 52 reboot in 2011, DC Comics has seemingly gone out of its way to find new ways to make its superhero darker. Its current Futures End weekly comics event is one in which everything has become even more dour and depressing in the span of five (narrative) years, for example.
But there's one character that DC writer Geoff Johns simply can't view as dark, however: The Flash. In an interview with Nerdist, former Flash comics writer Johns answered a question about the lighter tone of the new The Flash TV series by saying that Barry Allen simply can't be a gloomy character.
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