Cartoon Network's Steven Universe has quickly become one of my favorite shows on television. The action, the comedy, the fact that there's an episode all about secret underground pro wrestling where the lead character becomes a manager named Tiger Millionaire, these are all things that I tend to respond to pretty favorably.
That's why I sat down for a roundtable interview at Comic-Con International with Zach Callison (Steven), Deedee Magno (Pearl),Michaela Dietz (Amethyst) and Tom Scharpling (Greg Universe) to go behind the scenes and find out what their favorite episodes are, what the response has been, and the magical formula for turning into Aimee Mann.
Test footage from the unlikely-but-not-impossible Deadpool movie has been appearing and disappearing all over the Internet for the past few days, with a high-res version popping up on Vimeo (since deleted) and DailyMotion (the player above).
Here's what we know about it: director Tim Miller and actor Ryan Reynolds made the two minutes or so of footage back in 2012 to convince 20th Century Fox to greenlight a film. It hasn't convinced them yet, and Reynolds has been less than optimistic about the movie's chances in recent interviews. Fans can assume that if there had been (or could be) a Deadpool movie, it would have looked a lot like this. There's a lot to like about what's in here, and a few things that seem to be missteps. Let's take a look.
COWL is an Image Comics series which stylishly depicts an alternate history Chicago of the pre-”swinging” 1960s, when the (in)famously political city experienced all manner of socioeconomic upheaval — including the dissolution of the Chicago Organized Workers League. Also known as COWL, it’s a union for costumed superheroes, and its days are numbered.
Besides the very cool and original artwork of Rod Reis, we like COWL because it avoids some traps into which most non-Marvel and non-DC cape comics fall. Crucially, despite its “real-world” premise and period setting, COWL is not a Watchmen cover version, offering a decidedly less dour tone and honest-to-god superhero adventure blended deftly with its dramatic take on city politics. Sometimes it’s even really funny. The book also bucks the origin fetish of the superhero genre by introducing us to its intriguing cast not at the start of their sagas, but at what might be the end.
Last week at Comic-Con International in San Diego, we had a chance to talk to COWL co-writers Kyle Higgins and Alec Siegel about their series.
Each week, ComicsAlliance’s Chris Sims and Matt Wilson host the War Rocket Ajax podcast, their online audio venue for interviews with comics creators, reviews of the books of the week, and whatever else they want to talk about. ComicsAlliance is offering clips of the comics-specific segments of the show, usually several days before the full podcast goes up at WarRocketAjax.com on Mondays.
This week is a little different because Chris and Matt attending Comic-Con International in San Diego, and time fell into a deep, inescapable vortex. It certainly wasn't all bad, though, so the two of them are listing their bests and worsts of the show this year, including seeing celebrities in their element, watching the Gotham pilot, buying cool stuff, cosplay, the massive crowds, and so much more.
Eighteen years after Fight Club first saw print, author Chuck Palahniuk is returning to the world of Project Mayhem for a sequel — Fight Club 2 -- which will take the form of a ten issue comic book series illustrated by Cameron Stewart and published by Dark Horse.
In this interview conducted at Comic-Con International in San Diego, the author talks to ComicsAlliance about why he chose to revisit the world of Fight Club, why he chose to do so in the comics medium, the process of learning how to write comics, his collaboration with Cameron Stewart, and how his ant-hero Tyler Durden may be much more than a figment in the Narrator's imagination, but a force of nature dating back millennia, shaping all of human history to facilitate a plan he has for the Narrator's nine-year-old son. And quite a bit more besides.
You may have noticed that here at ComicsAlliance, we are pretty excited about the Power Rangers, and Power Rangers Super Megaforce. In addition to having 300% more adjectives than other adventure shows, is probably the most exciting of all. It’s built around the theme of Power Rangers who celebrate more than two decades of the franchise by transforming into past Rangers (and unlocking their secret powers with the help of guest stars returning from previous seasons), and that’s definitely something we’re into.
ComicsAlliance's Chris Sims and Caleb Goellner (who returns from self-exile in a totally different job) sat down with the cast of Megaforce at Comic-Con International in San Diego to have what is doubtlessly the best conversation about Power Rangers ever had by anybody in history.
Arguably the most anticipated home video release, like, maybe ever, Batman '66 has finally been remastered and slated for release this November. The television show is both a classic interpretation of the Dark Knight but also an influential and beloved pop culture phenomenon in its own right, but arcane rights issues kept the complete series from the home video market for decades.
As announced earlier this week, Batman: The Complete Television Series will be available November 11 on Blu-ray, DVD, digital, and, of course, a super expensive collector’s edition that comes with all sorts of groovy stuff, including a selection of photos from star Adam West’s personal archives (when you’re as mature and sophisticated as West, you get to have “personal archives”).
In observance of the news, series stars Adam West, Burt Ward and Julie Newmar sat for a press conference at Comic-Con International in San Diego over the weekend, and ComicsAlliance's Chris Sims was there to document the event for your immense pleasure.
Photographer Pat Loika and the bloggers of ComicsAlliance explored the scene in and around the San Diego Convention Center during Comic-Con this past week, and what follows is a small compilation of the things they've uncovered. As you can see, SDCC is a hotbed of cosmic-religious strife, homeless Batmen, and Donal Logue.
If our weekly Ask Chris column isn't enough of definitive comic book (and pro wrestling) opinions for you, good news: ComicsAlliance is proud to present Here's The Thing, a series of videos where you can join our own extremely opinionated senior writer, Chris Sims, as he dives into comics history to explain why you're wrong and he's right.
This week, Chris is joined by special guest Bulbasaur for a chat aboutPokémon, fan theories, "headcanon" and why so much of it is focused on this one game for tiny children.
If Batman ended up in an Arkham Asylum cell, would he be deemed "normal," or would the Gotham facility known for housing the "criminally insane" keep him under lock and key?
In an episode of Batman: The Animated Series called "Dreams in Darkness," the Dark Knight's worst nightmare may have come true when he finds himself being evaluated by psychiatrist Dr. Bartholomew at Arkham Asylum. The doc asserts that Batman is very "ill" and that the one place where "costumed persons with delusional personalities come to find compassionate help" seems like the best place for him. Fighting the onset of paranoid delusions and vivid hallucinations, Batman struggles to reveal the real cause of his insanity: The Scarecrow.
In this episode of The Arkham Sessions, we discuss the experience of being hospitalized for psychiatric reasons, the dangers of labeling people with disorders, and the feelings of dehumanization sometimes perceived by patients in the mental health care system.
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