The producers of NBC's new series Constantine were very chatty at the Television Critics Association meeting this weekend about the series, on topics ranging from lead actress Lucy Griffith's departure from the series to whether the show will explore the magical corners of the DC Universe.
Blastr reported that Executive Producer David S. Goyer says that there's the distinct possibility that lots of DC's occult characters will show up on the show, while Variety quoted him as saying the show won't explore Constantine's bisexuality any time soon. Below are some highlights from the different reports.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions and graphic novels going on sale in October 2014 (and in some cases beyond) from the publisher’s New 52 superhero line, the mature readers Vertigo imprint, and the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
While I was playing the final episode of Telltale Games' first season of its Fables prequel game, The Wolf Among Us, I was struck by just how many genres it cycles through before its conclusion. It's a locked-parlor mystery. Then it's an action movie. There's melodrama in there. One scene is straight-up horror. Then it's a legal drama.
Previous episodes covered even more genre territory, from noir to surreal fiction to police procedural, but it wasn't until this episode that it dawned on me that Telltale was honoring the storytelling style of Fables, which started as a whodunnit and quickly became beyond categorization in its genre-hopping. Fables isn't just a series about storybook characters, it's a story about stories, and Telltale gets that. This final episode, "Cry Wolf," absolutely proved it.
In its penultimate episode, the Telltale Games Fables prequel series The Wolf Among Us went to some dark, surreal places. Next week, the first-season finale, "Cry Wolf," will be available on Xbox Live, PlayStation Network, iOS and Steam, and, if the trailer is any indication, it seems to promise to snap things back to a violent, seedy reality.
Then again, maybe it doesn't.
(Warning: Minor spoilers for the first four episodes of The Wolf Among Us ahead.)
Comics fans are likely to at least have some familiarity with New York City's Hell's Kitchen neighborhood as a setting for crime stories -- the area provides a location for many of Marvel's Daredevil comics. In reality, the area has been substantially gentrified since the early 1990s -- and Daredevil doesn't really live there.
That's why artist Ming Doyle (Mara) and writer and comics newcomer Ollie Masters are taking things back to the 1970s for their eight-issue Vertigo Comics series The Kitchen, when the neighborhood was still under-developed and plagued by crime. The series follows the lives of three mob wives whose husbands get shipped off to prison, leaving them to take up the family business. Check out covers, preview art, and a video interview with editor Will Dennis.
When it started back in 2002, the premise of Bill Willingham's Vertigo series Fables seemed to be pretty simple: characters from fairy tales inhabiting a modern world. Nearly 12 years and 140 issues later, it's clear that isn't 100 percent accurate. The series has evolved to be as much about creating new fairy tales as it is about the modern-day area of New York City known as Fabletown, and it became as much about the characters' pasts as it was about their presents.
That's more than evident in the opening pages of Fables #141, the issue that kicks off the 10-part, series-ending "Happily Ever After," by Willingham, Mark Buckingham (the artist who drew the bulk of the series), Andrew Pepoy, Steve Leialoha and Lee Loughridge. A new piece of lore sets up the inevitable conflict that will see the series through to its conclusion. It's an elegant piece of storytelling, and the rest of the issue is similarly understated in a way that builds toward a climax, but doesn't reveal too much. It's all table setting, but it's one very nicely set table.
OK, here's the first weird part: Dynamite Entertainment and DC Comics are teaming up to release a comic series in which Django, the revenge-seeking slave from the movie Django Unchained, will meet Zorro, the guy who marks things with Z's.
Now for the really weird and also cool part: Quentin Tarantino, the director of Django Unchained, is co-plotting the series alongside Grendel creator Matt Wagner. Reginald Hudlin, who wrote the acclaimed comic adaptation of Django Unchained for Vertigo, will serve as editor of Django/Zorro.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions and graphic novels going on sale in September 2014 (and in some cases beyond) from the publisher’s New 52 superhero line, the mature readers Vertigo imprint, and the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show several days before the full podcast goes up at WarRocketAjax.com on Mondays.
This week, Chris and Matt dig deep into talking about DC Comics Co-Publisher Dan DiDio as a businessman and as a comics creator in their discussion of his new series with Keith Giffen, Infinity Man and the Forever People. Then they pivot to talk about two great starting-point issues in the middle of series runs: Kurt Busiek and Brent Anderson's Astro City #13, and Ian Flynn and Jamal Peppers' Mega Man #37.
Let it never be said Scott Snyder and Sean Murphy's Vertigo Comics series The Wake didn't keep readers on their toes. From issue one, the creators have seemingly been committed to pivots, swerves, and complete turnarounds. It's even changed genre a few times.
This week, in the series' penultimate issue, readers will find Leeward, the heroine of the series' second half, about to reach a big breakthrough after traveling the globe seeking a connection to Lee Archer, the heroine of the first five issues. Just FYI, they two characters are separated by about 200 years and one giant, apocalyptic, flood, so it's quite an adventure.
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