Comic artist Edvin Biukovic died fifteen years ago this month at just 30 years old. His death was obviously a terrible loss to those who knew and loved him. It was also a terrible loss to the comic industry; Biukovic never received the level of lasting acclaim or recognition that his talent deserved, and produced relatively few works. Yet he was one of the finest comic artists of his generation.
Biukovic published several works in his native Croatia that have sadly never been translated. His finished English-language works include a couple of Star Wars stories published at Dark Horse, and the first of Peter Milligan's Human Target stories for Vertigo. One work stands as his masterpiece; Devils And Deaths, written by his long-time friend and collaborator Darko Macan, and published by Dark Horse, is a science fiction story about a country torn apart by ancient grudges and tribal conflicts, and of the desperate people trying to eke out a purpose in the midst of war.
While most of us have been very occupied with the more major superhero movie news out of Marvel and DC, we haven’t forgotten about another DC project in development over at Warner Bros.: Joseph Gordon-Levitt’s adaptation of Neil Gaiman’s ‘Sandman,’ which has been in development for quite a while now. First announced late last year, it’s been a while since we’ve heard any news about the project, but Gordon-Levitt and writer David Goyer finally have an update for us.
Gail Simone, longtime comic book writer for DC Comics (and snarky Twitterer), is in the midst of a career evolution at the moment. Simone's comics work started with the Women in Refrigerators website, which was a commentary on how female characters are all-too-often mistreated in comics (named after the 1990s story in which Green Lantern Kyle Rayner discovers his girlfriend's body stuffed in his refrigerator). WIR became an important part of the discussion of how female characters are treated in superhero comics - a discussion that continues today. Simone's work on WIR led to a column at Comic Book Resources titled "You'll All Be Sorry" and the humor in that column in turn led to Simone working on Simpsons comics.
It was her entry into superhero comics, however, that permanently shifted Simeone's career. Although she worked for Marvel a bit, including a run on Deadpool and then Agent X, Simone has primarily made her home at DC over the last decade. Popular books like Birds of Prey, Secret Six, Wonder Woman, Batgirl, and others solidified Simone as super hero writer with an outspoken fan base.
Now Simone is in a brand new position: that of a non-exclusive freelancer. For many creators, this can be a difficult hustle, as the shift from guaranteed work minimums to having to look for gigs can be a struggle. Simone seems to be thriving, however. Between working on various Red Sonja projects at Dynamite and writing a Tomb Raider series at Dark Horse, Simone is also still working at DC, with a Vertigo series called Clean Room on the way and preparing to relaunch of fan-favorite Secret Six, which is in stores on December 3.
In part one of this in-depth two-part interview, Simone spoke with ComicsAlliance about Women in Refrigerators, women in comics, and her occasionally tense time at DC.
If you’re like some of the ComicsAlliance staff, you have a great affection for deluxe edition books that offer historical overviews of various pop culture topics, reprint the great works of the comics medium, and/or collect classic storylines (and supplement them with all kinds of bonus material)… And with the gift-giving season now in full swing, you're likely looking for the perfect gifts for your follow geeks (or possibly, wanting to give your relations some suggestions for things you'd like this year, in lieu of another ill-fitting sweater). So as a public service, we've compiled this list of some of the best expensive, large, and mind-blowingly ornate titles that you can find at your local comic shop or from online booksellers.
Who doesn't love a good postmodern murder mystery? Boring people, that's who. Dull, uninspired, abandoned buildings pretending to be human beings who prefer their detective stories to be streamlined and logical, with a series of clues that can be interpreted to lead to a definite answer, and no funny business with fragmentation, parallel narratives, or the sudden appearance of the author in their own story.
If, however, you're an interesting, exciting, attractive person with an undeniable elan, Vertigo's Bodies might be more your style. Written by Si Spencer and drawn by a team of four artists, Bodies takes place in four distinct time periods ranging from the 19th century to the far future, where four detectives investigate four identical murder cases. Not just identical in that it's the same M.O., with the exact same injuries and found in the exact same spot throughout time; identical in that, over a span of 160 years, it's the same body.
Most comics tend to have a high-concept fueling them; some twist which reveals the characters live in a heightened world where readers can’t predict what will happen next. The rules keep changing, and that’s how we define the characters we read. The cast of Fables could have anything happen to them in each issue – their capacity to endure the fantastical is one of their central traits. By contrast, the first issue of Vertigo's new eight-part miniseries The Kitchen is set in a totally real, unfiltered world, where the characters and setting feel authentic and full. The central trait of this series is that is starts from such a relatively unremarkable premise and does so much with it.
From Ollie Masters, Ming Doyle, and Jordie Bellaire, The Kitchen surprises from the concept on. This is kitchen-sink drama, the type Michael Gambon and Julie Walters might’ve appeared in twenty years ago, but with an updated, contemporary sense of space and character. Rather than the typical angry young man, here we have three very angry women. Set in the wilds of Hell’s Kitchen in the 1970s, the ice in their hearts and fire in their fists promises that something's eventually going to crack.
In the overwhelmingly male comic book industry, it has been a challenge for some editors and readers to see the ever growing number of talented women currently trying to make a name for themselves. With that in mind, ComicsAlliance offers Hire This Woman, a recurring feature designed for comics readers as well as editors and other professionals, where we shine the spotlight on a female comics pro on the ascendance. Some of these women will be at the very beginning of their careers, while others will be more experienced but not yet “household names.”
Cartoonist Carla Berrocal writes, draws, colors, and letters her comics. She has published comics in her home country of Spain and is a contributor to Vertigo's Dial H and CMYK: Magenta anthology. She is currently at work on an original graphic novel.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions, graphic novels, toys, statues and other collectibles going on sale in January 2014 (and in some cases beyond) from the publisher’s New 52 superhero line; the mature readers Vertigo imprint; the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles; and the limited edition products from DC Collectibles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
As Vertigo's two currently longest-running series head to a close -- Bill Willingham's Fables and Mike Carey and Peter Gross's The Unwritten -- the DC imprint is doubtless looking for new series with long-term potential to run alongside FBP, Astro City, and American Vampire.
At New York Comic-Con on Friday the publisher announced two titles that might fit the bill, both from DC writers making their Vertigo debut. Grayson writer Tim Seeley will team with former Madame Xanadu artist Marley Zarcone on Effigy, while once and future Secret Six author Gail Simone and former 2000 AD artist Jonathan Davis-Hunt are the team behind Clean Room.
New Line Cinema's rights to the Vertigo series Y: The Last Man have officially lapsed, reverting back to creators Brian K. Vaughan and Pia Guerra, according to director Dan Trachtenberg.
The studio announced early last year that Trachtenberg -- who doesn't have any features to his credit, only a handful of short films, including a very well-received Portal film -- would helm the project. He and the studio only had a limited window of time to get a movie finished, and that time has come and gone.
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