Geof Darrow made a welcome return to the pages of the Dark Horse Presents anthology recently, in the first issue of its latest relaunch, with a new Big Guy and Rusty the Boy Robot story. Missing was Darrow's collaborator on the original 1995 comic, Frank Miller; in an interview prior to the release of the new short story, Darrow said he'd talked to Miller and hoped he would still come on board to write some dialogue, but it didn't read as overly convincing, so it wasn't a surprise to see him listed as the sole author in this edition. Needless to say, a Miller-less Big Guy makes for a very different reading experience.
Comics-industry insiders say Comic-Con International's history with San Diego is too well-established for the convention's organizers to ever pick up and move to another city, but many are fretting about just that after a tax plan that would have paid for an expansion to San Diego's convention center went bust.
Last month, the Fourth District Court of Appeals struck down a hotel levy that would have been the main funding mechanism for improvements to the convention center. The San Diego City Council decided last week not to appeal that ruling, leaving the convention center in quite a fix. The expansion plan was a big reason why Comic-Con re-upped with San Diego through 2016.
Though hugely influential on characters including Vampirella, Jean-Claude Forest's Barbarella graphic novels haven't really made a huge dent in American comics culture. Many fans are likely familiar with the 1968 movie starring Jane Fonda, but Forest's French comics haven't been printed in English since appearing in Heavy Metal back in 1978.
That's about to change thanks to Humanoids Publishing and writer Kelly Sue DeConnick. A new translation of Forest's Barbarella, scripted by DeConnick, is set for release September 24, with the first-ever English reprint of the second book, The Wrath of the Minute-Eater, coming in January.
Over the past 40 years, Tom Batiuk’s Funky Winkerbean has transitioned from a gag-a-day comic strip about a high school to an ongoing chronicle of pure, abject misery. Thanks to the ongoing commentary on Josh Fruhlinger’s Comics Curmudgeon, I am now completely obsessed with it, which is why I spend a little time every month rounding up its finest examples of crushing despair.
This month... oh brother, this month. Tom Batiuk's offerings over the past few weeks have made August 2014, without question, the single worst and most mind-bogglingly bizarre month on record. If you haven't been reading my recaps of the strip over the past few years, this is the one you're going to want to start with, if only to see how completely irate one man can get over a newspaper comic strip about a man trying to write a made-for-cable movie about his dead wife.
You know, I think it's high time that we get some new saints around here. I mean, no offense to Lucy of Syracuse or any of her devotees, but as impressive as carrying one's eyes around on a golden plate might be, it just doesn't have a lot of relevance to my life. I don't even know where I'd find a golden plate, especially if I didn't have any eyes to look for it with.
Fortunately, artist Heymonster (also known as Spencer) has offered up a set of suitable replacements. In a series of prints called "Strong Female Characters," Spencer has taken some of the most prominent women of pop culture and boiled them down into downright saintly inspirational images.
Like a good pop song, if a genre comic is going to keep you interested, it has to have a hook. It really doesn't matter if the art is exceptional, or it has an inventive structure or well-written characters. If it can't be distilled into one intriguing sentence of less than ten words, then it's not going to keep your attention. Blind guy fights crime; orphaned billionaire is world's greatest detective; six guns control the fate of the world; this Avenger is a freaking mess; Teenage Mutant Ninja Turtles, etc. But you can't just have the hook -- a comic with bad art, poor writing, and a fantastic hook is still a mediocre comic.
Dead Letters Vol. 1: The Existential Op by Christopher Sebela and Chris Visions, is far from mediocre, with strong writing, captivating and kinetic art, and a hook that will grab you from the get-go: amnesiac detective joins gang war in Purgatory.
Each weekday, ComicsAlliance brings you a carefully selected variety of links from around the web about comics and comics-related media, including movies, video games, toys, and whatever else might be worth noting. Quite frankly, these are items you may just need to know about to have a productive day. Take a look at today's hand-picked links after the jump.
When it was first announced that Disney was purchasing Marvel, the minds of many fans leapt immediately to the possibility of a Disney-Pixar animated Marvel movie. We're sorta getting that in November with 'Big Hero 6' but as that movie approaches, it's become very clear that it's not really much of Marvel movie at all, other than being loosely based on the obscure 90s comic. What fans really want to know is if we'll ever see a Disney or Pixar animated movie in the Marvel Cinematic Universe. John Lasseter, who runs both Disney Animation and Pixar, has your answer: no.
A great comic book cover is an advertisement, a work of art, a statement, and an invitation. A great comic book cover is a glimpse of another world through a canvas no bigger than a window pane. In Best Comic Book Covers Ever (This Month), we look back over some of the most eye-catching, original and exceptional covers of the past month.
August offers a feast of shape and color, with striking covers by Scott Fischer, Victor Santos, Chrystin Garland, and Tula Lotay, some bold juxtaposition, and a quirky take on a pulp archetype or two -- including a Nazi airship and some poor sap being held in a giant hand. It's a classic!
In a new interview in Total Film magazine, actor Jesse Eisenberg, who will portray Lex Luthor in Batman V Superman: Dawn of Justice, gives the movie and its writers more than just a ringing endorsement. He says he'd do the movie for no money at all if it was some low-budget flick. "I really liked it on its own terms. I would do it if it was for free and it was tiny."
That seems like quite a stamp of approval. Sure, actors have to talk up their movies for promotion, but saying, "I'd do this for no pay" is a fairly extreme endorsement. And it turns out from the rest of the interview that Eisenberg isn't exactly a fan of the superhero genre -- but he may be coming around.