I wouldn't be surprised if most of you weren't familiar with the work of painter/colorist/computer graphic artist Jose Villarrubia, with the possible exception of his gorgeous work adapting Alan Moore's Voice of the Fire and The Mirror of Love, both published by Top Shelf Productions. Never
In June of 2006, Alan Moore and the folks at Top Shelf were informed by the Great Ormond Street Hospital that publication of LOST GIRLS in the UK would infringe upon GOSH's copyright on Peter Pan. Top Shelf denied any copyright-wrong-doing but eventually agreed that the book would not be
For those of you who are friends -- or enemies -- of Eddie Campbell, choose the caption that best explains -- for your amusement -- the bandage on the Maestro's noggin:
1. Thank you, Anne!
2. OK, it is a graphic novel...
3. Alan doesn't like you anymore.
4. Callum, I've decided to give you a raise after all...
My day began with a fruitless search for the charger for my camera's battery, followed by an equally fruitless search for a store that might sell me a replacement, so I'm afraid I must begin with an apology for the lack of on-the-scene photos
Despite my best intentions -- also lacking the time and a plane ticket -- I'll be very sorry about missing this weekend's Small Press Expo (SPX) in Bethesda, Md., one of the most enjoyable weekends of any year fo
Matt Kindt is not yet a household name in the comics field, and this fact borders on the criminal. You see, Kindt has quietly been producing noir masterpieces with almost frightening consistency for a number of years now, first in collaboration with Jason Hall (Pistolwhip volumes 1 and 2, and Mephisto and the Empty Box), and then on his own as the writer/artist of 2 Siste