The fifth episode of Agents of SHIELD's second season is in a sense the episode some fans have been waiting for since the show began; it's the first episode to ever introduce a fully fledged comic book superhero into the cinematic universe. If you've somehow avoided spoilers until now, I'll avoid saying more until we're safely inside the recap.
That big event aside, 'A Hen In The Wolf House' by director Holly Dale and writer Brent Fletcher, is an oddly uneven episode. It's so preoccupied with the show's big mysteries that it lacks the focus that has made this season so much stronger than last. But it still has some great moments, as we'll uncover in our SHLEID recap.
Welcome back to Up To Speed, home of the the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn't and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Flash.
This week, we’re looking at the third episode episode of the first season, which finds The Flash squaring off against a man who can turn into a cloud. You will believe a man can cloud in this week’s episode, “Things You Can’t Outrun”!
By now we've seen 'The Simpsons' tackling a number of pop-culture funhouse mirrors of themselves, from the recent 'Family Guy' crossover to last season's LEGO installment, and this year's "Treehouse of Horror" is no different. Watch Homer, Marge, Lisa, Bart and Maggie meet not only their Tracey Ullman counterparts, but countless more parodying anime, 'Adventure Time,' 'Archer' and more from last night's Halloween special!
Now that six additional episodes of the crime drama Gotham have been ordered by Fox, we’re looking toward a full 22-episode first season. Although ratings have dropped since the pilot (Sleepy Hollow, also on Fox, was one of only three shows ranked below Gotham Monday night), the series about Batman’s beginnings has managed to hold a firm grip on at least 75% of its audience.
One problem cited by critics familiar with the Batman mythos is Gotham’s inclusion of too many characters (with forced relationships) at the onset. Like an all-you-can-eat buffet, the overstocked spread leaves us inexplicably unsatisfied. On the other hand, whiffs of treats about the city itself – its cavernous sewer system, detached outskirts, and now, the Arkham District – keep us lingering around for something savory.
The fourth season of Agents of SHIELD's second season will probably be remembered mostly for its fightin' -- both because the fightin' was memorable and because the rest of the episode wasn't especially. But that doesn't mean the show's regressed to season one levels, even in spite of so many season one plots stinking up the place.
So what was good, what was bad, and what wonderful new treats from the Marvel Universe did the show throw at us this week? (Prepare to be disappointed on that front.) ComicsAlliance has all the answers in our patent-pending SHLEID recap of 'Face My Enemy', directed by Kevin Tancharoen and written by Drew Z. Greenberg.
Welcome back to Up To Speed, home of the Flashest Recaps Alive. Here we’ll recap the episodes, dispense some Flash Facts and talk about what works, what doesn't, and where the series might be headed, as we try and keep up with the adventures of Central City’s finest hero, Barry Allen: aka the Red Blur, aka The Flash. This week, we’re looking at the second episode of the inaugural season, titled “The Fastest Man Alive.” How does it stack up against last week’s (pretty good, actually) pilot? Read on and see Flash…natics?
The Netflix Daredevil panel took place at New York Comic-Con on Saturday evening, and the biggest revelation is that Rosario Dawson is not playing any of the characters anyone guessed she might be playing. In fact she's playing a relatively obscure supporting character from the Luke Cage comics of the 1970s, Claire Temple.
Those lucky enough to attend the panel were treated to a preview clip that showed Temple, a nurse, tending to a wounded Matt Murdock (Charlie Cox). Other clips showed Daredevil rescuing Karen Page (Deborah Ann Woll) from a mugger, Vincent D'Onofrio as the Kingpin, and first glimpse inside the law offices of Nelson & Murdock. Following the panel, Marvel released images showing the first official glimpses of Daredevil, both in an early costume and in his civilian identity.
Marvel Television has released the first teaser for its forthcoming Guardians Of The Galaxy animated series, set to air next year on the Disney XD channel. The clip introduces viewers to two of the animated cast -- Rocket Raccoon in gun-toting action, and Star-Lord offering up a taste of his best cocky swag -- and provides a taste of the show's fast-moving, neon-heavy animation style.
The animated series was "announced" at New York Comic-Con on Friday (it's been announced at least twice previously, including at San Diego Comic-Con, but people have short memories for things they haven't see). No official launch date has been given, as the series is still in production.
The premiere episode of The Legend of Korra’s fourth and final season finds the Earth Kingdom navigating choppy waters. In the three years since season 3’s finale, Kuvira has gone from the seemingly content captain of Su Yin’s guard to the “Great Uniter” of a fractured world. She has 90% of the Earth Kingdom under her thumb and, as we learn over the course of the episode, has accomplished this through a campaign of forced labor, manipulation of resources, and a burgeoning cult of personality.
We watch as the governor of Yi, initially committed to independence, is brought to heel by the lawless reality of his state and the temptations of Kuvira’s “generous proposal” of takeover. Idealists like Bolin and Baatar Jr. have joined her cause, as have opportunists like Varrick. Figures of murkily extrajudicial power, like Kai and Opal, urge caution in the face of her might, but by the end of the episode, that’s all they can do—urge caution.
When it comes to Gotham, two things are clear. One, the Fox crime drama purported to portray the origins of Batman and his criminal counterparts isn’t committed to much precision around the 75-year old mythos. Second, rather than tell the story of the unique and complex process of becoming Batman — a progressive evolution wherein a fearful, inexperienced but persistent youngster is shaped into an unlikely superhero — the show shortcuts to a nearly fully-formed Bruce Wayne in the body of an 11-year old kid.
Collecting police files. Testing endurance. Sneaking up on people. Unless we’re to believe the first three episodes take place in Bruce’s imagination as some part of a posttraumatic delusion, these are hardly behaviors we’d expect to see in a young boy immediately following parental loss — even for one who will grow up to be Batman. The only things missing are his cape and cowl. So for those who get a giggle out of watching a kid play detective and refuse psychotherapy, Gotham delivers. When it comes to villains, classic and original, the show has much more to offer.
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