New Line Cinema's rights to the Vertigo series Y: The Last Man have officially lapsed, reverting back to creators Brian K. Vaughan and Pia Guerra, according to director Dan Trachtenberg.
The studio announced early last year that Trachtenberg -- who doesn't have any features to his credit, only a handful of short films, including a very well-received Portal film -- would helm the project. He and the studio only had a limited window of time to get a movie finished, and that time has come and gone.
That fan response to Marvel's Spider-Gwen one-shot Edge of Spider-Verse #2 was so profound can be chalked to a number of important factors that we've covered before, but perhaps none as crucial as the exhilarating visuals created by artist Robbi Rodriguez and colorist Rico Renzi. The duo earned praise from us and others for introducing a kind of crackling, almost reckless sense of energy and fun into an already aesthetically diverse Marvel Universe (or alternate universe, as the case may be).
But this came as no surprise to readers of FBP: Federal Bureau Of Physics, the Vertigo series Rodriguez and Renzi launched last year with writer Simon Oliver. FBP's mantra is "the impossible is always possible" thanks to its universe's occasional and frequently catastrophic breakdown of all known laws of physics. It's a premise that allows artists to be artists, and Rodriguez and Renzi dive wildly into their talents for hugely expressive, hypercolored images that -- along with routinely gorgeous covers by Nathan Fox -- have made FBP one of the most visually compelling American comics around at the moment.
Writers Seth Rogen and Evan Goldberg are slowly but surely working on the pilot for AMC's new TV adaptation of the Garth Ennis/Steve Dillon Vertigo series Preacher, and as they write, it appears they're also recruiting cool directors.
Rogen struck up a Twitter conversation with Duncan Jones, director of Moon (which is super great) and Source Code (which is flawed but well made) -- and also, incidentally, the son of David Bowie -- to gauge his interest. Right now, Jones is working on a Warcraft movie, but he seemed extremely enthusiastic about taking the reins on some Preacher episodes.
Courtesy of DC Comics, ComicsAlliance brings you an advance look at new periodical comic books, collected editions, graphic novels, toys, statues and other collectibles going on sale in December 2014 (and in some cases beyond) from the publisher’s New 52 superhero line; the mature readers Vertigo imprint; the DC Entertainment brand of special projects, digital-first, all-ages and licensed titles; and the limited edition products from DC Collectibles. All of the following books can be purchased at finer comic book shops, where you can also pre-order your selections to ensure you’ll get a copy before they sell out.
Today sees the release The Names #1 by Peter Milligan and Leandro Fernandez. Published by Vertigo and described as Kill Bill meets The Wolf Of Wall Street, the book tells the story of Katya Walker, a woman who is thrown into a web of financial and technological intrigue after the sudden suicide of her husband -- a suicide that we learn in the first pages of issue #1 was not committed out of despair but at the behest of a man called the Surgeon, working for a world-dominating cabal of financiers known only as the Names. Dubious that her husband would take his own life, Katya's search for the truth takes the reader through a violent, decadent and technologically advanced world of money and power that teaches the young woman not just about the chilling reality of how the world works, but about the role her husband was subtly preparing her to take should the Names ever go too far.
Drawn in a wildly expressive and sexy style by Leandro Fernandez with delicate, mood colors by Cris Peter, The Names is has some aesthetic and narrative similarities to Vertigo's revenge epic 100 Bullets, but with a very contemporary theme obviously inspired by current events such as the Global Economic Crisis and, presumably, the enduringly frustrating fact that its cruel architects have not been brought to justice.
ComicsAlliance sat down with Milligan to talk about the real-world inspiration for The Names, his plans for the project, and to break down some special moments from its first issue.
Since it began nearly 20 years (!) ago, writer Kurt Busiek and artist Brent Anderson's Astro City has offered up superhero tales from the perspective of the regular humans who encounter them. Clearly, it's proven to be a concept with some serious longevity. The creative team is still coming up with fresh concepts.
Take the newest issue for example. On sale now, issue #14 of the Vertigo series focuses on an elderly woman named Ellie who runs a roadside museum -- the kind one often finds on long drives out West -- full of what seem to be busted-up robot henchmen. To the superheroes who destroyed them on their way to taking down a supervillain, they were just another obstacle. To Ellie, they're showpieces, and, as the title indicates, friends.
Paul Pope is one of comics' most respected and versatile talents. Over the past three decades, he's produced an amazing body of work, from his breakthrough self-published THB series to a number of acclaimed projects for DC/Vertigo. Last October, he unleashed his long-awaited Battling Boy graphic novel, which became a bestseller and won "Best Publication For Teens" at the Eisners last month. This coming September, First Second will publish the first of three tie-in volumes, The Rise Of Aurora West, written by Pope and J.T Petty, with art by David Rubin.
We sat down with Pope at the First Second booth at San Diego Comic-Con, the morning after the Eisners ceremony, and had a wide-ranging conversation about his creative inspirations, the changing face of the comics market, and his new and upcoming projects.
Mark Buckingham’s art hasn't just made Fables a classic — it has made it, and comics in general, accessible to reluctant readers the world over. His work on the long-running Vertigo series chronicling the lives of exiled fairy tale characters is simple, but never simplistic, and visually strong without ever sacrificing complexity. From Buckingham’s pen flow wooden soldiers of truly oaken resolve, smart-mouthed witches, rumpled detectives and alcoholic, anthropomorphic pigs, all living and loving in the little slice of New York City they've made their own.
Buckingham has helped propel the Bill Willingham-written series to the bestseller lists over and over again, inspired decadent cosplay and made Fables the kind of work that's beloved by your bag-and-boarding friends and your mom alike. Now, as the story nears its end, Buckingham is preparing to say goodbye the world he so richly imagined. ComicsAlliance found him at San Diego Comic-Con to discuss the fond farewell and what the future holds.
Constantine is not modelled on the disappointing 2005 Keanu Reeves movie, also called Constantine. Nor is it an adaptation of DC Comics' current superhero comic book, Constantine, set in the rebooted New 52 DC Universe. The TV show very clearly goes back to the source material, the 1980s DC/later-Vertigo comic series Hellblazer, written initially by Jamie Delano and based on the character John Constantine created by Alan Moore, Steve Bissette, and John Ridgway in the pages of Swamp Thing. The leading man looks just as he does in the comics, with his familiar trenchoat and tie, and he acts broadly the same way too. Just as crucially, his backstory draws heavily from Delano's Hellblazer run. This Constantine is riddled with guilt and fearful for his soul because he failed to save a girl named Astra in Newcastle from the demon Nergal.
This means that the the TV adaptation of the comic is actually more faithful to the source material than the current version of the comic -- but only in broad strokes. In actual execution, this TV show is not the mature affair that the Vertigo comic offered. This is not a cable television supernatural show. This is more like... a Supernatural show.
While at Comic Con, Grant Morrison dropped several enigmatic hints and subliminal messages to ComicsAlliance about his next mega-event, Multiversity, broke down the divisions between fictional universes, and even proclaimed that he thinks that he's made the world's first real superhero. He says things like that. Some people like him, many love him, and some people straight up hate him. With Multiversity starting up in August, you can be sure that there will soon be legions of detractors proclaiming that Morrison is the most overrated writer in comics, and nothing he's ever done has ever made any sense.
The release of DC's Doom Patrol Omnibus finally equips us to give these people the bludgeoning they deserve. (Metaphorical bludgeoning. ComicsAlliance does not condone actual bludgeoning.)
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