Creators Scott Snyder and Sean Murphy's mind-bending, centuries-spanning Vertigo Comics horror/sci-fi series The Wake comes to an end today, and it has covered a lot of ground in its 10 issues -- which is quite an accomplishment for a book that takes place in a world almost entirely covered by water.
A mix of horror and mythology spanning three different time periods, The Wake features a group of scientists, led by Dr. Lee Archer, attempting to uncover the secrets of a vicious Merman-like creature captured by the U.S. government. As Dr. Archer and her team do their best to discover the truth, the creature -- with the ability to invade their thoughts, granting them each what they believe to be their heart's desires -- has other plans. The creature unlocks many of mankind's myths of the sea -- and, consequently, itself -- and propels a wild-eyed, high adventure narrative that traverses centuries and brings in monsters, pirates, super-science, post-apocalyptic cultures and some of the most haunting psychological horror Vertigo's published in years.
Throughout, the Eisner-winning series has taken the emotional, intellectual and philosophical and made them manifest on the page with some highly innovative and bold storytelling techniques, such as when, after five issues of following Dr. Lee's adventure, the book jumps hundreds of years into the future to focus on a new protagonist and her cybernetic dolphin. The final issue takes that approach to a whole other level, telling a creation myth while providing closure for the characters. It's quite an accomplishment, and we talked with Snyder and Murphy about how they pulled it off.
With more than 200 panels to choose from at San Diego Comic-Con on Thursday alone, the programming at the show can be completely overwhelming -- and it's far too easy to miss a panel you know you might have loved, or to find yourself on the wrong side of the con floor five minutes before a great panel is about to start!
Take heart, brave reader. ComicsAlliance has sifted through the schedule to offer up our pick of the best panels, screenings, and events, starting with programming for Thursday 24th July -- with an emphasis, of course, on comics programming.
A nomination for a Harvey Award, named for legendary MAD Magazine cartoonist and editor Harvey Kurtzman, is unquestionably the most prestigious honor that has ever been bestowed on a comic book about NASCAR. Seriously. It happened in 2009 with NASCAR Heroes.
The Harvey Awards have released the list of this year's nominees. As you might expect, the usual suspects like Hawkeye and Daredevil were honored, along with other nomination leaders Saga and Quantum and Woody. Archie, Valiant and Image all received a good amount of nominations, but it's BOOM! Studios, along with its Archaia imprint, that earned the most recognition with 26 nominations; well more than any other publisher.
The producers of NBC's new series Constantine were very chatty at the Television Critics Association meeting this weekend about the series, on topics ranging from lead actress Lucy Griffith's departure from the series to whether the show will explore the magical corners of the DC Universe.
Blastr reported that Executive Producer David S. Goyer says that there's the distinct possibility that lots of DC's occult characters will show up on the show, while Variety quoted him as saying the show won't explore Constantine's bisexuality any time soon. Below are some highlights from the different reports.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions and graphic novels going on sale in October 2014 (and in some cases beyond) from the publisher’s New 52 superhero line, the mature readers Vertigo imprint, and the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
While I was playing the final episode of Telltale Games' first season of its Fables prequel game, The Wolf Among Us, I was struck by just how many genres it cycles through before its conclusion. It's a locked-parlor mystery. Then it's an action movie. There's melodrama in there. One scene is straight-up horror. Then it's a legal drama.
Previous episodes covered even more genre territory, from noir to surreal fiction to police procedural, but it wasn't until this episode that it dawned on me that Telltale was honoring the storytelling style of Fables, which started as a whodunnit and quickly became beyond categorization in its genre-hopping. Fables isn't just a series about storybook characters, it's a story about stories, and Telltale gets that. This final episode, "Cry Wolf," absolutely proved it.
In its penultimate episode, the Telltale Games Fables prequel series The Wolf Among Us went to some dark, surreal places. Next week, the first-season finale, "Cry Wolf," will be available on Xbox Live, PlayStation Network, iOS and Steam, and, if the trailer is any indication, it seems to promise to snap things back to a violent, seedy reality.
Then again, maybe it doesn't.
(Warning: Minor spoilers for the first four episodes of The Wolf Among Us ahead.)
Comics fans are likely to at least have some familiarity with New York City's Hell's Kitchen neighborhood as a setting for crime stories -- the area provides a location for many of Marvel's Daredevil comics. In reality, the area has been substantially gentrified since the early 1990s -- and Daredevil doesn't really live there.
That's why artist Ming Doyle (Mara) and writer and comics newcomer Ollie Masters are taking things back to the 1970s for their eight-issue Vertigo Comics series The Kitchen, when the neighborhood was still under-developed and plagued by crime. The series follows the lives of three mob wives whose husbands get shipped off to prison, leaving them to take up the family business. Check out covers, preview art, and a video interview with editor Will Dennis.
When it started back in 2002, the premise of Bill Willingham's Vertigo series Fables seemed to be pretty simple: characters from fairy tales inhabiting a modern world. Nearly 12 years and 140 issues later, it's clear that isn't 100 percent accurate. The series has evolved to be as much about creating new fairy tales as it is about the modern-day area of New York City known as Fabletown, and it became as much about the characters' pasts as it was about their presents.
That's more than evident in the opening pages of Fables #141, the issue that kicks off the 10-part, series-ending "Happily Ever After," by Willingham, Mark Buckingham (the artist who drew the bulk of the series), Andrew Pepoy, Steve Leialoha and Lee Loughridge. A new piece of lore sets up the inevitable conflict that will see the series through to its conclusion. It's an elegant piece of storytelling, and the rest of the issue is similarly understated in a way that builds toward a climax, but doesn't reveal too much. It's all table setting, but it's one very nicely set table.
OK, here's the first weird part: Dynamite Entertainment and DC Comics are teaming up to release a comic series in which Django, the revenge-seeking slave from the movie Django Unchained, will meet Zorro, the guy who marks things with Z's.
Now for the really weird and also cool part: Quentin Tarantino, the director of Django Unchained, is co-plotting the series alongside Grendel creator Matt Wagner. Reginald Hudlin, who wrote the acclaimed comic adaptation of Django Unchained for Vertigo, will serve as editor of Django/Zorro.
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